Sentences with phrase «icp triennial»

The frank sentiment of «A Global Warning,» one of the prescriptive taglines for Al Gore's recent documentary An Inconvenient Truth, is at the heart «Ecotopia,» the second ICP triennial of photography and video.
Since 2003 his work has been exhibited in leading art galleries and art fairs internationally, including the Unseen Photo Fair in Amsterdam, Photobastei in Zurich, Paris Photo in Paris and the ICP Triennial in New York.
2009 Landscape Revisited, Park Avenue Armory, New York, NY Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY Posing Beauty, New York University Tisch School of the Arts, New York, NY Dress Codes: The Third ICP Triennial of Photography and Video, The International Center of Photography, New York, NY Creating Identity: Portraits Today, 21C Museum, Louisville, KY Black Is, Black Ain't, The Artspace at the Kansas City Art Institute, Kansas City, MO Undercover: Performing and Transforming Black Female Identities, The Spelman College Museum of Fine Art, Atlanta, GA First Look: An Exhibition of Emerging Artists from Los Angeles Galleries, House of Campari, Los Angeles, CA Remix, Catharine Clark Gallery, San Francisco, CA The Female Gaze: Women Looking At Women, Cheim and Read, New York, NY Crash Proof, The Scholar and Feminist Online, Barnard Center for Research on Women, online exhibition Elsewhere, Saltworks, Atlanta, GA The Glamour Project, Lehmann Maupin, New York, NY CAN & DID — Graphics, Art, and Photography from the Obama Campaign, Danziger Projects, New York, NY
Ben Judd has exhibited widely in the UK and abroad, including group exhibitions JAM: Tokyo London, Tokyo Opera City Gallery, Tokyo and The Barbican Centre, London; The Galleries Show, Royal Academy, London; Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York; Impakt Festival, Utrecht, The Netherlands; Social Creatures, Sprengel... Read more»
Major exhibitions have appeared at Dia Art Foundation (2013); ICP Triennial (2013); Istanbul Biennial (2013); Musée du Quai Branly (2012); Palais de Tokyo Triennial (2012); Venice Biennale (2011, 1999); Power Plant (2011); Secession, Vienna (2008); Museo Tamayo (2008); Carnegie International (2008); Musee d'Art contemporain de Montreal (2007); São Paulo Bienal (2006); ICA Boston (2005); CCA Wattis Institute for Contemporary Arts (2005); Palais de Tokyo (2004); Documenta (2002); Centre Georges Pompidou (2001); Kunsthaus Zürich (2001); the Renaissance Society (2000); Art Institute of Chicago (2000); and the Biennale de Lyon (2000).
Other forthcoming exhibitions include a group show at ICP Triennial Premieres, The International Center of Photography in New York.
Ben Judd has exhibited widely in the UK and abroad, including group exhibitions JAM: Tokyo London, Tokyo Opera City Gallery, Tokyo and The Barbican Centre, London; The Galleries Show, Royal Academy, London; Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York; Impakt Festival, Utrecht, The Netherlands; Social Creatures, Sprengel Museum, Hannover, Germany; Seeing is Believing, The Photographers» Gallery, London; Whitstable Biennale, UK.
Apex Art has gathered six artists whose work either explores or relates to these types of images of war, including Rabih Mroué, whose ontological investigation of the video was on view in the recent ICP triennial.
Panar's works have been exhibited at Silver Eye Center for Photographer in Pittsburgh, ICP Triennial in New York, Tiger Strikes Asteroid in Philadelphia, Cleveland Museum of Art, and the Museum of Contemporary Photography in Chicago.
He participated in the 2009 Istanbul Biennial, 2012 Liverpool Biennial, 2013 ICP Triennial and the 2016 Gwangju Biennale.
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
Recent group exhibitions include; America is Hard to See, Whitney Museum of American Art, New York (2015); 56th International Art Exhibition — All the World's Futures, Venice Biennale, Venice, Italy (2015); A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA (2013); Land Marks, The Metropolitan Museum of Art, New York, USA (2013); Statuesque, Nasher Sculptural Center, Dallas, Texas, USA (2011); Contemporary Galleries: 1980 — Now, MOMA, New York, USA (2011); Whitney Biennial, Whitney Museum of American Art, New York, USA (2010); 7th Gwangju Biennale, Gwangju, South Korea (2008); and After - Nature, The New Museum, New York, USA (2008).
He has been in major group exhibitions such as Documenta, the Venice Biennale, the São Paulo Biennial, the ICP Triennial in New York, and has shown his work at the Castello di Rivoli in Turin, Tate Modern in London and the Prado in Madrid.
«Dress Codes», The Third ICP Triennial of Photography and Video, International Center of Photography, New York, NY
In 2003 it launched the ICP triennial, a showcase for international art, and in 2004 it mounted «Between Past and Future: New Photography and Video from China,» an exhibition co-curated by Phillips and Wu Hung.
New York «Strangers: The First ICP Triennial of Photography and Video»; «French Artists in Rome: Ingres to Degas, 1803 — 1873»; «Signs from Berlin»; Romare Bearden; Judy Pfaff; Harry Callahan; «Pulp Art»; Willem van Tetrode; «Black and White»; Didier Massard; Barnaby Furnas; Jill Levine; Elena Kallistova; Shimon Okshteyn; «SYLVA — A Tree Show»; Marco Maggi Washington, D.C. «The Art of Romare Bearden» New Orleans «The Story of the South» Los Angeles Laura Owens Santa Monica Lissie Habie San Francisco James Turrell Chicago Lucien Clergue Washington, D.C. «In the Spirit of Martin: The Living Legacy of Martin Luther King, Jr.» Santa Fe David Linn; Shono Tokuzo Miami Sandra Ramos Valencia, Spain Valencia Bienal Salzburg Anselm Kiefer London Rezi van Lankveld Zurich Stefan Thiel Amsterdam «Meets» Frankfurt Abe Frajndlich
2016 The Sommerakademie, Centrum Paul Klee, Bern, Switzerland The Soul of Money, DOX Centre for Contemporary Art, Prague, Czech Republic Artists» Voices, Centre d'édition contemporain, Genève, Switzerland A History, Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, Germany Poésie balistique, La Verrière Hermès, Brussels, Belgium A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA Artworks from the Enea Righi Collection, Palazzo Fortuny, Venice, Italy Radical Democracy, ASAKUSA Art Space, Tokyo Nothing but blue skies, Rencontres 2016, Arles, France Systematically Open?
Perspectives from France and Turkey, Istanbul Modern, Istanbul, Turkey A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA [UN] NATRURAL LIMITS, Austrian Cultural Forum, New York, USA Showing Its Colours, MARTa Herford, Herford, Germany Only Sculpture!
My photographs will be featured in this year's ICP Triennial and I'm very excited to be included in the Akron Museum's upcoming traveling exhibition, Pattern ID, curated by Ellen Rudolph opening January 2010.
Among the exhibitions she has co-curated are the four ICP Triennial Exhibitions of Photography and Video and Avedon Fashion 1944 - 2000.
His work has appeared in major exhibitions at Nasher Sculpture Center (2012); Wexner Center for the Arts (2011); and the Hammer Museum (2006); and has been included in exhibitions at the ICP Triennial (2013); Pérez Art Museum Miami (2013); Museum of Contemporary Art, Los Angeles (2011); LACMA (2011); SFMOMA (2010); New Museum (2010); Louisiana Museum of Modern Art, Denmark (2009); Las Vegas Art Museum (2009); Guggenheim Museum (2007); DESTE Foundation for Contemporary Art (2007); Saatchi Gallery (2006); and ICA, Philadelphia (2003).
He was closely involved with the ICP Triennial exhibitions of contemporary photography and video that took place from 2003 to 2013.
Shewas featured in Greater New York (2005) at P.S. 1 and recently was included in Dress Codes: The Third ICP Triennial of Photography and Video.
2009 Dress Codes: The Third ICP Triennial of Photography and Video, ICP, New York, NY JIGSAWMENTALLAMA, David Cunningham Projects, San Francisco, CA Splendid Isolation, Athens Biennale, Palaio Faliro, Athens This is Killing Me, MASSMoCA, North Adams, MA Chaperone: Eight Artists, Eight Movies, EFA Project Space, New York, NY BIG APPLE, Galerie Nordne Zidoun, Paris, France Celebration, Galerie Isabella Bortolozzi, Berlin, Germany Talk Dirty to Me, Larissa Goldston Gallery, New York, NY Butt in Ass, Asia Song Society, New York, NY
Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.
Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).
Jodice was one of the founding members of the collective Multiplicity and his work has been exhibited worldwide, including at Documenta (2001); La Biennale di Venezia (2003); Liverpool Biennial (2004); MUSAC, Leon (2005); ICP Triennial of Photography and Video, New York (2007); Museo Nacional Centro de Arte Reina Sofía, Madrid (2007); São Paulo Art Biennial (2006); Tate Modern, London (2006); MAMbo, Bologna (2010); Museo del Prado, Madrid (2011); Queensland Art Gallery, Australia (2012).
Her work (Re) tornos has been exhibited in Gallery Alfinete in Brazil, and the book People Blinking at the same time was a participant in the ICP Triennial 2013 in Arles Rencontres both the same year and in 2015 in Livre Possible Brazil.
He participated in the 2009 Istanbul Biennial; 2012 Liverpool Biennial; 2013 ICP Triennial, New York; and the 11th Gwangju Biennale.
The Bureau of Remote Wildlife Surveillance is one installation in Ecotopia: The Second ICP Triennial of Photography and Video.

Not exact matches

Her artist book is in the library collections of Yale, Harvard, and the International Center of Photography, and was exhibited in the ICP Museum Triennial (2013).
Tagged as: Andrew Russeth, Art Basel Hong Kong, icp, jesper just, Paul McCarthy, Rirkrit Tiravanjia, Shary Boyle, Triennial
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