Sentences with phrase «images of the sun at»

Images of the Sun at the peak time of bright flare emission.

Not exact matches

To cite a more contested passage, her image in Revelation 12:17 as a woman clothed with the sun with a crown of stars in the agony of giving birth to a son who will rule the nations is, at the very least, impressive.

The philosopher - king exists totally outside of that world of images in the pure light of the sun, directly staring at unmediated truth.

Rita Rouner's poems and reflections, «A Short While toward the Sun,» on the death of her 19 - year - old son, shows images of the afterlife — very positive ones — emerging at the same time as the mourner - poet herself is stuck «in death,» in numbness and hopelessness.

If when you are not upset, you develop the habit of closing your eyes and picturing a place — for me it is a sun - warmed bolder by a very still lake — , you will be able to pull up that image at a moments notice.

By looking at the sky through such a crystal and then rotating it so the two images are equally bright, it's possible to spot the rings of polarized light that surround the sun, even under cloudy skies.

Images taken with a telephoto - lens camera on NASA's Mars rover Curiosity catch the larger of Mars» two moons, Phobos, passing directly in front of the sun — the sharpest images of a solar eclipse ever taken atImages taken with a telephoto - lens camera on NASA's Mars rover Curiosity catch the larger of Mars» two moons, Phobos, passing directly in front of the sun — the sharpest images of a solar eclipse ever taken atimages of a solar eclipse ever taken at Mars.

«This is science, so null results about our nearest neighboring Sun - like stars are just as valuable as positive ones, although they don't generate a press release,» says Jared Males, an astronomer at the University of Arizona who is working on image - processing algorithms for Project Blue.

Images from Cassini's ultraviolet imaging spectrometer (UVIS), obtained from an unusually close range of about six Saturn radii, provided a look at the changing patterns of faint emissions on scales of a few hundred miles (kilometers) and tied the changes in the auroras to the fluctuating wind of charged particles blowing off the sun and flowing past Saturn.

Atop a three - story building at the east end of Oak Ridge National Laboratory in rural Tennessee, the warped image of researcher Jeff Muhs reflects off a silvery 46 - inch - wide dish aimed at the afternoon sun.

Several years ago, Sun Hong Rhie, then at the University of Notre Dame in Indiana, US, was trying to calculate just how many images there can be.

Scientists at NJIT's Big Bear Solar Observatory (BBSO) have captured the first high - resolution images of the flaring magnetic structures known as solar flux ropes at their point of origin in the Sun's chromosphere.

These images of the sun were captured at the same time on Jan. 29, 2017 by the six channels on the SUVI instrument on board GOES - 16 and show a large coronal hole in the sun's southern hemisphere.

Thus, at the last moments of a sunset we can get a green image of the upper edge of the sun: the green flash.

In March of 2013, Luhman's analysis of the images from WISE uncovered a pair of much warmer brown dwarfs at a distance of 6.5 light years, making that system the third closest to the Sun.

To maximize energy absorption for photosynthesis, especially when the suns have vastly different colors or if at least one of the suns is dim, plants — or, more correctly, their extraterrestrial analogs — may use one or more types of light - absorbing pigments that absorb across a broad range of wavelengths, which would tend to make the plant appear black or gray (main image).

By measuring the size of the largest raindrop imprints (inset) in ash that solidified soon after an eruption 2.7 billion years ago (pocked slab, main image) and comparing them to the imprints made by drops of various sizes and momentums in lab tests, the team estimates that the density of Earth's oxygen - free atmosphere 2.7 billion years ago most likely ranged between 50 % and 108 % of today's air and was certainly less than twice its modern density — a thickness insufficient to offset the dimness of the sun at the time.

Images of the Sun will primarily be captured at visible light wavelengths, specifically the green light given off by highly ionized iron, superheated by the corona.

The image above (view the full - res version), which is called the absorption spectrum of the Sun, was observed by the Fourier Transform Spectrometer at the National Solar Observatory on Kitt Peak, near Tucson, Arizona.

«With MESSENGER, we have now obtained images of the entire planet at high resolution and, crucially, at different angles to the sun that show features Mariner 10 could not in the 1970s,» Steven A. Hauck, II, a professor of planetary sciences at Case Western Reserve University in Cleveland, Ohio, and the study's co-author, said in a statement.

This sequence of images of the the Sun in ultraviolet light was taken by the Solar and Heliospheric Observatory (SOHO) spacecraft on Feb. 11, 1996 from its unique vantage point at the «L1» gravity neutral point 1 million miles sunward from the Earth.

Image: On August 31, 2012 a long filament of solar material that had been hovering in the sun's atmosphere, the corona, erupted out into space at 4:36 p.m. EDT.

Although Hubble can't point at the sun, it can still take some pretty awesome images, like this one, which shows a halo of hot gas surrounding spiral galaxy NGC 4631 that's similar to the Milky Way galaxy.

This image of the entire Sun was taken at a wavelength of 617.3 nanometers.

Astronomers report that they have found new evidence that a black hole weighing 3 million times the mass of the Sun exists at the center of the nearby elliptical galaxy M32, based on images obtained with NASA's Hubble Space Telescope (HST).

The sun was such a bright assault that, as she first walked into the yard, she saw darkened images at the edge of her field of vision.

The reflection levels are normal, and as demonstrated in the first image below, I also tested it with the sun shining directly onto 1/3 of the display, and as you can see, it hardly has any effect at all on the right side of the screen.

For many new dog owners, dog daycare conjures images of fluffy friends romping and playing, maybe stopping for a mid-afternoon snooze in a quiet sun spot, and returning home at the end of the day tired and happy.

Don't be fooled by the sensible and elegant appearance of the Budapest locals, as soon as the sun goes down Budapesters love to shed their stodgy image and get down at one the many hotspots located in this resurgent, cosmopolitan capital of Central Europe.

With Its Beautiful Daytime Attractions And Its Thriving Nightlife, Budapest Is A City Of Twos In More Ways Than One By Sarah Parker Don't be fooled by the sensible and elegant appearance of the Budapest locals, as soon as the sun goes down Budapesters love to shed their stodgy image and get down at one -LSB-..Of Twos In More Ways Than One By Sarah Parker Don't be fooled by the sensible and elegant appearance of the Budapest locals, as soon as the sun goes down Budapesters love to shed their stodgy image and get down at one -LSB-..of the Budapest locals, as soon as the sun goes down Budapesters love to shed their stodgy image and get down at one -LSB-...]

Iconic images abound along the strand, which is recognized as the birthplace of beach culture: stilt - borne lifeguard stations, bikini - clad rollerbladers at Venice Beach, sun - bleached surfers at Malibu, body builders at Muscle Beach, leggy palm trees along Ocean Avenue, and those remarkable and unaffected sunsets over the Pacific.

If you'd like to get a behind - the - scenes look inside the world of travel writing and immerse yourself in the world's most fascinating food, drink and sun destinations, visit Michele's culinary travel blog at A Taste for Travel by clicking on the image below:

When I think of my visit to San Francisco this past spring a surge of memories and images come to mind, from experiencing Muir Woods to watching sea lions bask in the sun at Pier 39 and exploring Yosemite to wandering its hilly streets, and I thought what better way to show my love for the Bay city than a photo essay showcasing San Francisco's life in the details.

These images juxtapose light and time conditions at the top of the mountain as the sun strikes the long fuzzy head of a shotgun microphone, known as a «dead cat» in filmmaking.

This video installation piece is a compilation of images of the sun taken by the Solar and Heliospheric Observatory (SOHO) over the course of 1234 days, the number of days I had lived in California at the time of this exhibit.

Push through a dark curtain, and you emerge blinking into a dark space lit by a huge, elemental orange sun, glimmering against a black background: Katharina Sieverding's projection Die Sonne Um Mitternacht Schauen, SDO / NASA (Looking at the Sun at Midnight), 2011 - 12, which uses high - resolution Nasa images to create a dramatic, up - close image of the sun's surfasun, glimmering against a black background: Katharina Sieverding's projection Die Sonne Um Mitternacht Schauen, SDO / NASA (Looking at the Sun at Midnight), 2011 - 12, which uses high - resolution Nasa images to create a dramatic, up - close image of the sun's surfaSun at Midnight), 2011 - 12, which uses high - resolution Nasa images to create a dramatic, up - close image of the sun's surfasun's surface.

«Ashes» is a two - part exhibition; the darkened gallery at 3 Duke Street, is filled with McQueen's short film; the on - screen image of a young black man sitting on the prow of a small boat, basking in the glory of the sun, while at 11 Duke Street a black marble column stands resplendent, but broken.

Cracco's influences range from astronomy to particle physics to music, shifting and oscillating between the macro and the micro, between the illusions of light in works like Staring at the Sun (detail shown on top) and the disruptions the images dissolve into when viewed at close range.

But his obsession with colour as the fount and origin of painting, and his preoccupation with the image of the sun, symmetrical, haloed, brightly pulsing, would lead to a reappraisal of his achievement in the 1940s and 1950s, resonating with the colour experimentation of Josef Albers at Black Mountain College, and through him on the young Kenneth Noland.

I Love You with My Ford (1961), Look Alive (Blue Feet, Look Alive)(1961), Tube (1962), and Morning Sun (1963) are included in The Popular Image Exhibition, a large - scale compendium of Pop and Fluxus art curated by Alice Denney, at the Washington Gallery of Modern Art, Washington, D.C. Rosenquist's painting Vestigial Appendage (1962) is included in the group exhibition De A à Z 1963: 31 peintres americains choisis par The Art Institute of Chicago, one of the first European exhibitions to include his work, presented at the Centre Culturel Américain, Paris.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

From a certain angle, glinting reflections on the powdery gesso dance like sun on snow, and a pattern of blurred «ghost» images of rectangles start to appear the way the white «stars» flicker at the intersections of black lines in a Mondrian.

At noon, the shadows are short and squat, but as the hours pass, the image lengthens as the sun moves across the arc of the sky.

TOP IMAGE: Installation view of NARI WARD, «We the People,» 2011 (shoe strings), «Sun Splashed» exhibition at Barnes Foundation, Philadelphia, Aug. 2016.

The New Yorker featured on its cover Kadir Nelson's take on «A Day at the Beach,» a powerful, very American image of a black father at the sun - drenched shore with his children.

Yekyong Press, Seoul, 2015 (poetry book) Sam McKinniss, Beyond the Pale, October 2014 (exhibition catalog) Leslie Kerby, BRIC Biennial, Volume 1: Downtown Edition, September 2014 (exhibition catalog) John Goodrich, The Power of Tiny Paintings, Hyperallergic, April 2014 Xico Greenwald, Serious Schooling, The New York Sun, March 2014 Jerry Saltz, The 10 Best Art Shows of the Year, New York Magazine, December 2013 Jed Perl, Richard Diebenkorn and the Problems of Modern Painting, The New Republic, September 2013 Aubrey Levinthal, Sunday Pick: Eleanor Ray, April 2013 RELATED PROJECTS WRITING Ad Reinhardt: Blue Paintings, Brooklyn Rail, October 2017 For WLD, Steven Harvey Fine Art Projects, exhibition catalog, January 2017 Stanley Lewis, NYSS exhibition catalog, October 2016 Mernet Larsen at James Cohan, Brooklyn Rail, March 2016 John Zurier at Peter Blum, Brooklyn Rail, March 2015 Temporary Equilibrium (on Morandi, Guston), This Recording, November 2013 Elena Sisto at Lori Bookstein, This Recording, May 2013 CURATING Image Makers, co-organized with Avital Burg, NOVELLA, New York, NY, 2014 VISITING ARTIST / LECTURES / PANELS University of Tulsa, 2017 ANU School of Art & Design, Canberra, Australia, 2017 Marywood University, Scranton, PA, 2016 Amherst College, Amherst, MA, 2013 and 2016 Mount Gretna School of Art, Mount Gretna, PA, 2015

Image: Dave BergeronIt's that time of year again in Montrà © al when even the deepest and coldest snow drifts yield to the warm, melting power of the sun: the cyclists are out in full force, outdoor cafà © s make a comeback and people start smiling at each

There's (1) the Beats Audio control panel, (2) switching to an annoying (but still easily - disabled) typewriter - derived set of sounds for the keyboard, (3) a default background image of a hot air balloon over a body of water in front of a setting sun with lens flare (oh, the poor Photoshopping at work here), and (4), well, that's it.