Sentences with phrase «humanities supported the exhibition»

Sponsor: Mobil Oil Corporation and an indemnity from the Federal Council on the Arts and the Humanities supported the exhibition.

Sponsor: Philip Morris Companies, Inc., and an indemnity from the Federal Council on the Arts and the Humanities supported the exhibition.

Not exact matches

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

The exhibition is presented by The Secular Society, with education programming support provided by the Virginia Foundation for the Humanities.

The goal of the campaign is to demonstrate the arts» positive impact on the lives of Georgia residents and to underscore the importance of continued funding for the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services, which support artistic initiatives, including educational programming, exhibitions and performances.

Joyce J. Scott: Harriet Tubman and Other Truths is supported in part by the following funders: National Endowment for the Arts Art Works, Bank of America, New Jersey Council for the Humanities, Agnes Gund Foundation, Art Alliance for Contemporary Glass, The Coby Foundation, LTD., Rotasa Foundation, PNC Fund of the Princeton Area Community Foundation, Goya Contemporary, Shirley and Arthur Martin Family Fund, and the following Exhibition and Education Supporters: Robbye D. Apperson, Jackie & René Copeland, Gordon and Lulie Gund, Barbara Lawrence and Allen Laskin, Mike De Paola and Alan White.

Curated by Kathleen A. Edwards, Lil Picard and Counterculture New York was organized by the University of Iowa Museum of Art and is supported in part by Doug and Linda Paul, Lil's List, the Members Special Exhibition Fund, and the University of Iowa Arts and Humanities Initiative.

Organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, the exhibition and publication are generously supported by the Henry Luce Foundation and The Dedalus Foundation, Inc., and by an indemnity from the Federal Council on the Arts and Humanities.

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities and by an award from the National Endowment for the Arts.

is made possible by the generous support of The Hunter Art Exhibition Fund; Foundation To Life, Inc.; The Arts Across the Curriculum Initiative at Hunter College, funded by the Andrew W. Mellon Foundation; the Rose Goldsen Archive of New Media Art and the Digitization and Conservation Services, Cornell Library; Society for the Humanities, Cornell University; the Experimental Television Center; New York State Council for the Humanities; Electronic Arts Intermix; Dave Jones Design; and Signal Culture.

Support for this exhibition and its programming has been provided by the Smart Museum's Pamela and R. Christopher Hoehn - Saric Exhibition Fund, Nuveen Investments, the Consulate General of the Federal Republic of Germany, the University of Chicago's Arts Council, the Franke Institute for the Humanities, and the Center for Interdisciplinary Research on German Literature anexhibition and its programming has been provided by the Smart Museum's Pamela and R. Christopher Hoehn - Saric Exhibition Fund, Nuveen Investments, the Consulate General of the Federal Republic of Germany, the University of Chicago's Arts Council, the Franke Institute for the Humanities, and the Center for Interdisciplinary Research on German Literature anExhibition Fund, Nuveen Investments, the Consulate General of the Federal Republic of Germany, the University of Chicago's Arts Council, the Franke Institute for the Humanities, and the Center for Interdisciplinary Research on German Literature and Culture.

These exhibitions are supported in part through generous contributions by Acoustical Sheet Metal, Capital Group Companies, and PRA Group, as well as grants made possible by the Business Consortium for Arts Support, the Virginia Commission for the Arts, and the Virginia Beach Arts and Humanities Commission.

We gratefully acknowledge operating support from the Canada Council for the Arts and the Ontario Arts Council, with additional project support from the Jackman Humanities Institute, and the University of Toronto MVS Curatorial Studies Program at the John H. Daniels Faculty of Architecture, Landscape and Design and the circulation of the exhibition is made possible in part by a grant from the Ontario Arts Council's National and International Touring Program.

This exhibition was organized by the Museum of Fine Arts, Boston, and the Nasher Museum of Art at Duke University, and is supported by an indemnity from the Federal Council on the Arts and the Humanities.

The exhibition also received support from Duke University's Department of Art, Art History and Visual Studies, Department of Music, Department of Romance Studies, Department of Theater Studies, John Hope Franklin Humanities Institute, the Office of Public Affairs and Government Relations, Duke Center for Multicultural Affairs, and the Visual Studies Initiative.

Support for the exhibition has been provided by the National Endowment for the Humanities and the Samuel H. Kress Foundation.

The exhibition is also supported by an indemnity from the Federal Council on the Arts and the Humanities.

Sponsors These events and exhibitions are presented in collaboration with the Syracuse University College of Visual and Performing Arts Department of Transmedia and the Department of Art Visiting Artist Lecture Series, the Community Folk Art Center (CFAC), and with the generous support of the Syracuse University Humanities Center and the New York State Council on the Arts.

This exhibition was organized by The Museum of Modern Art, New York, and is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Supported by the Arts and Humanities Research Council, the project embraced a range of activities and outputs, including an exhibition and display at Tate Britain, conferences and specially made films.

Sponsor: The exhibition was supported by a grant from GTE Corporation and by an indemnity from the Federal Council on the Arts and the Humanities.

The exhibition was supported by an indemnity from the Federal Council on the Arts and the Humanities.

Sponsor: Martin Marietta Corporation supported the exhibition with the assistance of the Industrial and Commercial Bank Zurich Ltd. and an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition was supported by an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition is the first to be supported through a new grant and exhibit space opportunity for District - based curators from the DC Commission on the Arts and Humanities (CAH).

It is with gratitude that Ritchie recognizes the Franz and Virginia Bader Fund, the Maryland State Arts Council, and the Arts and Humanities Council of Montgomery County, Maryland whose support helped make this exhibition possible.

This exhibition is made possible by the Lenore S. and Bernard A. Greenberg Fund and is supported by an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.