Sentences with phrase «ica speaks»

ICA SPEAKS: Richard Tuttle will take place at Palm Court in partnership with the Miami Design District.
The Institute of Contemporary Art presents ICA SPEAKS, a series of lectures highlighting artists from the museum's permanent collection.
Artist Richard Tuttle, who since the mid-1960s has created an extraordinarily varied body of work that eludes historical or stylistic categorization, discusses his work, and installs a historic work from his «Blue / Red» series at ICA Speaks in the Miami Design District's Palm Court.
«ICA Miami is committed to producing new scholarship and dialogue around contemporary art, and ICA SPEAKS invites the museum's community to hear from today's cutting - edge artists and to engage with our permanent collection in new and meaningful ways.»
ICA SPEAKS reflects the museum's ongoing commitment to providing a dynamic and critical platform for the most innovative and experimental artists working today.
«Through ICA SPEAKS, ICA Miami continues to bolster its commitment to providing a platform for contemporary artists worldwide and offers another way in which audiences can directly connect to the art of today.»
«Eddie and I are honored to provide support for ICA Miami's new public programming series, ICA SPEAKS, which underscores the institution's dedication to serving the local community,» said Kinga Lampert.
September 28, 2017 Jillian Mayer ICA Speaks Panel Discussion Institute of Contemporary Art, Miami, FL Visit Website

Not exact matches

Stuart Semple regularly speaks publicly about his art, creativity, the Internet and mental health and has appeared at ICA, Prince's Drawing School, Museum of Modern Art (Dublin), Jerwood Space and others.
We spoke to the feminist pioneer about her new show at ICA Boston and looking back on four decades of making art.
Radio Boston spoke to Boston ICA director Eva Raspini, artist Steven Locke, and Barbara Lewis, director of the William Monroe Trotter Institute for the Study of Black History and Culture, about the latest controversy related to Dana Schutz's «Open Casket.»
Speaking to a reporter for Artnet, Michele Maccarone referred to the 2008 solo show of Rama's at Maccarone Gallery in New York — one of the rare occasions to see her work in the U.S. aside from a retrospective that traveled to the ICA Boston in 1998 — as «the punkest shit in town.»
He spoke to Studio International during the installation of his exhibition Requests and Antisongs, at the ICA, London.
«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.
He has presented for the BBC and spoken at Oxford University, ICA, Denver Art Museum, Southbank Center & Irish Museum of Modern Art.
John Stezaker remembered having been to the exhibition, though he could recall no specific details other than a fire; when Sandy Nairne worked on it, as director of exhibitions at the ICA in the early»80s, he had to negotiate Mona Hatoum's plan to have a video camera in the lavatories live - feeding into the gallery; Pablo Bronstein spoke about it in venomous terms, having applied on every possible occasion but having never been selected.
To be fair, much of the Contemporary Arts Museum of Houston's recent exhibition programming has spoken to critical and feminist concerns, from a phenomenal presentation of ICA Philadelphia's Dance with Camera to the knockout Hand + Made: The Performative Impulse of Art and Craft organized by curator Valerie Cassel - Oliver last summer.
Previous speaking engagements have taken place at the Frieze Art Fair, ICA, Tate Modern, Whitstable Biennale and Whitechapel Gallery, amongst other venues.
Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?
Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne
John Miller speaks with longtime friend and fellow California Institute of the Arts graduate, the artist Christopher Williams on the eve of his major survey show I Stand, I Fall, at the ICA / Institute of Contemporary Art, Miami in Interview.
A chance to hear Arthur Jafa speak ahead of the opening of his important video installation, Love Is the Message, the Message Is Death, at the ICA.
On the occasion of Betty Woodman's two simultaneous exhibitions, Breakfast at the Seashore Lunch in Antella at Salon 94 (January 21 — February 26, 2016), and Betty Woodman: Theatre of the Domestic (February 3 — April 10, 2016) at the Institute of Contemporary Art (ICA) in London (her first solo presentation in the U.K.), she spoke with Phong Bui before an audience at Salon 94.
2014 Speaking of People: Ebony, Jet, and Contemporary Art, Studio Museum in Harlem, New York, NY Post Pop: East Meets West, Saatchi Gallery, London, UK Beyond the Classical: Imagining the Ideal Across Time, National Academy Museum, New York, NY Burn with Desire: Glamour in Photography and Film, Ryerson Image Center, Toronto, Canada Rauschenberg: Collecting & Connecting, Nasher Museum of Art, Duke University, Durham, NC GIRL curated by Pharrel Williams, Galerie Perrotin, Paris, France Pop Departures, Seattle Museum of Art, Seattle, WA Bash II, Kleinert / James Gallery, Woodstock, NY Expanding the Field of Painting, ICA Boston, Boston, MA Reflect, Cut, Construct, Wallach Art Gallery, Columbia University, New York, NY Aljira at 30, Dream and Reality, New Jersey State Museum, Trenton, NJ Aspects of the Self: Portraits of Our Times, Center for the Arts, Virginia Tech, Blacksburg, VA Domestic Unrest, Pippy Houldsworth Gallery, London, England Aftershock: The Impact of Radical Art, Edelman Arts, New York, NY 30 Americans, Contemporary Arts Center, New Orleans, LA The International Biennial of Contemporary Art of Cartegena de Indias, Cartagena de Indias, Colombia Shakti, Brand New Gallery, Milan, Italy
Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, Londra 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, Londra (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, Londra 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlino 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlino (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlino (performance) 2007 «Experiment Marathon», Serpentine Gallery, Londra (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul ed Atene (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlino 2007 «Köln Show2», European Kunsthalle, Colonia
Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century through to the present,» but it also speaks to a broader interest in this type of work evidenced by recent curatorial and scholarly projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's installation I Don't Know.
Published to accompany the group exhibition Modern love: LASALLE thirtieth anniversary exhibition, including Ahmad Abu Bakar, Lina Adam, Jon Chan, Choy Ka Fai, Chua Chye Teck, Amanda Heng, Jeremy Hiah, Djohan Johari, Godwin Koay, Zai Kuning, Jane Lee, Lee Wen, Vincent Leow, Justin Lim, Zulkifle Mahmood, mohamadriduan, Donna Ong, Ruben Pang, Phan Thao Nguyen, PHUNK, Ana Prvacki, Rizman Putra, Shubigi Rao, Zaki Razak, anGie Seah, Jeremy Sharma, Shirley Soh, Speak Cryptic, Melissa Tan and Suzann Victor, at the ICA Singapore Introduction by Bala Starr and Khairuddin Hori Biographical information Catalogue of works in the exhibition Softback, 24 pages, 21 x 14.8 cm, 2 illus.
Artspace's Loney Abrams speaks with the ICA Miami curator and co-organizer of the 2018 New Museum Triennial about pre-digital painting in the Information Age.
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