Sentences with phrase «imma since»

In April an exhibition of work from the Weltkunst Collection on loan to IMMA since 1994 takes place at the Crawford Art Gallery, Cork.
Inner Worlds Outside brings together works by leading Modernist artists, including Joan Miró, Paul Klee and Philip Guston, and by less well known artists from the Musgrave Kinley Outsider Art Collection, held by IMMA since 1998.
The exhibition is built around the Musgrave Kinley Outsider Art Collection, on loan to IMMA since 1998.
Notably the exhibition incorporates a number of pieces from the Weltkunst Collection, which is on loan to IMMA since 1994.
Central to the exhibition are a number of key works from the Weltkunst Collection, which is on loan to IMMA since 1994.
05 Dec 2002 Escaped Animals at IMMA A variety of small animals have recently taken up residence in the grounds at the Irish Museum of Modern Art. 02 Dec 2002 Successful Year at IMMA 2002 Visitor numbers at the Irish Museum of Modern Art have shown a further increase this year and are set to top the 290,000 mark by year end, the highest attendance figure for IMMA since the record - breaking Andy Warhol exhibition of 1997 - 98.

Not exact matches

Since 2002 he has worked nomadically, taking part in numerous international residencies including MMCA - National Museum of Modern and Contemporary Art Korea, The National Art Studio Goyang (2008); IMMA - Irish Museum of Modern Art, Dublin (2006); Künstlerhaus Bethanien, Berlin (2004 - 2005) and ISCP - International Studio and Curatorial Programme, New York.
Matheson Partnership Chairman Tim Scanlon has been appointed to IMMA's Board of Directors, effective since January 2016.
15 May 2009 27 Sep 2009 Liam Gillick, Literally Based on H.Z., 2006 The installation work, Literally Based on H.Z., 2006, by Liam Gililck, acquired for the IMMA Collection in 2007, is on show for the first time since its acquisition at IMMA.
The works included in the exhibition are New Sexual Lifestyles, 2003, part of the IMMA Collection, and based on a conversation published in the September 1973 issue of Playboy magazine; Subject, 2009, commissioned by the Henry Moore Institute in Leeds as part of the exhibition The New Monumentality, and shot on the campus of Leeds University; A thing is a hole in a thing it is not, 2010, a direct response to art critic Michael Fried's seminal text Art and Objecthood, 1967; 1984 and beyond, 2007 and his ongoing project since 2001 Case Study: Loch Ness.
To mark and celebrate Gormleys major contribution to the practice and discourse of contemporary sculpture since the 1970s, the artist will present a lecture that considers his current practice in the light of his seminal work at IMMA shortly after the museum opened in 1991.
Enthusiastic reviews include the prestigious national daily El País, which praised the Museum's Collection «since its opening in Dublin in 1991, IMMA has become a landmark Museum thanks to the 4,500 works in its Collection».
One of the other Miró Personnage sculptures in the exhibition, from 1974, has already proved a great favourite with Museum visitors since it was given on loan to IMMA by the Successió Miró in May of last year.
Visitors to IMMA are already familiar with The Drummer, which has marked the main entrance to the Museum since its donation by the artist in 2001.
As a result of significant funding cuts IMMA has not had the resources to have a viable acquisitions budget since 2011.
A new exhibition of works acquired by the Irish Museum of Modern Art since 2003 opens to the public at IMMA on Wednesday 25 April 2007.
«Ever since the Museum's foundation in 1991, IMMA's work in this area has provided ample evidence of the important benefits which can flow from a close and effective relationship between both the arts and education and the arts and the community.
Glennie has been Director of the Irish Museum of Modern Art since 2012 and during her tenure has grown IMMA's audiences to the most significant levels in the museum's history, making IMMA the 2nd most visited free attraction in Ireland in 2016.
Since its inception in 1991, IMMA's temporary exhibition programme has given rise to a number of works by internationally renowned artists, made in response to the Museum's own architecture.
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