Sentences with phrase «if pop art»

If Pop Art meant anything, it meant the desires you recognize, maybe as your own.

If Pop Art and Minimalism did nothing more than deride mass culture, one could hardly call that cynicism.

If Abstract Expressionism had privileged gesture and action, she had that, and if Pop Art had made paintings like posters, she had that, too — even while mocking them both.

Not exact matches

If you are into fashion, you might like Bouffants & Broken Hearts Coloring Book: 75 Designs Inspired by Pop Art and Fashion by Kendra Dandy.

Summer days spent at home and one of my childhood favourites and soon becoming my kids is to get out the sidewalk chalk Me and Marie Learning shares some Da Vinci Driveway art perfect for your budding artists to do this summer, if the temperature is rising then this recipe for Ice Sidewalk Chalk is perfect for keeping cool from Reading Confetti and while you are at it pop by and look at this fun chalk shadow for kids to do and decorate themselves.

It is considered well for casual wear as French manicure does not pop up for the more dramatic nail art & especially if you are going to attend some party or else, you need to add something more to it.

Gosh imagine if anyone challenged me to do Pop Art!

Yes, you might have to do some colour blocking with solids if you had to do Pop Art, no?!

We will soon be on a panel at the University of Arts for the launch for Dr Reina Lewis's book on the 20th October (further details here if you would like to pop along!)

If you're a bit more urban and edgy, you might want to head to the coolest part of town and include some cool street art or pop up shops as a backdrop.

They talk about Blake's pioneering digital art, which often obliquely if not directly referenced pop culture; one exhibition of his work was named after the eyeglass vendor in David Cronenberg's Videodrome, Spectacular Optical, and borrowed its ideas from the spatial dynamics in Cronenberg's early movies.

Andy Warhol: A Documentary Film may be half as long as Warhol's opus Sleep, but its overview of the pop aesthete's life and art is nothing if not encyclopedic.

But Punch - Drunk Love won Anderson acclaim and Best Director honors at this year's Cannes Film Festival, and so with its Stateside bow we're about to find out whether audiences like chocolate in their peanut butter, if you will — whether they're willing to accept seemingly disparate, at - odds sensibilities for the sake of new, skewed pop art.

Blanchett portrayals include playing a Russian choreographer schooling her dancers on Fluxus philosophy; a TV anchorwoman delivering Sol LeWitt's notes on Conceptual Art as if it were breaking news; and a suburban Southern mom serving turkey dinner, accompanied by a Claes Oldenburg Pop Art prayer.

Album art in Pandora, for one, now takes up a larger portion of the screen, even if it's constantly overlaid by pop - up ads.

If you long - press on the cover art you will see a few options pop up.

If you can brave the steamy August weather (and your kids aren't back to school yet), you can score room rates as low as $ 95 per night at the All - Star properties, $ 100 at Pop Century, and $ 110 at the Art of Animation.

If you crave a little culture, pop into the Groeninge art museum (12 Dijver), the best Bruges has to offer.

Both its art style and its technical ability sits squarely in the realms of being a solid, good - looking, if largely unspectacular title, but there are a couple of rather fine - looking moments such as a striking ruined city which pops up later in the game to admire, and it has a nice streak of color running through it which is always nice to see in this current industry trend of making everything bloody gray.

If you weren't around these parts of the Internet in the early 21st century, the forum meltdowns and undying rage caused by Yuna & company's transcendence into pop idols was second only to the cataclysmic reveal of Windwaker's art direction.

Support your Local Artist — similar to how people want to support their local farmer or buy from a boutique, mom - and - pop shop (even if they don't know who they are), we found buyers wanted to do the same with artists (this was also driven by wanting a picture of the local landmark or landscape), but like local farms they didn't have the time to go to open studios or art fairs.

if you go to my web site some of my art work but not all of it is dark the Kennedy king Assinations 911 Freddie Kruger my name is Allen Eberle and I live in Clinton Iowa and do black light hologram paintings maybe we could work together on line some how some of my art work is pop culture too but you will need to wear chromo depth three d glasses for this to work which you can get at American paper optics

Along with his neo-Duchampian comrade - in - arms Robert Rauschenberg, he provided the transition between Abstract Expressionism and Pop Art, between serious (if often overblown) attempts at tapping into the unconscious to the canny (if sometimes perspicacious) coopting of mass media.

During the mid-1970s, Abstract Illusionism — a showy amalgam of The New York School, Pop Art, commercial illustration, and trompe - l'oeil painting — was, if not the rage, then notable enough to elicit its fair share of adherents and collectors.

Those with a memory that extends beyond the day - glo verities of Pop Art may recall the name Peter Blume and, if so, perhaps dismissively.

If the work of New York Pop painters appeared to totally reject gestural abstraction, in Paris in the early 1960s there emerged an arresting hybrid version of Pop art and gestural abstraction in the studios of Télémaque, French painter Bernard Rancillac and American expatriate Peter Saul.

Maybe I remember Wayne Thiebaud, Llyn Foulkes, or Edward Kienholz for Pop Art without pop culture, as if fears and temptations alike ran too dePop Art without pop culture, as if fears and temptations alike ran too depop culture, as if fears and temptations alike ran too deep.

If a generation put the Pop in popular, he almost puts the popular back in Pop Art.

If storybook versions overstate Pop Art's rebellion, they miss entirely the artist's emotional blockage.

For all that the work can seem alien, Szapocznikow was no outsider: as Andrew Bonacina, co-curator of the exhibition at the Hepworth points out, she was plugged into the artistic movements and conversations of her time, and you can, if you so choose, read her sculpture in relation to pop art, to late ‑ flowering surrealism, and to neo-realism.

When I finally was exposed to high art in high school and I would see books at the bookstore on pop art or abstract expressionism, I responded immediately in that same way as my grandfather would if he saw a fancy Greek or Roman sculpture somewhere.

Barbara Chase - Riboud makes it hard to say whether one is dealing with Pop Art or abstraction, in a stele sculpted as if draped in black fabric.

Even if only for the month of October, the fair functions as an epicentre and crucially engages with the broader local art community, and as a result exciting creative ideas pop up across the city in all manner of ways.

GM Abstract painting seems to exist at a time now when there is an enormous trend in art towards the pop and the immediate pay - off of a punch line, or if I may be so prosaic, a cheap thrill.

Keira Kotler, Sound of Rain, 2004 Urethane and pigment on aluminum, 36 x 36 inches June 28 — July 31, 2008 Have you ever wondered what would happen if you crossed Minimalist art with Pop art?

If Lichtenstein was closest to Pop Art when he painted more obviously by hand, Joseph Masheck sees even Andy Warhol as depending on the handmade — only not his hand.

If that sounds like a cry for revolution or the next Star Wars movie, Perlstein cares little for political art or pop culture, although he does have work by Barbara Kruger and Ed Ruscha, whose text covers the artificial lights of Southern California at night.

Besides private collectors nearly all Pop Art galleries in europe are clients of us, so make sure to inquire with us if you are looking for something particular.

Even if his work is close to Arte Povera or Pop Art, Gregory Watin has found his own style and is an artist that has roots in his own time.

Yet if one generation really fell between the cracks, I vote for Pop Art, with its gentle humor and identity crises.

Two of the plates here representing the origins of the Earth could be mistaken for pop art if you plonked them in a white cube space.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuympop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

If one went back a full half century, to 1959, one would land in the turmoil of Pop Art, gestural color, and the very first Stella black paintings.

And then, there was everything else in between: Pop Art, which employed aspects of mass culture (unlike Abstract Expressionism), Fluxus, as a Dada - derived anti-art nihilist movement, Art Brut or Outsider Art if you want, new realism in France, and all the other forms of realism, which emerged in Great Britain, Socialist Realism in the Russian Soviet Republic, etc..

Hers was a challenging early response to the Pop art aesthetic, a sort of «meta - Pop», if you will, that anticipated the controversial «appropriation art» of the likes of Richard Prince and Eric Doeringer.

I've watched a hundred ton of horses suddenly bolt as if linked by a common nervous system; for reasons still unrevealed the art world has fled from pop irony.

If Britain rather than the US, in the fifties rather than the sixties, originated Pop Art, what ingredients made it possible, and how did its pre-eminent painter Richard Hamilton tabulate the arrival of a new «super-fetishism»?

If he came late to abstraction's or Pop Art's party, he also came early to their revival.

But if you're able to snag a few moments at these stations, you'll see the objects on view in the aesthetic and cultural context of significant artworks, monuments, and movements: Marcel Duchamp's 1913 readymade Roue de bicyclette [Bicycle Wheel]; the Crystal Palace at the 1851 World's Fair; Pop Art's embrace of mass - media messaging.

Like artists before them, from Henri Matisse to Pop Art, they ask to strip representation down if not to pure painting, than to pure pleasure.