Sentences with phrase «in film direction»

«And there is virtually no skill we use in film direction that isn't excellent to use in real estate negotiations.»

Participated in the film direction seminars, organized by the States Film Institution, New York with the following respective

Not exact matches

The direction of the «Ant - Man» film should cause some concern since Wright — who was so passionately involved in the project for nearly a decade, teasing it at Comic Con conventions for years — left when the film is due out in almost a year's time.

At the time of departure, Favreau told MTV he was under the impression Marvel wasn't sure of the direction in which the company wanted to take the film.

Like every entrepreneur, I'm pulled in way too many directions, and I often feel like a puppet on somebody else's string, jockeying my time between family obligations, helping the entrepreneurs I've invested in, filming Shark Tank, and flying to motivational speeches in multiple cities.

But even as his films went in different directions, at the heart of each was a single thread: Martin Scorsese was looking for something.

If Ridley Scott's dark, dystopic film Blade Runner is the popular image of the future American city, here seemed to be a city evolving in a different direction.

At the same time, the sustainability agenda, which combines the drive to reduce packaging, cut food waste and adopt more planet - friendly recyclable, biodegradable and compostable solutions, is pushing technological advancements in film barriers in a different direction.»

I thought maybe the scenario was going in a definite film noir direction after reading the title.

The film offers a straight linear tear in the transverse direction, so consumers can just push a hole in the top of the package and easily pull it open.

Mix ground pork, scallions, garlic, soy sauce, salt, wine, sugar, oil, ginger, and pepper with chopsticks in a medium bowl, stirring in one direction until it all comes together and a light film forms on the sides of bowl, about 20 seconds.

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There are obviously several directions the next two films could go in, but I think that there is too much potential with Kylo Ren to leave him out of Episode IX.

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Schneiderman had, at the direction of Cuomo, himself been probing Vance's office over questions about its handling of groping allegations against film mogul Harvey Weinstein in 2015.

The film creeps up to the edge of predictability on several occasions before veering off in another direction altogether.

Using a process called biaxial orientation, the polyester is stretched in both horizontal and vertical directions during manufacture to create an incredibly strong film which is just 0.1 millimetres thick.

The film also has ferromagnetic properties, in which the atoms» magnetic moments align in the same direction.

Even if the Galactic Empire managed to fire up the Death Star laser without melting the space station itself, its eight beams couldn't have converged into a single weapon as they did in the film; instead, each one would have flown off in its own direction, missing the planet completely.

«In the fine liquid film surrounding the hyphae, bacteria can move with much greater speed and direction and cover more distance than in soil water without hyphae,» says Tom Berthold, first author of the study and a doctoral researcher at the UFZ Department of Environmental MicrobiologIn the fine liquid film surrounding the hyphae, bacteria can move with much greater speed and direction and cover more distance than in soil water without hyphae,» says Tom Berthold, first author of the study and a doctoral researcher at the UFZ Department of Environmental Microbiologin soil water without hyphae,» says Tom Berthold, first author of the study and a doctoral researcher at the UFZ Department of Environmental Microbiology.

An image of the house, along with a film of Fuller's 1933 Dymaxion Car — a whalelike jet - propelled vehicle that could travel in any direction, in air or on land — appears in Best of Friends, a beautifully integrated exhibition that examines the friendship between Fuller and the sculptor Isamu Noguchi.

These efforts indicated that accentuated patterns can be achieved, but they are unfortunately highly irregular in the spread direction of the film.

To do that, all researchers need to do is to place a muon detector, such as tile - sized special photographic films, underneath, within, or near an object and count the number of muons coming through the thing in different directions.

While the film focuses its value on Being rather than Doing, as is often the case in Yoga, it also sheds light on how we each are contributing to the world we live in and how we can redirect ourselves in the right direction.

Services include creative direction, art direction, brand strategy, graphic design, film and stills production, digital and social media, product development, books, exhibitions, licensing, partnerships, in - store visual merchandising, and campaign asset strategy.

Likewise, the film never moves in a new direction.

The rebellion, in a dark place, moves into a positive and hopeful direction by the end of the film.

It twists and turns multiple times throughout its short running time, borrowing heavily from a variety of films in the horror genre (and other genres as well), but under the sure direction and

Despite an interesting premise and excellent cast, the film flopped, but Arquette continued to work steadily the following year, with lead roles in the black comedy Goodbye Lover; Stigmata, in which she starred opposite Gabriel Byrne as the unwitting target of a supernatural phenomenon; and Martin Scorsese's Bringing out the Dead, a film starring Arquette's then - husband Cage as a burnt - out paramedic.Following the weightiness of the creepy Stigmata and the disturbing Bringing Out the Dead, Arquette took things in a decidedly lighter direction with her next two projects.

A film with great potential but which is treated poorly by script and direction, the problem starts in this small village when Mastroianni is unable to consummate his marriage to the beautiful Claudia Cardinale and his virility comes into question.

The film's default state is an ambient inertia that gestures vaguely in multiple directions without concerning itself with the hard work of constructing an argument, a convincing milieu, or even a compelling mood.

With a decent script and direction picked up by the writer of the previous two films, this is definitely a step in the right direction after the second instalment, but I think this film has a nice cap as a trilogy and does not need to continue.

A much more restrained Xavier Dolan after his pretentious previous film, and he displays an assured direction and firm control of this suspenseful thriller, even though the narrative seems to move too fast as the characters start to act in ways that are not always convincing.

The cast here are well chosen in the parts they play and with effective direction, the film becomes a worthwhile viewing experience that is lots of fun from start to finish.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Okay, the film's story is hardly needled - thin, but it is thin, with a limited sense of meaty consequence and direction that may be intentional, but is still kind of problematic, pumping the final product with natural shortcomings that it doesn't simply fail to dilute, but makes all the more glaring with the aforementioned issues in atmospheric and structural pacing.

But seen against such films as Rize and You Got Served, it's a step in the wrong direction.

I was not one of A Beautiful Mind's historical accuracy Nazis, who used the film's marginalization of the real John Nash as a way to bash the film (for my money, it was the horrid screenplay and direction that made it such a painful film to watch, not its artistic rewriting of history), though the erasing of Turing in Enigma is rather distressing.

Their meeting is not an accident, and it takes the storyline in a new, surprising direction, one involving another science - fiction trope that's only very lightly hinted at in advertisements for the film.

The direction by Marc Forster (Quantum of Solace, Stranger Than Fiction) delivers a fast - paced zombie thriller, and with Brad Pitt front and center, there is a grounding of the film in seeming more intelligent and plausible than your typical scare flick.

Dax Shepard, who serves as co-director, one of the several producers, writer, and star of Hit and Run, appears to be heading in the right direction for actors - turned - directors with his off - kilter debut film.

Jason's choice to direct such a different kind of film gives him great merit... and the result is a multi-layered, rich very moving film that takes one in a myriad of emotional directions.

The Hangover series comes to a merciful close with an installment that's at least a slight improvement over its immediate predecessor, with the narrative, thankfully, going in a slightly different direction than the first two films (ie there's no actual hangover this time around).

That's the playing field at the start of the film, and the pleasure should be in watching the marbles roll in unexpected directions.

Just when Under The Skin seems to have settled into its groove, the film breaks in a new direction.

Although Steven Spielberg certainly deserves accolades for his direction (especially having to put up with an uncooperative mechanical shark named Bruce), in addition, Verna Fields received an Oscar for her excellent film editing work on the film.

Tomb Raider, by merely being an OK video - game film, is a great step in the right direction for the struggling genre.

All in all, the film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.

Living in the Material World falls short of Scorsese's terrific two - part PBS film, No Direction Home: Bob Dylan.