Sentences with phrase «icon painting work»

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An icon (from Greek εἰκών eikōn image) is a religious work of art, most commonly a painting, from the Eastern Orthodox Church, Oriental Orthodoxy

An icon (from Greek εἰκών eikōn image) is a religious work of art, most commonly a painting, from the Eastern Orthodox Church, Oriental Orthodoxy Icons - Land offers Vector Icons: Transports, Points of Interest, Sports.

11:11 pm 12th An icon (from Greek εἰκών eikōn image) is a religious work of art, most commonly a painting, from the Eastern Orthodox Church, Oriental Orthodoxy

For the majority of viewers, this show will be a revelatory introduction to an artist who is best known for «The Rose,» a legendary and inimitable work that is both a densely built - up painting and a wall relief, a religious icon that weighs 2300 pounds.

Art Institute Icons Art Resource European Painting and Sculpture European Painting and Sculpture: Featured Works European Painting and Sculpture: Sculpture 1600 — 1900 Provenance Research Project

As we saw in Tokyo, KAWS has been pushing further and further into multi-layered paintings, hiding and revealing some of his icons underneath bursts of color and line work.

Bridging the mediums of painting and sculpture, the selection of icons created between 1961 and 1964 connects the work that Flavin made early in his career to the sculptures in light for which he is remembered.

Alongside the exhibition, pioneering works by Gerhard Richter from the collection of the Museum Ludwig are being presented, including icons such as Ema (Nude on a Staircase) from 1966, 48 Portraits of German intellectual figures from 1971/72, the abstract painting War from 1981, and the glass work 11 Panes from 2003, among others.

While I understood Ha's work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works focused on transformation and resistance that could be read as icons of the human condition.

Though the work in the exhibition utilizes various genres and media, the strength of much of Thomas's work is clearly rooted in a deep investment in the history of painting, its long tradition of masters and masterpieces, and the generations of audiences that have accepted its tropes and icons.

«The international art and fashion icon's first museum retrospective in the United States features multiple never - before - seen works and massive paintings - some stretching over 60 - feet long - in addition to his famous sculptures and anime - inspired characters and illustrations.

Commissioned by VMFA, this 16 - panel painting contains 200 icons inspired by works from the museum's collection.

Trevor Schoonmaker talks near a painting by Fahamu Pecou, Nunna My Heros: After Barkley Hendricks» «Icon for My Man Superman,» 1969, a work of art in the museum's collection.

His work is not sensuous nor does he offer expressive paintwork, and his work disassociates itself from almost all other painting in the history of art: except Mondrian, Suprematism and Russian icon painting.

She has had the unique honor to work with the American icon and space pioneer on a number of portraits, both in painting and sculpture, and her portraits of Captain Lovell are in the permanent collection of the Naval Academy Museum, the Abraham Lincoln Presidential Library and Museum and the Captain James A. Lovell Federal Health Care Center.

For his recent series of work entitled Easy Fun - Ethereal, Jeff Koons employs new computer technology to merge populist icons into desktop collages, which he then transforms into traditional oil paintings rendered with photorealist precision.

Nikolai Kormashov's Paintings from the 1960s 18.10.2013 — 09.02.2014 4th floor, B - wing The exhibition focuses on the first decade of Nikolai Kormashov's (1929 — 2012) work, where we find a combination that seems impossible at first glance: the work motifs and industrial views familiar from the official art of the day combined with the sacred aesthetics of icon painting.

In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols.

Grant Wood's American Gothic — the double portrait of a pitchfork - wielding farmer and a woman commonly presumed to be his wife — is perhaps the most recognizable painting in 20th century American art, an indelible icon of Americana, and certainly Wood's most famous art work.

The reflections of light and movements triggered by the viewers are key elements of Pistoletto's paintings on mirrors, which remain some of his best - known works and are icons of Arte Povera.

In addition to her work on Rauschenberg, Davidson is senior curator for collections and exhibitions at the Solomon R. Guggenheim Museum, where her most recent exhibitions and catalogues include Robert Motherwell: Early Collages (2013); John Chamberlain: Choices (2012); Art in America: 300 Years of Innovation (2007); No Limits, Just Edges: Jackson Pollock's Paintings on Paper (2005); Peggy and Kiesler: The Collector and the Visionary (2004); and American Pop Icons (2003).

Moreover, if the halo that surrounds the paintings in Her Eyes On (# 1 - 5) and the seductive sheen encountered in works like Field or Outlined in Stark Clarity allow us to imagine them as icons of devotion or symbols of desire, the promise of fulfillment in the ritual of viewing is foiled.

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

The modular paintings have often been described as send - ups of Minimalism, or as references to video - game icons, but these connections were not intended.4 Kim Conaty, curator at the Rose Art Museum and a contributing author to the substantial catalogue that will accompany Bradley's museum exhibition, found the artist's reading of these works entirely unexpected and it informed her writing on the paintings as a whole.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

An exhibition catalogue published by the Montclair Art Museum, Warhol and Cars: American Icons, written by Gail Stavitsky, MAM chief curator, is the first to focus on Warhol's Cadillac paintings and other car - themed works within the context of his career.

Drawing on a wide range of media including painting, sculpture, video and printmaking, these materials will be semiotically charged with a range of diverse and symbolically rich references Barclay has culled from sports journalism, Vogue magazine, Afro - Caribbean dance, British working class history and its rogue's gallery of maligned cult icons.

Chris Agnew has also chosen to work in etchings, using oil paint on icon panel to create a new series of works especially for the exhibition, building on the works he exhibited in his first solo show earlier in the year.

In the Dan Flavin Institute in Bridgehampton, «Dan Flavin: icons» presents a series of works that connect Flavin's early art practice in painting and sculpture to the sculptures in light that he became known for.

The «mother of American modernism» and the world's most - expensive woman artist, this pioneering feminist painter is a true American icon, as famous for her lifestyle in the rugged New Mexican desert, as for the large paintings of flowers that are her best - known works.

Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.

Early paintings by Frank Stella are prominent, and several works are not necessarily common in exhibition, such as early Flavin «Icon» boxes or a fantastic mural by David Novros.23 The tour finished on the fifth - floor bedroom, with a monumental Flavin running the incredible length of the westward facing windows.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

As well as paintings by Roy Lichtenstein, Robert Rauschenberg, Ed Ruscha and Andy Warhol, Christie's will showcase an extraordinary grouping of works by Jasper Johns, including one of the most famous icons of 20th Century art, Jasper Johns» Flag (Estimate: $ 10,000,000 - 15,000,000).

The spot paintings have become somewhat of an icon of Damien's work.

The works on view include icons of British painting, such as Mr and Mrs Andrews and The Watering Place, which count among the most famous paintings of all time in the English - speaking world.

Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008

SOLO EXHIBITIONS 2016 Superstar, Halcyon Gallery, London 2015 Forever Young: A Retrospective, Polk Museum of Art, Lakeland, Florida 2015 Wanted Dead or Alive, 212 Gallery, Aspen, Colorado 2015 Jackie O, Tagliatella Gallery, New York 2015 Rock n» Roll Works on Paper, Long - Sharp Gallery, Indianapolis, Indiana 2015 Young, Burkhard Eikelmann Galerie, Dusseldorf and Galerie Hafenrichter, Nurnberg, Germany 2014 SUPERSTAR, Long - Sharp Gallery, Indianapolis, Indiana 2014 Spring Show 2014, Mead Carney Fine Art, London 2014 Wild at Heart, Imitate Modern, London 2013 Dreamland, Bankrobber, London 2013 The Fight of the Paso Del Mar, Bankrobber, London 2013 Kate Moss, Collectors Contemporary, Singapore 2013 Suicide, Bankrobber, London; Galerie G. Hartinger Fine Arts, Vienna and Vertes Modern Art, Zurich 2012 Russell Young, Vertes Modern Art, Zurich, Switzerland 2012 Entertainment for Men, the Playboy Club, London 2012 Private Show, Goss - Michael Foundation, Dallas, Texas 2012 A Working Class Hero is Something To Be, Long - Sharp Gallery, Indianapolis, Indiana 2012 A Retrospective, Goss - Michael Foundation, Dallas, Texas 2012 Only Anarchists Are Pretty, Goss - Michael Foundation, Dallas, Texas 2012 The Queen is Dead, Guy Hepner, Los Angeles, California 2012 The Last Picture Show, Galerie G. Hartinger Fine Arts, Vienna and Long - Sharp Gallery, Indianapolis, Indiana 2011 The Last Picture Show, Guy Hepner, Bal Harbour, Florida and Guy Hepner, Los Angeles, California 2011 American Envy III, Long - Sharp / Curis Modern + Contemporary 2011 American Envy I, Scream Gallery, London 2011 Diamond Dust, Galerie G. Hartinger Fine Arts, Vienna 2011 Icons, Galerie de Bellefeuille, Montreal 2010 Russell Young, Tagliatella Gallery, Paris 2010 Icons & Iconoclasts, Karl Hutter Fine Art, Beverly Hills, California 2010 Pig Portraits, Guy Hepner, Los Angeles, California 2010 Russell Young, Robinsons Art Gallery, Knokke - Zoute, Belgium 2010 Diamond Dust, Russeck Gallery, San Francisco, California 2010 New Paintings, Guy Hepner, Los Angeles, California 2010 Dirty Pretty Things, Collectors Contemporary Singapore; Scream Gallery, London and Tagliatella Gallery, Palm Beach, Florida 2010 Selected Works, Karl Hutter Fine Art, Beverly Hills, California 2010 Fame + Shame, Aberson Exhibits, Tulsa, Oklahoma 2010 Russell Young, Doyle Devere, London 2009 Dirty Pretty Things, Guy Hepner, Los Angeles, California; Valentino, New York; Russeck Gallery, San Francisco and Nikolai Rukaj Gallery, Toronto 2009 The Last Picture Show, Sims Reed Gallery, London 2008 Russell Young, Karl Hutter Fine Art, Beverly Hills, California 2008 Rebel Rebel, Art of Elysium at Milk Gallery, New York 2008 Russell Young, Collectors Contemporary, Singapore 2008 Punk + Graffiti, Milk Gallery, New York 2007 Russell Young, Altermann Modern, San Francisco, California 2007 Horsepower, Milk Gallery, New York 2007 Works on Paper, Sims Reed Gallery, New York 2007 Storm, Vanina Holasek Gallery, New York 2007 Fame + Shame, Bankrobber, London 2007 Los Angeles, Galerie Adler, Paris 2006 White Rabbit, The Art of Elysium, Beverly Hills, California 2006 Russell Young, Sims Reed Gallery, London 2005 Fame + Shame, Vanina Holasek Gallery, New York and The Art of Elysium, Los Angeles 2003 Pig Portraits, SP Gallery, London, and The Art Of Elysium at Don O'Melveney Gallery, Los Angeles, California

Whether it is his reinterpretation of scroll painting, his travels in Tibet or his response to the great modernist icon of the Nanjing River Bridge, the works are always looking to preserve, update and revolutionise elements of different traditions at the same time.

His most recent works - painting / sculpture tableaux depicting les tristes tropiques and a series of self - exploitative portraits made in Bali - are as wonderfully toxic as the now classic - looking»80s icons, his faux - high - tech contraptions and his «abstract» logo paintings.

The acquired works are Atlanta artist Donald Locke's painting «Conspiracy of Icons # 1» (1991); «Minotaurus» (2015), an 8 - foot - tall bronze sculpture by South African artist Nandipha Mntambo; and a group of 24 quilts by early 20th - century Southern African American quilters.

American American: American Modernism American: Featured Works American: Paintings, 1900 - 1955 Art Access: Modern and Contemporary Art Art Institute Icons Art Resource Featured Objects Modern Modern: American Modernism Modern: Featured Works

This richly illustrated survey spans the artist's prolific career from the early Flag and Target paintings — which were central to establishing his reputation as a major young artist in the mid 1950s, and have since become icons of twentieth century art — to the compelling compositions of the recent «Catenary» series - works that testify to Johns's continuing artistic ambition at the start of the twenty first century.

Lawrence's work is now an icon in both collections, a landmark in the history of modern art, and a key example of the way that history painting was radically reimagined in the modern era.

Based in London but born in Birmingham, UK, to Jamaican parents, Hurvin Anderson's vibrant paintings reference his Caribbean heritage, the history of art and also include representations of black icons, such as Malcom X and Martin Luther King Jr. in works such as Is it OK to be black?

For forty years Len Bellinger's work has been committed to the exploration of abstract / non-representational painting and the ambiguous space inherent in the concept of «abstraction,» from early icon - shaped minimalist panels trimmed with gold leaf as a P.S. 1 studio resident in the late» 70's to thickly manipulated paintings rich with byzantine color and an underlying architectonic -LSB-...]

The mainstay of the exhibition is a group of large Cibachrome photographs that depict two bodies of Szymanski's work together: a 2015 series of Mylar sculptures, named «solfege inflatables», and a painting series entitled «Icons» (also 2015).

Newport Mill, Newport, NH, H2O: Film on Water, 2009 Artists» Television Access, San Francisco, CA, ATA Film & Video Festival, 2009 Landmark Arts, Texas Tech University, Lubbock, TX, Beyond Printmaking, 2008 The Micro Museum, Brooklyn, NY, Big Ideas: The Teeny Tiny Show, 2008 Dorothy Uber Bryan Gallery, Bowling Green State University, Bowling Green, OH, Perfect with Pixel, curator, Shaurya Kumar 2008 Gallery One Visual Arts Center, Ellensburg, WA, Vertical Hold, curators, Justin Colt Beckman and Andrew Kaufman, 2008 Walsh Gallery, Seton Hall University, South Orange, NJ, Painting Process, curators, Jaqueline Bekiaris, Maria Silvestri, 2007 ICON Gallery, Fairfield, IA, Large Works Group Show, 2007 ACT Inc..

In the late»80s and early»90s Louise Fishman began to deliver works whose icons were both hewed from paint and saturated by the very light from which they spoke.

She interweaves allegorical narratives, associative color and spiritual iconography, such as Tarot icons and Viking Runes, working with oil paint, beads, glitter and other embellishments.