Sentences with phrase «important paintings on view»

Important paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its grid - like structure and layered lines.

Not exact matches

There are important works in the permanent collection (almost always on view) by Mondrian, Chagall, Picasso, and Warhol, as well as a large number of abstract paintings by Makevich, which are well - worth seeing if you have an interest in Russian avant - garde.

Over the past year, «Kerry James Marshall: Painting and Other Stuff,» an important survey of his practice and his most substantial exhibition in Europe, was on view in Antwerp, Copenhagen, Barcelona and Madrid (and a coinciding catalog was published).

Since these performances on video are, for the most part, non-narrative and oftentimes repetitive and durational, an important part of viewing them is actually watching the whole thing (imagine looking at just one corner of a painting, and judging it based on that).

In the number and quality of paintings on view from this period, the show parallels Guston's important 1966 survey at the Jewish Museum in New York, a half century ago.

VMFA to share works publicly while galleries are refurbished The esteemed French Impressionist Art and British Sporting Art collections at the Virginia Museum of Fine Arts will be embarking on national and international tours during the next two years, creating opportunities for more people to view these important paintings and sculptures that were donated to...

Accompanying the exhibition Chung Sang - Hwa: Seven Paintings, on view in London from May 24 — July 21, 2017, this brochure features seven new paintings by Chung, one of the most important figures of the Korean Tansaekhwa Paintings, on view in London from May 24 — July 21, 2017, this brochure features seven new paintings by Chung, one of the most important figures of the Korean Tansaekhwa paintings by Chung, one of the most important figures of the Korean Tansaekhwa movement.

Gilliam, a peer of Whitten's, has 10 works on view, including Stand, an important draped painting that dates from the early 70s.

On view in the Museum's eighth - floor Hurst Family Galleries from January 27th, 2017 to May 14th, 2017, the show unites the different styles of the authors in order to explore how innovative and expressive painting is and to touch upon how the medium suddenly came to represent an important intersection between new ways of seeing and seemingly traditional way of making art.

In addition, Connections and Context includes four important paintings dating from 1953 to 1970 that have not been on view in the previous iterations of the permanent collection in the current building: John Ferren's New York Summer Landscape (1953); Friedel Dzubas's Untitled (ca. 1958); Raymond Parker's Untitled (1962); and Dan Christensen's Moondowner (1970).

The Corcoran Gallery of Art and College of Art + Design presents Richard Diebenkorn: The Ocean Park Series, a retrospective on view JJune 30 — September 23, 2012, of one of the most important bodies of work in American abstract painting.

Two of the most important Mexican artists of the 20th century take center stage in Atlanta with «Frida and Diego: Passion, Politics, and Painting,» on view through May 12 at the High Museum of Art.

The Fenimore Art Museum presents The Hudson River School: Nature and the American Vision an exhibition on view June 29 — September 29, 2013, showcasing over forty - five important 19th century landscape paintings by Hudson River School artists.

Important early solo shows includeOn Kawara, 1973 - Produktion eines Jahres / One Year's Production at the Kunsthalle Bern and the Palais des Beaux - Arts, Brussels in 1974; On Kawara: continuity / discontinuity 1963 - 1979, which was first on view at the Moderna Museet in Stockholm in 1980 and traveled to the Museum Folkwang, Essen, Germany, Van Abbemuseum, Eindhoven, The Netherlands, and the National Museum of Art, Osaka; On Kawara: Date paintings in 89 Cities, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam to Deichtorhallen Hamburg, Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200On Kawara: continuity / discontinuity 1963 - 1979, which was first on view at the Moderna Museet in Stockholm in 1980 and traveled to the Museum Folkwang, Essen, Germany, Van Abbemuseum, Eindhoven, The Netherlands, and the National Museum of Art, Osaka; On Kawara: Date paintings in 89 Cities, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam to Deichtorhallen Hamburg, Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200on view at the Moderna Museet in Stockholm in 1980 and traveled to the Museum Folkwang, Essen, Germany, Van Abbemuseum, Eindhoven, The Netherlands, and the National Museum of Art, Osaka; On Kawara: Date paintings in 89 Cities, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam to Deichtorhallen Hamburg, Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200On Kawara: Date paintings in 89 Cities, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam to Deichtorhallen Hamburg, Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 200On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 2001.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

On view are important early sculptures, including Rainbow Picket (1964), which blend minimalist forms and bold color choices, and a range of vibrant paintings and sculptures made with sprayed acrylic lacquer, a material typically used for decorating cars.

Of all the paintings on view, is there one in particular you are drawn to or although it has been with an institution for a while really hasn't been shown that you think is important that it is included in this exhibition?

In the 1700s, princes, popes and others of high rank commissioned large «view paintings» of ceremonies and important moments — a regatta on the Grand Canal, an eruption of Mount Vesuvius — in Paris, Venice, London and other notable spots.

James Cohan will present an exhibition of important paintings and works on paper from the 1960s by Lee Mullican at the gallery's Chelsea location, on view from October 19 through December 21, 2017.

But while his description introduces an essential shift by insisting on the process of creation as an important element to be taken into account when viewing a painting, it is not precise enough.

The works on view are drawn from the collection of Gwendoline and Margaret Davies, Welsh sisters who were among the most important art patrons in Europe at a key moment in the history of painting.

Other highlights from Mythology include de Kooning's small - scale abstract painting Father, Mother, Sister, Brother (1937), which was recently included in The Museum of Modern Art's 2011 exhibition de Kooning: A Retrospective; an important painting by Newman most recently on view at the Menil Collection in Houston; three major sculptures by David Smith, including the open steel sculpture Swung Forms (1937); and two paintings and four works on paper by Rothko.

November also marks important new openings for Kehinde Wiley, who is presenting maritime paintings in London; Ellen Gallagher, who is mounting her first - ever exhibition in Los Angeles; Mark Bradford, who is showing his largest work to date in his first Washington, D.C., exhibition; Sam Gilliam, whose work is on view in New York for the first time in nearly 25 years; and Nina Chanel Abney (above), who is showing at Jack Shainman and Mary Boone galleries in New York.