[52] The painting was the subject of a BBC1
Imagine film documentary by Bruno Wollheim called «David Hockney: A Bigger Picture» (2009) which followed Hockney as he worked outdoors over the preceding two years.
Not exact matches
Spanning four countries and as many languages, you'd
imagine there would be a wealth of material available for discussion, but the only extra on the two - disc set is a 87 - minute
documentary («Common Ground: Under Construction») on the making of the
film.
Jacques Rivette's dazzling 750 - minute Out 1 (1971)-- an eight - part serial in 16 - millimeter still unscreened in this country that remains one of the boldest experiments in
film narrative ever attempted — was conceived as a kind of parody of Bazin's ideas in its deft mixture of
documentary and fiction, its improvising actors working through a dense plot built around real and
imagined conspiracies, and even its extended takes, one of which lasts 45 minutes as it records a theater group's exercise.
Whilst I can't
imagine a quasi -
documentary / fiction
film like this has much to offer in a second viewing, it's a unique experience — a must for Hitchcock fans and anyone interested in the blurring of fact and fiction.
I've got a brief preview of some of the
films we're looking forward to over this first week, including Paul Schrader's First Reformed,
documentaries on Freaks & Geeks, MIA, and John McEnroe (that's three separate
films, though now I'm
imagining a Fast, Cheap & Out of Control - style doc about the three of them all together and that would be really cool), and archival presentations of classics by Derek Jarman (Edward II) and Kenji Mizoguchi (Sansho the Bailiff).
Spotlight Features and Commentary: Andrea Arnold on Wuthering Heights (Moira Macdonald at Seattle Times) «Secret Festival» Rebellion (David Schmader for The Stranger) Updated Release Dates for SIFF
films (Moira Macdonald for The Seattle Times) Just Before Dawn: The First SIFF (Richard T. Jameson for Straight Shooting) Interview with director Drew Denny of The Most Fun I've Ever Had With My Pants On (Twitch) Q&A with Lynn Shelton (Brian Miller for Seattle Weekly) Lynn Shelton: «I never
imagined I could be a filmmaker» (Moira Macdonald for Seattle Times) Scriptless in Seattle: A Filmmaker's Map (Lynn Shelton profile at The New York Times) Interview with Megan Griffiths at SXSW (Indiewire) Rick Stevenson's 10 - Year
Documentary (Sean Axmaker for Seattle Weekly)
Using both archival and
filmed material, his
films question our reading of the
documentary form as a fixed representation of reality, opening up the boundaries between the actual and the
imagined, record and interpretation.
I'd really like to reinvent the wedding video... no one ever takes me seriously when I say that but could you
imagine filming a wedding as an observational
documentary piece?
These animations, artist moving image,
documentary and feature
films examine how experiences, memories, and desires of our lived environments are (re) invented and (re)
imagined on - screen.