In France, Yves Klein's choreographed installation and his sale of Zones of
Immaterial Pictorial Sensitivity provided more examples of ethereal and time - based art, as did Georges Mathieu's theatrical demonstrations of painting, which he took to Japan.
Transfer of a Zone of
immaterial pictorial sensibility to Dino Buzzati, Paris, January 26th, 1962.
Yves Klein's intangible «Zones of
Immaterial Pictorial Sensibility,» Richard Tuttle's bit of rope nailed to a gallery wall, Wolfgang Laib's floor - bound squares of sifted pollen and countless other works that delineate the zone of borderline nonsense in which Ireland operates comfortably.
Yves Klein throwing 20g of gold leaf into the Seine for
Immaterial Pictorial Sensivity Zone 5, January 26, 1962.
Yves Klein sold Zones of
Immaterial Pictorial Sensibility, indicated by a receipt, to collectors for sums of gold.
He invented another kind of conceptual art based on the sale of «zones of
immaterial pictorial sensibility.»
Not exact matches
Good painting (whether figurative or abstract) allows the eye to wander smoothly backwards and forwards between a material surface and the
immaterial,
pictorial space.