They vary from an attempt at reconstruction (When Attitudes Become Form, Venice, 2013), which entails the impossible endeavor of providing the
viewer with an authentic experience in the form of an archival documentation exhibition with the aim of updating our (own) past (Recollections), to a much more multifaceted or «corrected»
image of the original, such as Jens Hoffman's Other Primary Structures, which also included sculptures by artists working in the 1960s in Asia, Latin America, the Middle East, Eastern Europe, and Africa, and which reexamined the exhibition of 1966 from a
global point of view.