Improvised dance movements, vocal sounds and unpredictable encounters became the fundamental elements of this Dada - inspired art game.
Not exact matches
Jankowski's performance - based works continue the spirit of the
improvised nature of the
dance movement from the 1960s and 70s, from its concept and process through to its eventual performance.
The videos produced from the
improvised sessions feature strangers thrown together into unrehearsed
dance - like
movements that are paired with music.
Collectively titled Late Checkout I - IV (2015 - 16), the videos are a kind of collaborative
dance between Meisenberg, who operates the camera, and K.E., who
improvises languid, balletic
movements with her face turned away from the camera, while monitoring Meisenberg's feed on her iPhone.
This new exhibition emerges from VanDerBeek's collaboration with dancers in her hometown of Baltimore, Maryland, where she worked with them on the actions and phrases of certain
improvised dances, directing them to explore lines and angles, before choreographing and capturing selected
movements as photographs.