In a loveless marriage of her own, Wendy and Judd share some of the warmer moments — and biggest secrets — on screen.
Not exact matches
Speaking
of their middle - aged friends whose
marriages break up, Bernice and Morton Hunt observe: «While middle age can be a lengthy, joyous, liberated, fulfilling, and intensely pleasurable period
of life, it is not likely to be any
of those (except lengthy) if spent
in the imprisonment
of an outworn, outgrown, and
loveless marriage.
I don't believe we're «wired» to that, but he's missing an essential point: There are many women who do not divorce but live
in loveless and sexless
marriages for a variety
of reasons (as do men) nonetheless.
So, we have a good share
of people living
in loveless marriages.
They don't consciously choose their
marriage and their spouse; they stay
in sexless,
loveless, unhappy
marriages that are full
of anger and contempt because
of the kids or because they're afraid
of what they'll lose
in a divorce or out
of lethargy or because they value commitment over their spouse — thus they can treat him or her like crap but still feel proud that they're keeping their commitment.
ok its like this im 5» 4 not to slim not to fat i have dark hair and also some grey i take care
of a disabled daughter but do nt know how much longer ill be able to do this i was born
in scottsburg indiana i am
in a
loveless marriage i sleep
in basement and he sleeps upstairs beleve it or not its...
Trapped within the four walls
of her flat
in East London, and
in a
loveless marriage with the middle aged Chanu, she fears her soul is quietly dying.
In the Season Three finale, Henry moves swiftly to annul his loveless marriage to Anne of Cleves, and beds a new teenage mistress; Princess Mary falls in love with Duke Philip of Bavaria; Cromwell's fall from favor is sudden and dramati
In the Season Three finale, Henry moves swiftly to annul his
loveless marriage to Anne
of Cleves, and beds a new teenage mistress; Princess Mary falls
in love with Duke Philip of Bavaria; Cromwell's fall from favor is sudden and dramati
in love with Duke Philip
of Bavaria; Cromwell's fall from favor is sudden and dramatic.
Annie and some other longtime pals are tired
of seeing two
of their closest friends, Ruby (Cobie Smulders) and Peter (Vincent Piazza), remain stuck
in a seemingly
loveless marriage.
Though set
in Chekhov's time, Mayer's approach, along with screenwriter Stephen Karam, renders this story
of love and longing feels startlingly contemporary, particularly Elizabeth Moss» turn as Masha, who drowns here sorrows over unrequited love
in both alcohol and a
loveless marriage to a man who adores her.
Ayaka (played by renowned cult / action actress Asami,
of «The Machine Girl» and «Gun Woman» fame) is a bored housewife, stuck
in a very ordinary and
loveless marriage.
Despite their passion they fall into
loveless marriages with other people, both
of which eventually fall apart: Toni's neglected wife attempting suicide via drowning, Josefa shooting her abusive husband
in an act
of self - defense.
Loveless A story about a broken
marriage and a missing child becomes a withering snapshot
of Russian social malaise
in this bleak and beautifully shot drama from the gifted Andrey Zvyagintsev («Leviathan»).
A rather trite, unnecessarily - complicated wartime romance
in which the most cynical drunk
in the world is persuaded, after getting a second chance with the love
of his life, to sacrifice his happiness (and hers, but that's not really relevant) for the war effort, by tricking her into returning to her anti-Nazi activist husband and continuing her
loveless sham
of a
marriage.
An adaptation
of Patricia Highsmith «s «Carol» (also known as «The Price Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
of Patricia Highsmith «s «Carol» (also known as «The Price
Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story
of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
of two women — one a 20 - something girl working
in a department store while harbouring bigger dreams, the other a middle - aged wife trapped
in a money - driven,
loveless marriage — and the relationship that brews between the two.
Though they can hide it
in front
of friends and their young son Miles (Miles Ellenwood),
in front
of whom they spell curse words, the Langs»
marriage has grown somewhat
loveless, lacking both honesty and physical intimacy.
The» 50's New York - set tale follows the story
of two women; one a 20 - something girl working
in a department store while harbouring bigger dreams, the other a middle aged wife trapped
in a money - driven,
loveless marriage.
The late Mordecai Richler's 1997 novel provides the groundwork for this dramedy adaptation starring Paul Giamatti (Fred Claus, The Nanny Diaries) as the titular Montreal television producer Barney Panofsky, a man who has suffered through one tragic
marriage with a free - spirited young woman
in Italy (Lefevre, Twilight) who turns up carrying another man's child only to get himself into another
loveless one with a well - to - do Jewish - American princess (Driver, Ella Enchanted), while he only has eyes for a woman he barely knows
in another part
of the country (Pike, Surrogates).
In Allen's filmography, Alice is one of his more forgotten gems, perhaps because the story of a someone stuck in a loveless marriage who wakes up when she discovers new spark has been a common theme in his work (The Purple Rose of Cairo does the same but better
In Allen's filmography, Alice is one
of his more forgotten gems, perhaps because the story
of a someone stuck
in a loveless marriage who wakes up when she discovers new spark has been a common theme in his work (The Purple Rose of Cairo does the same but better
in a
loveless marriage who wakes up when she discovers new spark has been a common theme
in his work (The Purple Rose of Cairo does the same but better
in his work (The Purple Rose
of Cairo does the same but better).
Among the other highly anticipated Galas are the previously announced American Express Gala
of Todd Haynes» CAROL, a beautiful 1950s romantic drama about a young woman working as a clerk
in a department store who meets and falls
in love with an alluring woman trapped
in a
loveless convenient
marriage.
Keira Knightley stars
in a new stage adaptation
of Emile Zola's novel about a woman
in a
loveless marriage whose life is upended by the arrival
of her husband's boyhood friend.
Might you identify with Wendy Altman (Tina Fey), the family sister who has shaped the destinies
of her sibs, a bossy woman but one
in a
loveless marriage?
The best known recent example
of the style is the low - budget Lady Macbeth, which again tackled race issues
in a more apparently - conventional period: here,
in an adaptation
of the Russian story Lady Macbeth
of the Mtsensk District, Florence Pugh's genteel Katherine, trapped
in a
loveless marriage, embarks on a Lady Chatterley style love affair with an estate worker, played by another mixed - race actor, Cosmo Jarvis.
A young woman
in her 20s, Therese (Mara) is working
in a department store and dreaming
of a more fulfilling life when she meets Carol (Blanchett), an alluring woman trapped
in a
loveless, moneyed
marriage.
Set
in 1950s New York, Carol sees a young photographer fall for an older woman stuck
in a
loveless marriage and chronicles their relationship as their connection deepens and they face the reality
of the society they live
in.
And Derry — a wrong - side -
of - the - tracks type trapped
in a
loveless marriage — is
in the unenviable position
of taking his old customer - service job for less pay, all while falling for Stephenson's whip - smart daughter Peggy (Teresa Wright).
Ronit, Weisz's character, left the Orthodox community
in London decades ago,
in response to her father's discovery that she's a lesbian and out
of fear
of being trapped
in a
loveless marriage as a way to «cure» her.
There's a piercing moment at the beginning
of Loveless, the fifth feature from Russian director Andrey Zvyagintsev, where the end
of a
marriage quickly unravels
in a darkened apartment.
«Leviathan's» presence
in the race surprised pundits who had assumed that Russia's national selection committee wouldn't favor a film so starkly critical
of the government; though «
Loveless» is less expressly political, Zvyagintsev has described the film, which painstakingly tracks a missing - child case amid the shards
of a bitterly broken
marriage, as a critique
of the country's police.
We see early on that McGregor is stuck
in a
loveless marriage to a witch (figuratively speaking) played by Rachael Stirling (who may have the deepest voice
of any actress since Lauren Bacall).
Speaking
of husbands bearing «meh» gifts, the story line itself is a bit unconventional for Mother's Day, as it features a female protagonist who is trapped
in (and escapes from) a
loveless marriage.
And then she discovers a pre-Raphaelite painting, hidden behind the false back
of an old wardrobe, and a window onto the house's shrouded history begins to open... 1849: Imogen Grantham has spent nearly a decade trapped
in a
loveless marriage to a much older man, Arthur.
Craving their ease and wealth, while not succumbing to the expected,
loveless marriage as a way to achieve it, Lily uses her beauty as currency
in order to remain
in their sphere, naively mistaking lust as help and becoming a pawn
in marital tugs
of war that are less about love than dalliance and appetite.
A young woman
in a crushingly
loveless marriage seizes freedom
in the only way left to her; a mother is forced to confront a chilling, unforgiveable crime she committed out
of love; an ambitious servant seduces both master and mistress; a young prostitute quietly, inexorably plots revenge on the madam who holds her hostage; a husband and wife must forgive each other for the death
of their child.
Victoria despairs at her lot
in life, but she's resigned to a
loveless marriage to one
of the «arrogant, broke men with titles» courting her.
In mere days Amy will be condemned to a stifling, loveless marriage, and she sees no way out — until the devastating fire of 1666 sweeps through London, and tragedy lands her in the arms of a dashing young earl who knows a diamond in the rough when he sees it... Colin Chase, the Earl of Greystone, has his future all figured ou
In mere days Amy will be condemned to a stifling,
loveless marriage, and she sees no way out — until the devastating fire
of 1666 sweeps through London, and tragedy lands her
in the arms of a dashing young earl who knows a diamond in the rough when he sees it... Colin Chase, the Earl of Greystone, has his future all figured ou
in the arms
of a dashing young earl who knows a diamond
in the rough when he sees it... Colin Chase, the Earl of Greystone, has his future all figured ou
in the rough when he sees it... Colin Chase, the Earl
of Greystone, has his future all figured out.
In many
loveless marriages, couples have failed to communicate about what sorts
of things make them feel loved.
What kind
of an example will you set for them by being a martyr, and staying
in a
loveless (or toxic)
marriage?