Sentences with phrase «ik onkar»
Ik's career trajectory — he rejected abstraction during the 1980s, when he felt the political repression in Korea mandated he make work more rooted in the world — is a reminder of the navigations many Korean painters, from the 70s until now, have faced.
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Beginning as an abstract painter, Ik's political awakening in the 1980s, as Korea fought repression and isolation, informed his work and his life.
A look back at 40 years of Ik's work is an artistic as well as a political journey.
At the moment, you can buy — or just peruse — these imposing works at Frieze New York, where Gallery Hyundai is showing Korean artists who approach abstraction from different directions, and at Tina Kim Gallery in New York, where artist Kim Yong Ik (who worked in the post-Dansaekhwa genre earlier in his career, before an identity crisis) has a show until June 17.
IK Foundation invited three young curators Melchior Jaspers, Nick Terra and Menno Vuister to compile an exhibition with works by all 24 guest artists who stayed at IK island since the start of IK in 2008.
Cho Yong - ik, Chung Chang - Sup, Chung Sang - Hwa, Kwon Young - woo, Lee Dong Youb and Yun Hyong - keun are luminaries of the Korean school of Dansaekhwa, but if you'd asked me to name Korean abstractionists a month ago I might only have come up with Lee Ufan and Park Seobo.
Created by Flying Object, Tate Sensorium is the winner of this year's IK prize, which celebrates creative talent in the digital industry.
IK Foundation will celebrate the fifth anniversary of the IK pavilions with an exhibition that opens on Sunday, September 4th and includes work by Maartje Korstanje.
IK Foundation will celebrate the fifth anniversary of the IK pavilions with an exhibition that...
P. Vethman, «Als ik geen kunst zou maken zou ik sterven, an interview with Louise Bourgeois,» Elegance, no. 4, Jaargang 55 / April 1998, p. 111 (steel illustrated in color).
And thus, IK LAB was born.
EDUCATION Lee received her Bachelor of Arts degree from Hong - ik University in Seoul, Korea, in 1991.
He received his BFA from Hong - Ik University, Seoul in 1968 and his MFA from Philadelphia College of Art in 1971.
She earned a BFA (1980) and MA (1984) from Hong - Ik University, Seoul.
He has participated in multiple solo and group exhibitions, recently: «In Someways It Is» (solo) at Y Gallery - New York; «The Sun Is A Hole» (solo) at OMR - Mexico City; «Works on Paper» at Häusler Contemporary; «Storytellers» at The Stenersen Museum - Oslo; «Paraíso en Blanco» at 80m2, Peru; «ik wordt» at Voorkamer, Belgium, among others.
She received a B.F.A. and M.F.A. in Painting from Hong - Ik University in Seoul (1976 and 1978, respectively) and a M.A. in Printmaking from New York University (1984).
The project was conceived by London - based design studio The Workers, winners of the first IK Prize (Tate's award for digital innovation) in 2014.
«Cho Yong - Ik» us at Olivier Malingue until 16 December.
Kerstin Mogull, the managing director of Tate, said: «The IK Prize was originated to celebrate digital creativity and Tate Sensorium encompasses this in its entirety.
Idris Khan Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 52
The sensorium is the winning project from the 2015 IK Prize, an annual competition rewarding ideas which use technology to enable the public to experience the Tate collection in new ways.
Deshuk is exhibiting her «Meeting Narcissus» series at Red Dot Miami with IK International Gallery at Booth A128.
Idris Khan Everything Turns to Grey, 2015 ink on white gesso and aluminum painting: 92 1/2 x 90 1/2 inches (235 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 35
Consciousness (detail), 2015 ink on grey gesso and aluminum painting: 60 x 60 inches (152.4 x 152.4 cm) framed: 61 1/4 x 61 1/4 x 3 inches (155.6 x 155.6 x 7.6 cm) IK - 56
Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 52
Conflicting Lines, 2015 C - print on aluminum paper: 65 x 76 3/4 inches (165 x 195 cm) framed: 71 1/2 x 83 1/4 x 3 3/4 inches (181.6 x 211.5 x 9.5 cm) edition of 7 with 2 APs IK - 46
IDRIS KHAN A Blanket of White, 2015 C - print mounted on aluminum paper: 65 x 76 3/4 inches (165 x 195 cm) framed: 72 1/4 x 84 x 3 3/4 inches (183.5 x 213.4 x 9.5 cm) edition of 7 with 2 APs IK - 36
IDRIS KHAN The State of the Viewer, 2016 3 stamped glass sheets, aluminum, black ink mounted: 61 7/16 x 55 1/8 x 7 1/16 inches (156.1 x 140 x 17.9 cm) unique IK - 87
A Field of Dust, 2015 Bromide print mounted on rag board and aluminum paper: 20 x 24 inches (50.8 x 61 cm) framed: 23 1/4 x 27 x 2 inches (59.06 x 69.22 x 5.08 cm) edition of 7 with 2 APs IK - 44
Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 52
Idris Khan Every... page of the Holy Quran, 2004 Lambda digital C - print mounted on aluminum 74 7/16 x 93 3/16 inches (189.1 x 236.7 cm) IK - 1
Buckingham Palace, London, 2012 digital silver bromide print mounted on 4 ply museum board and Dibond image: 30 x 40 inches (76.5 x 101.5 cm) framed: 38 3/4 x 48 1/8 x 2 inches (98.4 x 122.2 x 5.1 cm) edition of 7 with 1 AP IK - 2
His work is represented in major collections including the Metropolitan Museum of Art, Leeum Samsung Museum of Art, San Jose Museum of Art, Vilcek Foundation, National Museum of Modern and Contemporary Art Korea, Hong - Ik University, and Duksung Women's University.
Everything Turns to Grey, 2015 ink on white gesso and aluminum painting: 92 1/2 x 90 1/2 inches (235 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 35
Numbers, 2015 C - print mounted on aluminum paper: 65 x 76 3/4 inches (165 x 195 cm) framed: 71 1/2 x 83 1/4 x 3 3/4 inches (181.6 x 211.5 x 9.5 cm) edition of 7 with 2 APs IK - 65
A Memory of Death, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 53
Untitled (Black Oil Stick), 2015 oil stick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IK - 59
Church Walk Studio 4, 2012 digital bromide print on ragboard paper: 7 x 7 inches (17.8 x 17.8 cm) framed: 17 1/4 x 16 11/16 inches (43.8 x 42.4 cm) edition of 7 with 2 APs IK - 20
IDRIS KHAN Knowledge and Uncertainty (detail), 2016 3 stamped glass sheets, aluminum, gray ink mounted: 61 7/16 x 55 1/8 x 7 1/16 inches (156.1 x 140 x 17.9 cm) unique IK - 86
A Blanket of White, 2015 C - print on aluminum paper: 65 x 76 3/4 inches (165 x 195 cm) framed: 73 x 85 inches (185.4 x 215.9 cm) edition of 7 with 2 APs IK - 36
She received an MFA in Painting from Hong - ik University in Seoul and an MFA in Fire Arts from Parsons The New School for Design.
Tower Bridge, London, 2012 digital silver bromide print mounted on 4 ply museum board and Dibond image: 30 x 40 inches (76.5 x 101.5 cm) framed: 38 3/4 x 48 1/8 x 2 inches (98.4 x 122.2 x 5.1 cm) edition of 7 with 1 AP IK - 7
IDRIS KHAN Knowledge and Uncertainty, 2016 3 stamped glass sheets, aluminum, gray ink mounted: 61 7/16 x 55 1/8 x 7 1/16 inches (156.1 x 140 x 17.9 cm) unique IK - 86
About the artist Cho Yong - Ik has been highly lauded as one of South Korea's most important painters and recently held a major solo exhibition at the Sungkok Art Museum, Seoul.
I soon realized I wanted to tell my story through this visual form and connect to the old ritual of mask making found in my blood and cultures of the Yup» ik and Inupiaq peoples.»
Following through Cho Yong - Ik's «Wave Series» of the 80s and his later «Bamboo Series» of the 90s, one continues to see this constant push and pull between the paintings» earthy, monochromatic tendencies and his more vivacious techniques.
Cho Yong - Ik's approach seems to convey the possibility of multiple emotional states, from warmth to detachment.
Following the Malingue family's international expertise in Modern, post-war and Contemporary Art, the gallery will open with the first solo exhibition in Europe of seminal Korean artist Cho Yong - Ik (b. 1934).
Rising to prominence in the mid-60s following his studies at Seoul National University, Cho Yong - Ik passed in the 70s to the Dansaekhwa rubric of expression.
Idris Khan every... Bernd and Hilla Becher Gable Side House, 2004 Fujicolor crystal archive print mounted to aluminum paper: 24 1/4 x 18 1/2 inches (61.5 x 47 cm) framed: 25 1/4 x 19 1/2 x 1 1/2 inches (64.1 x 49.5 x 3.8 cm) edition of 10 with 2 APs IK - 87