Basically, the Chicago
Imagists embraced the then - verboten: figuration; the personal, the theatrical and / or narrative; the grotesque; and comedy ranging from dark and sinister to high - octane hilarity.
Not exact matches
Like the
Imagists and Funk Artists, Saul chose to work outside of the confines of the New York art scene, instead
embracing humor in a time of stark seriousness.
Roger Brown was a prominent member of the Chicago
Imagist group, a cohort of artists working in the late 1960s onward who
embraced figurative subject matter, unconventional and often «low brow» source material, and personal biography in their artistic practice.