Sentences with phrase «image courtesy white»

Image courtesy White Rabbit Collection.
All images courtesy White Cube, Hong Kong / London.
All works © Beatriz Milhazes All images Courtesy White Cube All works photographed by Motivo, except Yellow sunshine, photographed by Pepe Schettino

Not exact matches

Courtesy of the Vernadsky Institute, Moscow — smaller, high - contrast image (Additional image processing by Carlé Pieters and colleagues at Brown University, assembled for Astronomy: The Cosmic Journey by William K. Hartmann and Chris Impey) Around the Venera 13 probe at bottom, the dissicated, daytime landscape of Venus displays a yellowish - orange hue under a cloudy yellowish - white sky and the natural, mustard - colored light filtering through the planet's thick atmosphere
Image courtesy Gilbert & George / White Cube
Images: James Turrell, Raemar Pink White, 1969, Shallow Space, Collection of Art & Research, Las Vegas, Installation view at Griffin Contemporary, Santa Monica, CA, 2004, © James Turrell, Photo by Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles; James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian Holzherr.
«Sometimes I Avoid People» (1991) Image courtesy of White Cube © Damien Hirst and Science Ltd..
Image: Installation view of Doug Aitken: Electric Earth, September 10, 2016 — January 15, 2017 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Joshua White
(All images by Ben Westoby, courtesy White Cube.)
Image above and throughout website: Paul McCarthy, WS, 2013 Courtesy the artist and Hauser & Wirth Photo: Joshua White
Image: © Estate of David Wojnarowicz, Democracy, 1990, Black - and - white silkscreen print, Courtesy of ClampArt, New York City
Artwork Images Courtesy of the Artist and White Cube; Venue Shoots Courtesy of Qiao Space, Photo by JJYPHOTO
All images courtesy of White Cube and the artist.
(Image courtesy of White Box.)
ROBERT RYMAN Manual 1993 and 2004 Oil and enamel on lumasite 48 x 48 inches (121.9 x 121.9 cm) Signed, titled and dated RYMAN 93 RYMAN 93 - 04 «MANUAL» (on the reverse) © 2017 Robert Ryman Image courtesy Stephen White
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
Image: Courtesy of Jay Jopling / White Cube, London © Damien Hirst and Science Ltd..
Image: Anselm Kiefer Des Meeres und der Liebe Wellen [Detail] 2011 Mixed media and gynaecological instrument on photographic paper © the artist Photo: Charles Duprat Courtesy White Cube White Cube Hoxton Square is pleased to present a new exhibition by the internationally acclaimed artist Anselm Kiefer.
Featured image: Jeff Wall — portrait — photo credits Linda Nylind, image via theguardian.com All other images courtesy of White Cube
Main image: Ellsworth Kelly, Austin, 2015 (East façade), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation
Image courtesy Jay Jopling / White Cube © Damien Hirst and Science Ltd..
Image: Chantal Joffe, Esme by the Railings, 2014 Oil on canvas 40.5 x 30.5 x 1.6 cm, 16 x 12 1/8 x 5/8 in Courtesy the Artist and Victoria Miro, London (Photography Stephen White) © Chantal Joffe
Image: © the artist Courtesy White Cube 3 September — 2 October 2010 White Cube Mason's Yard Known for works that meditate on notions of time, landscape and travel, as well as political and historical memory, Almond brings these themes together in two bodies of work: a series of time - lapse photographs taken in the Faroe Islands, -LSB-...]
Images courtesy: Tales of Genji IV, Tyler Graphics Ltd., Mount Kisco, New York; Off White Square, and Summer Harp, William Louis - Dreyfus Foundation Inc.; Abstract Landscape, Helen Frankenthaler Foundation
Image, above: Christian Marclay's «The Clock,» 2010, single - channel video, edition 6 of 6; courtesy Paula Cooper Gallery, New York and White Cube, London.
Installation view of «White on Blue No. 6» (second from left), «Betwixt» series (first from left and second from right), and «Non-Place» «series by Luke Heng Image courtesy of the artist and Pearl Lam Galleries, Singapore
Photography: all images copyright and courtesy of the artists and Hammer Museum, Los Angeles / Photo: Joshua White
Evan Whale, «Sunset Overlooking White Wolf, 06/02/2016, 08:21 pm,» 2016, Seismogram on Chromogenic Print, Museum Glass, Painted Frame, 61 x 31 inches, Unique Image courtesy of Evan Whale and 321 Gallery, Brooklyn, NY.
Images courtesy of White Flag Projects.
Artist: Marguerite Humeau Exhibition title: Echoes Venue: DUVE Berlin, Berlin, Germany Date: May 1 — June 6, 2015 Photography: images courtesy of the artist and DUVE Berlin When Marguerite Humeau's exhibition * Echoes * closes on June 6, the hypnotic yellow pigment that dresses the walls of the gallery for her work Black Mamba will presumably be repainted in a casual White Cube wWhite Cube whitewhite.
scaffold, 2015 4 mm square section stainless steel bar / 198 x 46 x 36 cm image © antony gormley / photograph by stephen white, london / courtesy of sean kelly, new york
Pati Hill, Alphabet of Common Objects (detail, typewriter ribbon), c. 1975 - 79, 45 black and white copier prints, each 11» x 8.5 ″; Image courtesy Estate of Pati Hill.
Virginia Overton; «Untitled (Dynamo);» 2018; Image courtesy the Artist, Bortolami Gallery, White Cube, and Socrates Sculpture Park.
Collection of the artist; courtesy Paula Cooper Gallery, New York This projected musical score is made from carefully edited black - and - white images overlaid with brightly colored computer - animated graphics reminiscent of the dots and lines of traditional music notation.
Photography: all images copyright and courtesy of the artist and Hammer Museum, Los Angeles / Photo: Joshua White
(Image on top: James Franco, White Snow, 2012, oil and mixed media on canvas, 100 x 100 cm; Courtesy of the artist & Peres Projects.)
Photography: Joshua White, all images copyright and courtesy of the artist and Baert Gallery, Los Angeles
All images by Joshua White, courtesy of Hirshhorn National Museum of Modern Art.
Artists: Martin Soto Climent, Anne - Lise Coste, Ryan Foerster, Jesse Harris, Jeremy Jansen, Jenine Marsh, Marlie Mul, John Riepenhoff, Sara Greenberger Rafferty, Brie Ruais, Gee Vaucher, JPW3 Exhibition title: Road to Ruin Venue: COOPER COLE, Toronto, Canada Date: June 10 — July 18, 2015 Photography: images courtesy of the artists and COOPER COLE, Toronto JPW3, Hot Pot Charmer (Flamingo), 2014 Jeremy Jansen, Charm Bracelet, 2013 — 2015 Brie Ruais, Corner Push (White), 131 lbs, 2014 Ryan Foerster, Failed Laminating Photos, Fuck Holes, 2012 — 2014 Anne Lise Coste, The Eye, 2013 Marlie Mul, Air Vent / Butt Stop (Mainstream / Sidestream), 2015 John Riepenhoff, Handler, 2015 Jesse Harris, Evergreen, 2015 Sara Greenberger Rafferty, Window Piece, 2011 Jenine -LSB-...]
Image credit: Robert Kushner, «White Lotus Shaft of Light III,» 2008, oil, acrylic, gold and silver leaf on canvas, 55 × 72» image courtesy of DC Moore Gallery, New Image credit: Robert Kushner, «White Lotus Shaft of Light III,» 2008, oil, acrylic, gold and silver leaf on canvas, 55 × 72» image courtesy of DC Moore Gallery, New image courtesy of DC Moore Gallery, New York.
Callum Innes, Ivory Black Green / Titanium White, 2013, Watercolour, 56 x 77 cm, image by courtesy of Frith Street Gallery, London
Image: Self Portrait in the Study at Peckham (After Vincenzo Catena) Kashmir Version 2015 - 2016 Photo: Raqib Shaw (Prudence Cuming Associates Ltd) Courtesy White Cube
All images courtesy of the artists and Pace Gallery.Featured images in slider: Glenn Ligon — Death of Tom, 2008, 16 mm black and white film / video transfer, 23 min.; 4:3 aspect ratio, Edition AP 1 of 1.
Image Shows Honor 9 Lite in Magic Nightfall, Seagull Gray and Pearl White Colour (Image Courtesy: honor.cn)
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