Sentences with phrase «ica since»

Paul Swenbeck has worked with ICA since 1995 as a member of the installation crew.

Gregor Muir has been Executive Director of the ICA since 2011 where he has overseen a highly acclaimed programme of exhibitions by artists such as Tauba Auerbach, Pablo Bronstein, Isa Genzken, Richard Hamilton, Bruce Nauman, Dennis Morris and James Richards, as well as a vibrant cinema and events programme.

Not exact matches

The ICA was even more permissive: since 1985, virtually all of the 1,600 purchases reviewed got a thumbs - up.

The numbers also would have looked much different under a dollar - cost - averaging scenario since every purchase of the ICA shares would have been subject to the sales load.

I understand why you wouldn't want to compare a small cap fund with the S&P 500 Index but I don't think it's out of line to compare ICA with the S&P 500 (especially since Morningstar does too).

The ICA c - shares have only been around since 2001.

Since receiving a diploma from London's Slade School of Fine Art last year, Juntae has steadily picked up momentum — he showed at Bloomberg New Contemporaries 2015 in Nottingham and ICA London and was featured in this year's edition of the XL Catlin Art Guide, an annual shortlist of the most promising new art school graduates in the U.K..

Frieze.com: This is your first solo exhibition in London since that at the ICA in 1976.

ICA Philadelphia staff reached out to W.A.G.E. almost exactly a year ago and we have worked closely together since then to complete this certification.

The Mighty Scheme is Graham Fagen «s first solo exhibition in London since «The Golden Age» his 2001 show at the ICA.

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House in Edinburgh; several engagements with Bury Art Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows in commercial galleries, the most recent at Lisson Gallery in 2013.

I'm interested in grounding the ICA in its incredible past, since its an institution that has shown truly great and provocative artists — be it Yoko Ono, Joseph Beuys, Gerhard Richter, Hermann Nitsch, or so on — and yet is still incredibly forward - looking.

Since his last show, his work has been exhibited at Dallas Museum of Art, Mass MoCA, Castello Di Rivoli, MoMA, Sammlung Goetz, White Cube, L'ARC / Musee d'Art Moderne de la Ville de Paris, Palais de Tokyo, ICA Philadelphia, Kettle's Yard, SFMoMA, CCAC and The Sydney Biennial.

Since she first exhibited in the ICA's 1982 Young Contemporaries show alongside Grayson Perry, Michele Howarth Rashman has been the shrinking violet of contemporary art.

Daniel Sundheim has been on ICA's board since 2012 and Brett has recently taken her husband's place for a board seat.

2007 Re - Make / Re-Model, Sorcha Dallas, Glasgow, Scotland Issabella Bortolozzi, Berlin, Germany Love Me Tender, Works from the Tate collection, Tate Britain, London Linn Luhn, Cologne, Germany Harry Smith Anthology Remixed, Alt.Gallery, Newcastle Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art Chicago, IL, USA What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland The Secret Public: The last days of the British Underground 1978 — 1988, ICA, London Panic Attack!

Drawing on EAI's extraordinary archive, and building upon ICA's history of engagement with media art since 1975, Broadcasting will foster a dialogue between early innovators and contemporary practitioners, such as Ulysses Jenkins, Shigeko Kubota, Tony Cokes, and Kristin Lucas.

Since the late 1990s she has had numerous significant solo exhibitions, including at the Witte de With Center for Contemporary Art, Rotterdam (1997); ICA, Philadelphia (1998); Museum für Gegenwartskunst, Basel (2000); MACBA, Barcelona (2001); Tate Britain, London (2001), Center for Contemporary Art Kitakyushu, Japan (2006) and more recently at the Schaulager, Basel (2007) and Miami Art Central, Florida (2007).

Regional Piece contributes to the ICA / Boston's expanding collection of paintings, especially those that demonstrate transformations in the medium since the 1970s.

I went to the ICA with high expectations — I've been an admirer of Schutz's work ever since I first saw it — but also with a bit of trepidation.

Since 2000, she has directed the exhibition program as chief curator at the Institute of Contemporary Art (ICA) at the University of Pennsylvania, one of the leading museums dedicated to exhibiting the innovative art of our time.

Curated by Deputy Director and Chief Curator Alex Gartenfeld and organized by ICA Miami, The Van (Redux) marks the first presentation of new work by the artist since her 2009 presentation at the Whitney Museum of American Art, and reflects the museum's ongoing commitment to providing a platform for the work of the most innovative and experimental artists practicing today.

Alex Bag (b. 1969, New York; lives and works in New York) has exhibited internationally since the mid 1990s, including solo exhibitions at The Whitney Museum, The Migros, ICA Miami, and The Warhol Foundation.

«Bringing to the fore one of the most seminal artists of our era, this exhibition is a prime example of the significant programming ICA Miami has produced since its founding and that we will continue to present in our new home,» said Ellen Salpeter, director of ICA Miami.

On view in ICA Miami's second floor galleries through January 16, 2016, the exhibition includes the first comprehensive presentation of photographs from the artist's ongoing series Black Box Collision A, which since 2012 has seen the artist isolating and documenting the letter «A» from the vestiges of sign, advertisement, message, and other modes of visual communication.

Twenty - four - year - old Andrea Crespo has had a busy (and impressive) few years, exhibiting at big - league institution like The Whitney, ICA London, New Museum (online), Swiss Institute, Serpentine Galleries, and The Kitchen since the beginning of 2015.

ICA joins a group of over 50 certified institutions since the program's launch in 2014, including the Swiss Institute, Artists Space, Locust Projects, Jacob Lawrence Gallery, as well as the museum - related organization Open Space, a platform run by the San Francisco Museum of Modern Art that publishes writings by curators, artists, and critics.

Esseiva has served as the ICA's Curatorial Assistant since 2016 and has been integrally involved with the ICA's inaugural program.

Kelley has not held a solo show in Britain since his ICA exhibition in 1992, and this, rather than being an exhibition of his own art, is a reworking and updating of an exhibition he put together more than a decade ago for Sonsbeek 93, in Arnhem.

Katharine Stout has been Head of Program at the ICA (Institute of Contemporary Arts) since 2013.

Since 2007 he has run a twice - monthly ceramics workshop for adults suffering from multiple sclerosis, with the results being exhibited at galleries such as London's ICA (2008) under the name Nowolipie Group & Pawel Althamer.

His show Side On at the Institute of Contemporary Arts (ICA) in London is the latest of a series of shows since he graduated from the Royal Academy Schools in 2013.

Since 2002, PoetryFilm has presented over 80 events at venues including Tate Britain, ICA, FACT Liverpool, Cannes Film Festival, CCCB Barcelona, O Miami, The Royal College of Art, and Curzon Cinemas.

Since the launch of its galleries in 2003, Prefix ICA has been consistently lauded for the outstanding quality of its exhibition programme, having received more than twenty awards from the Ontario Association of Art Galleries for its exhibitions, installations, and publications, as well as the art direction for its print promotions.

Artist Richard Tuttle, who since the mid-1960s has created an extraordinarily varied body of work that eludes historical or stylistic categorization, discusses his work, and installs a historic work from his «Blue / Red» series at ICA Speaks in the Miami Design District's Palm Court.

Since 2009 Kraczon has organized ICA's annual juried film and video exhibition Open Video Call, and she was the receiving curator for the traveling exhibitions Jeremy Deller: Joy in People (2012) and Tim Rollins and K.O.S.: A History (2009).

Since 2004, she has been a member of the curatorial council for Prefix ICA, where she curated 31 by Lorna Simpson in 2005, the group exhibition Trade Marks in 2013, and Facing by Renée Green in 2016.

Bristol - based artist Luke Jerram graduated from Cardiff School of Art in 1997 and has since exhibited worldwide including the Wellcome Collection, London; ICA, London; Heller Gallery, New York; Murano Glass Museum, Venice and the Mori Art Museum, Tokyo.

Since the ICA's exhibition Bourgeois in Boston (2007 - 08), the museum has acquired a number of her works; this selection brings together sculptures and works on paper to consider her use of framing devices.

I've been an avid ICA fan since college and have been a «regular» at ICA events and openings ever since.

Horse Dorm is the twenty - fourth exhibition by ICA Baltimore since 2011.

Adam Pendleton has been included in significant exhibitions in America and Europe including the Palais de Tokyo's La Triennale (2012), where his video installation BAND was presented following its premiere at The Kitchen, New York (2010); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York, MoMA PS1, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, The Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

The exhibition brings together Louw's two contributions to the seminal conceptual exhibition of 1969, «When Attitudes Become Form: Park Lane», which was exhibited at the Kunsthalle Bern, and «Rope Piece», which will be installed for the first time since it was exhibited at the ICA, London, in 1969.

Her feature - length film, The Wanderer (2012), for which she received a flamin award, premiered at the Rio Cinema, London, in 2012, and has since been screened at the ICA, London.

Since 2014, the ICA has collaborated with The Contemporary Art Research Centre at Kingston University London to host the Stanley Picker Public Lectures on Art.

[1] The performances of Changeling at the ICA mark the first time it has been seen since 1964 thanks to recovered video footage of the Cunningham's solo.

ICA@50: Pleasing Artists and Publics Since 1963 marks half a century of ICA's role as one of the leading contemporary art museums in the world.

Self - Disclosures (2012) was co-published by ICA and Printed Matter to accompany the group exhibition In Numbers: Serial Publications by Artists Since 1955.

Philadelphia - based artist Anthony Campuzano's first museum solo exhibition, Touch Sensitive (2009) was organized at ICA by curator Kate Kraczon, and he has contributed to public programming at ICA ever since.