Sentences with phrase «if trad»

Now, certainly if your trad IRA contribution is going to be non-deductible then making a Roth contribution (or tIRA contribution followed by immediate conversion if your income doesn't allow the full Roth contribution) is pretty much a no - brainer.

If a trad.

Now, if trad.

If a trad pub can do that better than self - pubbing, then it's time to work a deal.

It's also important to realize that even if you trad pub, you've still got the competition of all the talented indies.

If all you want to do is write... well, even if trad - published, you'll still have to do more than just write; you'll be expected to do promotion on your own, but going indy means you'll have to do a lot more of everything, If the time you can devote to writing / publishing is limited, that's something to consider.

Perhaps something from the publisher if trad published or using a small press.

If trad publishers start competing with the Indie Option, then that's good for authors.

If the trad - pub path fails for this book, indie publish.

And if a trad publisher is your dream (it was mine, for sure, years ago), then it's definitely worth it.

I don't know if trad publishing is the brass ring or not, but I know that I was always too frightened to self - pub before because I was given to understand it would ruin my chances at a «real» publishing contract.

If the trads buy up the avenues indies use to get to market, leaving the door open, but making it exorbitantly expensive to publish, they will have effectively killed off the indie movement.

Not exact matches

If we compare in top ten cryptocurrency 2018 and 2019 then Ripple is 4th number for best invest or trad with profitable money.

If you earned $ 50,000 and contribute $ 2,000 to a Trad IRA, you're taxed as if you earned $ 48,00If you earned $ 50,000 and contribute $ 2,000 to a Trad IRA, you're taxed as if you earned $ 48,00if you earned $ 48,000.

In other words, eligible participants can contribute a maximum of $ 5,500 per year (or $ 6,500 if you're over 50) to a combination of Trad, Roth and SEP IRAs.

If you are want weekly trad then only follow weekly chart in mt4.For more system you can visit my another post.

If you're visiting Dublin, you can not leave without clapping your hands and stomping your feet to traditional Irish «trad.»

We are in a flood of authors and books, and it doesn't matter if you are a Trad - Author or Indie Author we all float the same and we're on our own.

I always said I would consider trad if an offer came, but most likely go indie.

The difference is, trad publishing houses will print books, sell them to bookstores, then buy them back and pulp them if they don't sell (something you probably can't afford to do yourself).

If book «x» is trad published and successful enough to sell, let's say, 20,000 books (or whatever, just a number I grabbed at), and book «y» is indy published and sells the same amount, there is no doubt that the author of the indy book is going to be FAR better off.

And except if you plan on finding a trad Publisher, «reports visibility» is worthless.

I'd say, if I were curious / interested in trad pub and I was a self - pubbed author, I might consider offering up a purely commercial one - off, standalone.

Okay, I understand that if you look at just the marketing alone, the trad - pubbed author comes out behind.

If you're a trad - pubbed author, and if you have an agent, the gross profit is still $ 200, but now it's paid to the publisheIf you're a trad - pubbed author, and if you have an agent, the gross profit is still $ 200, but now it's paid to the publisheif you have an agent, the gross profit is still $ 200, but now it's paid to the publisher.

For example, if you are dead - set on going trad - pub, the chances of you making enough money in the beginning is fairly remote.

If I were writing lit fic or a picture book — or, as you mentioned, middle - grade — I might consider a trad publisher for their distribution (and for the fact that they do buy lit fic).

And as a matter of FYI, I ran this article past someone who was a reporter for both newspaper and TV, to see if it was accidentally biased for or against self - publishers or trad publishers, which it was never meant to be and as I suspected, this person said that it wasn't and that anyone who read it objectively without any prior personal agenda would see this.

Because if we use a trad publisher * only for those reasons (of offloading the workload) *, then we're paying too much (from our royalties) for the service.

If going trad, decide if you are going to try for publishers where you need an agent or if you are going to a publisher that has open submissionIf going trad, decide if you are going to try for publishers where you need an agent or if you are going to a publisher that has open submissionif you are going to try for publishers where you need an agent or if you are going to a publisher that has open submissionif you are going to a publisher that has open submissions.

When authors stop signing contracts and then announce they are making as much, if not more, by selling direct to their customers (via Amazon / iTunes / etc), will those remaining trad pub authors still toe the line and defend their masters at all costs?

Here's my answer to the inevitable discussion of how Trad Pub is «the one true path» and if you aren't Trad Pub'd, you aren't a real writer:

If you wrote and published just a little bit more and did some of these as self - pubbed books at a lower price range to go along with your trad pub deals, I'll bet you could make a lot more.

If you look at a number of trad published authors they had pen names for their different genres and now they are moving away from that.

Second, what I was saying that if Good Writer writes Good Book and sends it to either market — trad or self pub — in a proper, professional manner, they seem to have roughly equal success rates.

Considering how poorly trained the volunteers were — most of whom are readers and have zero idea of author politics or the indie / trad battle of bruised egos — I'm not surprised if a) one or two volunteers got the designation wrong and / or b) the overheard conversations had zero to do with the book signing and were instead «why does your name badge say that / what do you write / do you have a book out?»

If they have good product, many first time indie novelists can and do make trad pub advance numbers.

(Really though, if you are going the trad route, don't you have a better chance if your manuscript is well edited when you submit it?)

If a person switches from one trad publisher to another, are they «hybrid publishing?»

But when I think about the NA I'd have missed covering if I only covered the trad - pubbed stuff, I'd have missed all but one of my five - star titles.

My latest idea: (1) query agents because I already wasted all of that time on those days I had writer's block researching agents & writing a synopsis, query letter, book proposal THEN (2) if I don't get any takers at trad - pub within a reasonable period, I self - pub because I already wasted all of that time on those days I had writer's block researching book bloggers & reviewers, building two websites, making or editing videos & writing tweets, Facebook posts, blogs.

2) Self - publish first, build an audience, then use that to leverage yourself into a good trad deal — if you still even want one by that point.

Additionally, I'd like to take the opportunity, if I may, to mention my own blog, and especially my recent 3 - part series on Trad v Indie, of which the first post is at http://dariospeaks.wordpress.com/2012/08/16/the-great-self-publishing-debate-round-one/.

And one of the biggest negative effects we've now created as indie authors is denigrating the value of ebooks — specifically indie ebooks, as you'll find the trad pubs don't do much, if any, free promo — in the eyes of the audience that buys them.

Because I view all of that as found money, and because it highlights that even if you're not madly pursuing a trad deal, good agents still have a valuable role they can play in the mix, even with indie published books.

Most trad published e-books are priced so high (often as high if not more than the printed book) that they are pricing themselves out of the competition.

Once again, Kozlowski's argument is to infantilize the reader and whine that they need to be «protected» from the scourge of indie authors, as if the average reader can't tell a poorly written, sloppy book from the crisp and beautiful books produced by trad publishers.

There I read reviews, compare the wonderfully low price of ebook (or not if it is inflated by trad pub).

Joe's initiative is great, but if we could inform our readers that the money they spend on taxes going to libraries is practically only devoted to trad pub books and ebooks, and that this doesn't reflect EXACTLY, for instance the indie market share of the first retailer in the world, maybe things would advance a little bit in the right direction.

It would also be great if Author Earnings could study this, and compare the money made by a trad pub author in libraries vs an indie author's, and also the raw numbers of books trad published in libraries vs indie published.