Sentences with phrase «ikon on»

Call Ikon on 0121 248 0708 or email [email protected]

The new gearbox and engine combo make the overall experience so much better compared to the old setup that you'll start thinking that it is time for Ford to slap on «The Josh Machine» sticker that came on the windscreen of the Ikon on the Freestyle as well!

How beautiful are those painted ikons on the walls?

Not exact matches

Craig Snyder of Ikon Public Affairs, a longtime Republican consultant and lobbyist, is trying to line up GOP backers on K Street for Clinton's presidential bid.

The three lawmakers are the Deputy Chairman, House Committee on Petroleum Resources (Upstream), Mr. Terse Mark - Gbillah (All Progressives Congress, Benue); Mr. Samuel Ikon (Peoples Democratic Party, Akwa Ibom); and Mr. Mohammed Garba - Gololo (APC, Bauchi).

Aaron Mullett toured Ikon Park on Monday, and Carlton look poised to sign the delisted free agent after the Blues continued their list clean - out on Tuesday Geoffrey Blainey put Aborigines back into the heart of Australian history, but he is still fixated on violence in their communities.

Revelstoke Mountain Resort «Revelstoke Mountain Resort is thrilled join some of North America's best destinations on the Ikon Pass.

Ikon Gallery is pleased to announce: Hurvin Anderson, fifteen - year survey that reflects on Anderson's career to date.

Garis & Hahn and Ikon Arts Foundation are pleased to present Notes on Undoing, a group exhibition of established and emerging Croatian artists curated by Branka Benčić.

Extract from our April Diary featuring the director of Birmingham's Ikon gallery, Jonathan Watkins, on the museum's upcoming 50th anniversary

, Ikon Gallery, Birmingham 2011, and New Wooabbeleri, Focal Point Gallery, Southend - On - Sea 2010.

«Hurvin Anderson: Reporting Back» was published on the occasion of his survey exhibition at Ikon Gallery in Birmingham UK.

Previous post: Ikon Arts Foundation Presents «Notes on Undoing», a Group Exhibition of Croatian Art

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

One of Australia's most prolific and successful 20th - century artists, Nolan's diverse oeuvre will be on display at: Pallant House, Chichester (18 February — 14 June); Australia House, London (21 April — 5 May); Ikon Gallery, Birmingham (14 June — 3 September) and the British Museum, London in October.

BOOKSHELF «Hurvin Anderson: Reporting Back» was published on the occasion of his survey exhibition at Ikon Gallery in Birmingham UK.

Ikon Gallery, Birmingham, until 26 June The impact of minimalist sculptures is dependent on their site - specific context.

Starting at the Ikon Gallery in Birmingham, England in 2002, On Kawara: Consciousness.

Creed's relationship with the Ikon Gallery began when he crafted an earlier musical piece for the museum: Work No 409, better known to its fans on YouTube as the «Singing Lift».

This exhibition is the fruit of several years of joint curatorship and enthusiasm on behalf of Espai d'art contemporani de Castelló, Ikon Gallery from Birmingham, Museum of Contemporary Art Tokyo and the Japan Foundation.

Prior to this role, Helen was Curator at Ikon, Birmingham, working on exhibitions and offsite projects.

Based on a touring exhibition organized by Espai d'art contemporani de Castelló, Castellon; Musée d'art moderne et contemporain Saint - Étienne Métropole; and Ikon Gallery, Birmingham, with Coordinating Curator Daina Augaitis, Chief Curator / Associate Director, Vancouver Art Gallery.

Ink on paper; Inscribed «For Dwight, Love From David H., L.A. 1979» in ink on recto; Provenance: Louis Stern Fine Art, Los Angeles, CA; Posner Gallery, Milwaukee, WI; Ikon Contemporary Art, Los Angeles, CA; Douglas Udell Gallery; Gallery tags on verso Image: 17 x 14 inches; Framed: 24.5 x 21.5 inches; Estimate: $ 30,000 / $ 40,000

Ikon and Plinth are collaborating on a new pop - up exhibition in central London.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

Taking his statement «It is what it is and it ain't nothing else» as a departure point, Ikon's exhibition exemplifies Flavin's emphasis on the importance of the context of artistic experience, capitalising on the variety of interiors that Ikon Gallery has to offer.

Dead Stars», Tanya Bonakdar Gallery, New York (2017); «Inside rooms drift in and out of sleep / While on the roof / An alphabet of aerials / Search for a language», Galerie Eva Presenhuber, Zurich (2015); «Martin Boyce: When Now is Night», RISD Museum, Providence (2015); Museum fur Gegenwartskunst, Basel (2015); «All Over / Again / and Again», The Modern Institute, Aird's Lane, Glasgow (2013); «Out of This Sun, Into This Shadow», Ikon Gallery, Birmingham (2008); «Electric Trees and Telephone Booth Conversations», FRAC des Pays de la Loire, Carquefou, France (2007); «For 1959 Capital Avenue», Museum für Moderne Kunst, Frankfurt (2002); and «Our Love is Like the Flowers, the Rain, the Sea and the Hours», Tramway, Glasgow (2002).

, Ikon Gallery, Birmingham, 2011; New Wooabbeleri, Focal Point Gallery, Southend - On - Sea, 2010.

As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery, Birmingham, is a departure from the solo and two - person exhibitions that have become synonymous with Ikon's programme.

As a charity, Ikon relies on donations from individuals and businesses.

It is the second chapter in the story of Ikon, following on from our 2004 exhibition, The best things in life happen accidentally, featuring work by founder artists, their colleagues, friends and acquaintances.

Ikon Gallery's Slow Boat has recently undergone a transformation as it embarks on its next three year programme, Looping the Loop.

Taking his statement «It is what it is and it ain't nothing else» as a departure point, Ikon's exhibition demonstrates Flavin's emphasis on the importance of the context of artistic experience capitalising on the variety of interiors that Ikon Gallery has to offer.

Ikon opens the first solo exhibition of Penjweny under the title Saddam is Here on 19 February until 21 April.

Details from the art gallery on 0121 303 1966, the Ikon...

Days Out THE BIRMINGHAM GEM THAT TV»S LAURENCE OVERLOOKED Birmingham Evening Mail (England); February 23, 2007; Graham Young; 700 + words... concentrating on art, the Ikon Gallery, which began life... Town Hall etc..

Brum Art Gallery Puts on Sex Video by Turner Prize Winner Sunday Mercury (Birmingham, England); October 12, 2008; Varma, Anuji; 700 + words... 18s are banned from seeing Sex Film by former Turner Prize winner Martin Creed at the Ikon Gallery in Birmingham... knownpiece is the work he exhibited for the 2001 Turner Prize show at the Tate Gallery.

(News) The Birmingham Post (England); November 6, 2007; 428 words... Birmingham Museum & Art Gallery, Ikon Gallery and the New Art Gallery, Walsall... the museum, first proposed by Ikon Gallery last year, is about to begin... former Municipal Bank building on Broad Street has been suggested as one possible...

Through a variety of talks, tours, workshops and seminars, our Learning team aims to build a meaningful relationship with Ikon's audience that enables visitors to engage with, discuss and reflect on contemporary art.

A major exhibition of new work on view at MAMBO, Bologna in 2008 will travel to Birmingham's Ikon Gallery in 2009.

Ikon's first director Simon Chapman (1972 — 78) devised a programme that was eclectic, notable for its emphasis on painting — ranging from large post-painterly abstraction to a «New British Realism» — and a frequent inclusion of photography.

Artists exhibited at Ikon since 2000 include Ignasi Aballi, Adel Abdessemed, Giovanni Anselmo, Christiane Baumgartner, Frederic Bruly Bouabré, Alice Cattaneo, Ruth Claxton, Martin Creed, David Cunningham, Marjolijn Dijkman, Ceal Floyer, Katherina Grosse, Arturo Herrera, Sofia Hulten, June Bum Park, On Kawara, Vladimir Logutov, Mike Marshall, Juneau Projects, On Kawara, Kelly Mark, Julian Opie, Cornelia Parker, Simon Patterson, Cesare Pietrojusti, Navin Rawanchaikul, Beat Streuli, Tadasu Takemine, Zhao Bandi and Andrea Zittel.

As an editorial photographer, he found himself working with teenage fathers and elderly prisoners, and this set him on his route to working with terror suspects, prisoners in Guantánamo Bay, and, most recently, a three - year residency at the UK's only wholly therapeutic prison, HMP Grendon, where he worked with the inmates to produce four new bodies of challenging work, each employing methods new to his practice, which are now on show at the Ikon Gallery, Birmingham.

Within a few months, Trammel Crow sold the property on behalf of Ikon for the market price of $ 5 million.