Sentences with phrase «ikon arts»

«As the inaugural exhibition for Ikon Arts Foundation, we wanted to show the breadth of high - quality work that is being produced in Croatia, as well as its relevance in the contemporary art scene in New York City», writes Linda Mateljan, Ikon Arts Foundation director.

About Ikon Arts Foundation Ikon Arts Foundation was established in 2013 with a vision to inspire engagement with Croatian creative culture in the USA.

Ikon Arts Foundation is a 501 (c)(3) tax - exempt not - for - profit organization.

About Ikon Arts Foundation Linda Mateljan and Katarina Milicevic established Ikon Arts Foundation in 2013 with a vision to inspire engagement with Croatian creative culture in the USA.

Previous post: Ikon Arts Foundation Presents «Notes on Undoing», a Group Exhibition of Croatian Art

Garis & Hahn and Ikon Arts Foundation are pleased to present Notes on Undoing, a group exhibition of established and emerging Croatian artists curated by Branka Benčić.

Zlatan Vehabovic» interviewed at the Ikon Arts Foundation «Painting heterotopia: an interview wit... Read More

Not exact matches

The Ikon is an internationally - acclaimed contemporary art gallery housed in a neo-gothic school building.

Celebrating modern art from across the globe, Birmingham's Ikon Gallery is housed in a Victorian school building in Brindleyplace, beside the city's canals.

Ikon, a non-profit art center, sold photos from the series for about $ 420.

Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.

Over the course of her career Finn - Kelcey exhibited at numerous galleries in the UK including, in London, the Royal Academy of Art, Whitechapel Gallery, Chisenhale Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Dublin.

She has also participated in various group exhibitions at the Hamburger Kunsthalle, 2008, the Institute of Contemporary Art, Boston, 2000, P.S. 1, New York, 1999, Ikon Gallery, Birmingham, 1997, and Tate Liverpool, 1995.

Solo exhibitions include Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 20art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 20Art Exhibition at the Venice Biennale in 2013.

St Martin's College of Art, The Slade School of Art, The Architectural Association, Sir John Cass School of Art (all London), Impressions Gallery (York), Watershed (Bristol), Ikon (Birmingham), Collins Gallery (Glasgow), Stills (Edinburgh), City Art Gallery (Leeds), California Institute for the Arts (Valencia).

2012 Barber Institute of Fine Arts, Birmingham 2011 RWA, Bristol 2010 Artsdepot, London 2009 Alan Cristea Gallery, London 2007 Ikon Gallery, Birmingham 2006 Galerie Lelong, Zurich The New Art Centre Sculpture Park and Gallery, Roche Court, Salisbury 2005 Alan Cristea Gallery, London Tate Modern, London 2004 Focus London Galerie Lelong, Zurich Kunstmuseum Bonn, Bonn

He has had solo shows at Ikon Gallery, Birmingham; Contemporary Art Gallery, Vancouver and Galerie Ben Kaufmann, Berlin.

Patterson has exhibited in Chisenhale Gallery, London; Ikon Gallery, Birmingham; MOMA, New York; Museum of Contemporary Art Chicago; Brooklyn Museum of Art, Brooklyn; The Victoria and Albert Museum and Tate Britain, London.

During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.

It will be distributed to V&A Museum London, Tate Britain, Turner Contemporary Margate, Arnolfini Bristol, Impressions Gallery Bradford, Ikon Gallery, Library of Birmingham, Baltic Centre of Contemporary Art Newcastle, Open Eye Gallery Liverpool & Norwich University of the Arts.

Representatives from the following organisations will be in attendance Art Fund / Artangel / Arts Council England / East Street Arts / Edinburgh Art Festival / Elephant Magazine / FACT Liverpool / Glasgow School of Art / Hiscox / Holden Gallery / Ikon Gallery / Iniva / Jupiter Artland / Leeds Beckett University / Leeds College of Art / London College of Communication / Magnum Photos / Max Mara Art Prize for Women / Nesta / Nottingham Contemporary / Open Eye Gallery / PHOTOFAIRS / Photomonitor / Royal British Society of Sculptors / Tate Liverpool / University of York / Visual Arts South West / Wellcome Trust / Whitechapel Gallery / World Photography Organisation / York St John University / Zabludowicz Collection

She has had solo exhibitions at DHC, Montreal (2011), MOCA, Miami (2010), KW Institute for Contemporary Art, Berlin (2009), Palais de Tokyo, Paris (2009), the Swiss Institute, New York (2006), and Ikon Gallery, Birmingham (2001), and has participated in the Biennale di Venezia (2009).

Solo exhibitions have been staged at Fosun Foundation, Shanghai, China (2017); Fundacion Bancaja, Valencia, Spain (2017); Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

Araki has exhibited his work in international art institutions including Fondation Cartier pour l'art contemporain, Paris; Ikon Gallery, Birmingham; Kestner Gesellschaft, Hannover; Deichtorhallen, Hamburg; and the Pinakothek der Moderne, Muenchen, among others.

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

The new film Zamach was commissioned by Artangel, Outset Contemporary Art Fund, Louisiana Museum of Modern Art, The Netherlands Foundation for Visual Arts, Design and Architecture and Zachęta National Gallery of Art in association with Annet Gelink Gallery, Sommer Contemporary Art, Ikon Gallery, Netherlands Film Fund, Australian Centre for Contemporary Art and Artis and produced by My - i Productions in association with Artangel.

João Maria Gusmão (b. 1979, Portugal) & Pedro Paiva (b. 1977, Portugal) live and work in Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallery.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

She has had solo exhibitions at the Southampton Art Gallery, Hugh Lane Municipal Gallery in Dublin, Ikon Gallery in Birmingham, Milton Keynes Art Gallery, Baltic in Gateshead, Glynn Vivian Art Gallery in Swansea, and Towner Art Gallery in Eastbourne.

Headquartered in New York City, the organization produces the Ikon Review digital platform, art and design exhibitions, film screenings, and creative marketing projects.

Fiona Bradley Director, Fruitmarket Gallery Dr Maria Balshaw Director, Manchester City Art Gallery and Whitworth Art Gallery Iwona Blazwick Director, Whitechapel Gallery Caroline Collier Director of partnerships and programmes, Tate Jeremy Deller Artist Dr Stephen Deuchar Director, Art Fund Adam Caruso Caruso St John Architects Alex Farquharson Director, Tate Britain Martin Green CEO & Director, Hull City of Culture 2017 Simon Groom Director, Scottish National Gallery of Modern Art Paul Hobson Director, Modern Art Oxford Alistair Hudson Director, Mima, Middlesbrough Judy Kelly Artistic director, Southbank Centre David Lan Director, The Young Vic James Lingwood Co-director, Artangel Dave Moutrey Director and CEO, Home Andrew Nairne Director, Kettle's Yard Hans Ulrich Obrist Artistic director, Serpentine Gallery Cornelia Parker Artist Grayson Perry Artist Fiona Rae Artist Jonathan Reekie Director, Somerset House Trust Charles Saumarez Smith CEO, Royal Academy of Arts Conrad Shawcross Artist Matthew Slotover Co-founder, Frieze Kathleen Soriano Chair, Liverpool Biennial Peter St John Caruso St John Architects Polly Staple Director, Chisenhale Gallery Sally Tallant Director, Liverpool Biennial Paul Thompson Rector, Royal College of Art Mark Wallinger Artist Simon Wallis Director, Hepworth Wakefield Jonathan Watkins Director, Ikon Gallery Richard Wentworth Artist Samuel West Chair, National Campaign for the Arts

His solo exhibitions have been seen in international galleries and museums, including Pinacoteca do Estado, São Paulo, Brazil; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Koenig & Clinton (NYC); Nara Roesler Gallery (Brazil); Alexander Gray (NYC); Roger Björkholmen (Sweden); and Postmasters Gallery (NYC).

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

1999 Dressing Down, Ikon Gallery, Birmingham; toured to Henie Onstad Art Centre, Norway; Northern Gallery for Contemporary Art, Sunderland; Mappin Art Gallery, Sheffield; Oriel Mostyn, Llandudno, Wales (catalogue) Brent Sikkema, New York, USA

Traveled to: Ikon Gallery, Birmingham, April 14 — June 15, 1993; Centre for Contemporary Arts, Glasgow, July 24 — September 4, 1993.

She has previously shown with Deitch Projects, New York and recently has had solo shows with the Ikon Gallery, Birmingham, UK and the Museum of Craft & Folk Art, San Francisco.

Founded in 1966, it was one of that great wave of new institutions that included the Scottish National Gallery of Modern Art, the Camden Arts Centre in London and the Ikon Gallery in Birmingham.

Traveled to: Wiels, Brussels, September 23 — December 31, 2011; The Renaissance Society, University of Chicago, March 18 — April 22, 2012; Ikon Gallery, Birmingham, May 16 — July 8, 2012; Museum of Contemporary Art, Rome, September 20 — November 11, 2012; Fotomuseum Winterthur, Switzerland, December 1, 2012 — February 17, 2013.

With the support of Art14 London and its sponsors, University of the Arts London, Ikon Gallery and Delfina Foundation will all present works by selected artists who are closely associated with -LSB-...]

Panel members include Whitney Hintz, Independent Advisor and Curator of the Hiscox Collection; Alistair Payne, Head, School of Fine Art, Glasgow School of Art; Olivier Richon, Photography Lecturer, Royal College of Art; Reyahn King, Chief Executive, York Museums Trust; Jonathan Watkins, Director, Ikon Gallery; Susanna Brown, Curator of Photographs, V&A; Rachel Ara, Artist, Aesthetica Art Prize Winner 2016; Eleanor Clayton, Curator, The Hepworth Wakefield; Cherie Federico, Co-founder & Managing Director of Aesthetica.

as a departure point, Ikon's exhibition explores Flavin's straightforward rejection of illusionism whilst asserting the importance of the context of artistic experience over art for art's sake.

His work has been the subject of numerous solo exhibitions at venues including Museum Dhondt - Dhaenens, Belgium and Musée d'art Contemporain de Montréal (2016); Aspen Art Museum, Colorado, Contemporary Art Gallery, Vancouver, Australian Centre for Contemporary Art, Melbourne, Singapore Tyler Print Institute, Singapore and Proyectos Monclova, Mexico City (2015); Manchester Art Gallery and Centre for Contemporary Art, Derry (2014); Palais de Tokyo, Paris (2012); Haus Konstruktiv, Zurich (2010); Solomon R Guggenheim Museum, New York (2010); Ikon Gallery, Birmingham (2008); MUMOK, Vienna (2007) and the CCA Wattis Institute for Contemporary Arts, San Francisco (2007).

2006 The word made flesh, Stephen Friedman Gallery, London, England 2005 Satyr: Ikon, Galleria Continua, San Gimigano, Italy The Fall, Sorry we're closed, Brussels, Belgium Hung, Drawn and Quartered, Contemporary Arts Center, Cincinnati, USA; toured to Aspen Art Museum, Aspen, USA (catalogue) The Fall, Sorry, We're Closed, Brussels, Belgium

Paul Ramírez Jonas» selected solo exhibitions include Pinacoteca do Estado, Sao Paulo, Brazil; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; The Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Alexander Gray Gallery (NYC); Roger Björkholmen (Sweden); Nara Roesler Gallery (Brazil); and Postmasters Gallery (NYC).

Maria Balshaw picks robots at the Manchester Art Gallery, Mona Hatoum at Tate Modern, hard - hitting photographs at Birmingham's Ikon gallery and underwear at the V&A

1999 Love Bites, Ikon Gallery, Birmingham, UK; touring to Cornerhouse, Manchester, UK Zac 99, Musee d'Art Moderne de la Ville de Paris, France Bildung - information, communication and didactics in contemporary fine arts, Grazer Kunstverein, Graz, Austria Getting the Corners, Or Gallery, Vancouver, Canada Shopping, London, (organised by FAT), England GREEN, Exedra (Foundation for Contemporary Art), Hilversum, Netherlands Plug In, Salon 3, London, England Word enough to save a life, Word enough to take a life, Clare College Mission Church, London, England Common People, British Art between Phenomenon and Reality, Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy Waste Management, Art Gallery of Ontario, Canada Free Coke, Greene / Naftali Gallery, New York, USA Ainsi de suite 3 (deuxième partie), Sétè, France Diary, Cornerhouse, Manchester, UK Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark

Recent solo exhibitions and projects include «Down Over Up», Fruitmarket Gallery, Edinburgh (2010); «Ballet Work No. 1020», Traverse Theatre, Edinburgh (2010); «Things», The Common Guild, Glasgow (2010); «Work No. 409», Royal Festival Hall, London (2010); Hiroshima City Museum of Contemporary Art, Hiroshima (2009); Ikon Gallery, Birmingham (2008) and the Duveen Commission, Tate Britain, London (2008).

Solo exhibitions of Lee Bul's work have been organized at museums throughout the world, including Artsonje Center, Seoul (2016); Vancouver Art Gallery (2015); Palais de Tokyo, Paris (2015); Espai d'art contemporani de Castelló, Castellón, Spain (2015); Musée d'art moderne et contemporain de Saint - Etienne Métropole, France (2015); National Museum of Modern and Contemporary Art, Seoul (2014); Ikon Gallery, Birmingham, United Kingdom (2014); Musée d'Art Moderne Grand - Duc Jean, Luxembourg (2013); Mori Art Museum, Tokyo (2012); Fondation Cartier pour l'art contemporain, Paris (2007); Museum of Contemporary Art Australia, Sydney (2004); Henry Art Gallery, Seattle (2003); The Power Plant, Toronto (2002); New Museum, New York (2002); The Fabric Workshop and Museum, Philadelphia (2001); and The Museum of Modern Art, New York (1997).

This exhibition is the fruit of several years of joint curatorship and enthusiasm on behalf of Espai d'art contemporani de Castelló, Ikon Gallery from Birmingham, Museum of Contemporary Art Tokyo and the Japan Foundation.