Not exact matches
But there's much more
in this collection, including a memorable
dramatic monologue («The Ghost Seer») taken from his verse play On the Rocks, some religious verse («A Vigil»), and his special mix of unforced sentiment and unassuming humor» best shown, perhaps,
in «A Dog's Life»: Accept the things you can not change: / The bleating clock, / The nightly go /» dog leash
in tow» / around the block... / Forgive the things you can not have: / the supple bod, / taut undergrads, / a nicer pad, / long chats with God.
With this
in mind, the collection constitutes a sense of
dramatic construction, and draws on reinterpreting Greek tragedy as a fashion
monologue.
The extended
monologues and the mounting
dramatic twists feel like awkward stabs at profundity that hit and miss the mark
in roughly equal proportion.
She is completely fascinating
in her first scene, performing a
dramatic monologue about immigration while standing inside a corporate grocery store, and just as curious
in the next, silently mashing her face into a pile of cheese curls while filming herself with an iPhone.
In key scenes (Sahmi's meeting with the General, the montage sequence showing Houshang's attempts to raise money using repetitive framing devices, and several of Parviz's key scenes, which often function like dramatic monologues) the performances appear often to be slightly stylized and theatrical, offering, I believe, a degree of distanciation (in the Brechtian sense), somewhat in the manner of, say, Rainer Werner Fassbinde
In key scenes (Sahmi's meeting with the General, the montage sequence showing Houshang's attempts to raise money using repetitive framing devices, and several of Parviz's key scenes, which often function like
dramatic monologues) the performances appear often to be slightly stylized and theatrical, offering, I believe, a degree of distanciation (
in the Brechtian sense), somewhat in the manner of, say, Rainer Werner Fassbinde
in the Brechtian sense), somewhat
in the manner of, say, Rainer Werner Fassbinde
in the manner of, say, Rainer Werner Fassbinder.
For those of us who fail to see the
dramatic tension of a 1,000 - year - old alien
in the form of a young woman talking out loud to the internal
monologue of that young woman trapped
in the recesses of the consciousness of her presently occupied - by - an - alien body, this movie is an oddity.
The bilious, paranoid inner -
monologue that makes the book more
dramatic — and truer — than any biography could hope to be has been replaced by the pat love story of Clough and his assistant, Peter Taylor (Timothy Spall), which comes to grief when Clough hubristically hands
in their resignations at Derby and is horrified to learn that Sam Longson (Jim Broadbent), the club's old - school chairman, has accepted them.
Pretty soon, Snake is uncovering government conspiracies and listening to
dramatic death
monologues, all
in traditional Metal Gear fashion.
Hailed as «the faultless painter» by his pupil Giorgio Vasari, d'Agnolo was also celebrated
in a splendid
dramatic monologue by Robert Browning that keys on the sense of his effortless perfection, the sprezzatura of the virtuoso.
Dressed
in a tuxedo and standing barefoot on a theatre stage under a
dramatic spotlight, Giorno delivers an inspiring poetic
monologue with both passion and humour.
In designing posters, event graphics, programmes and other printed materials, The Partners created hand - drawn typographic illustrations from the complete text of each
monologue, «referencing the
dramatic telling of the stories on stage, and how the event rings a unique focus and emotional power to children who would otherwise have no voice,» the agency explains.
Branding agency The Partners faced something of an interesting and tough challenge
in creating designs for arts charity
Dramatic Need for this year's fundraising and awareness event, The Children's
Monologues.
In November 2017, Odedina's work will be animated for Carnegie Hall, New York, as part of
Dramatic Need's The Children's
Monologues directed by Danny Boyle.