Sentences with phrase «in frames of this film»

The Hudsucker Proxy is the Coens» fifth feature in a decade, and you can see their tremendous artistic growth in every frame of the film.

It's a long movie for its genre, but don't think for a second that it's going to drag; there's story and detail stuffed in every frame of this film, and it seems to run for half the time it actually does.

If the magic of this magic kingdom is no longer concentrated in this particular pile of bricks and mortar on the outskirts of Tokyo, we can take heart in the fact that it's immortalized forever in every frame of every film that Ghibli ever made.

She's sexy, obsessed with violence, and her acting is desperately campy all at once, in every frame of the film she's in.

Hitchcock is in every frame of this film, literally — mailing a letter that was to have been the way that murderous Johnnie receives his post-film comeuppance — and thematically through his obsessions with eyeglasses as the source of knowledge and power, trains as the suggestion of sex and sophistication, perilous perches as the places where seismic changes occur, and morbid dinner conversations as subversions of the social strata.

In every frame of the film, Robbie's face displays that internal war.

9/11, George Bush, South American politics, corporate greed (yes, couched in a sequel no one wanted) and dictatorships all loomed in the frames of his films, but what many people may have forgotten is that Stone can deliver pure genre material with a great sense of humor and flair.

The joy he takes in making cinematic spectacles of varying types can be felt in every frame of film he shoots, and I find it difficult not to get a little excited whenever he has a new effort on the verge of hitting theatres.

But he is in every frame of the film so how can they not nominate him?

In frames of this film festival there will be presented 19 short films which were...

Not exact matches

A second and third installment of Avatar are in the works, and at a recent comic convention Cameron said the films may be shot at a higher frame rate than the industry standard to make the film seem even more real.

As the film progresses and the ball starts moving away from its center position of the image because of poor camera work, the algorithm can essentially rotate each key frame so that the ball magically appears in the same spot in every frame.

In the first instance, then, I shall, as it were, be stopping the film and examining a single frame, pointing to various of its details and suggesting their overall significance.

This is because her life radiates beauty: through her hospitality to friends and strangers alike, through her joyful laugh, through her care of those in need, through her passion for education, through her love of framing things on film through the lens of a camera, through her ability to be patient with her doofus husband, through her genuine love for God, through her sacrificial generosity to those with less than we have, and even through her stubborn refusal to let me get away with any of my trademark snark.

In France, Henri Bergson noted that reality is a dynamic flux, like a cinema, from which abstractions, like single frames of the film, are made; for intelligibility the abstractions must be referred back to the élan vital from which they were originally drawn; intuition is more perceptive of reality than abstractions.

That's one question the film subtly explores — Oyelowo is marvelous, no doubt, and Young places him dead center in the frame over and over, thereby conveying the weight of the movement depending on him.

Near the bar there's the large wicker basket overflowing with game balls; the Caddyshack poster signed by the film's stars is in the home theater (used exclusively, alas, for watching game video); and in the weight room, a wall is lined with framed photographs of the proprietor schmoozing with some of football's most recognizable faces.

In a highlight film of his career that was shown at a testimonial dinner for him last year, Marino appears on camera, full frame, with a few earnest opening remarks about how he'd like to be remembered as a team man who worked as hard as he could, and as a team leader, etc..

With the new software, the frame rate of the same film could be determined in about five minutes.

And whereas the sequence of events around the eruption in the film was accurate, Lopes says, the time frame was somewhat accelerated.

Scientists have succeeded in «filming» inter-molecular chemical reactions — using the electron beam of a transmission electron microscope (TEM) as a stop - frame imaging tool.

While filming the elusive Basilisk lizard, which can sprint on water for up to 100 feet in moments of danger, photographers ventured deep into the Brazilian rain forest with a super-slow-motion camera shooting at 2,000 frames per second, 80 times as rapid as a traditional camera.

After filming an actor making a variety of expressions indicating, say, «happiness», an expert animator selected 10 frames showing different variations of the expression and manually set the servos in Jules's face to match.

The modulators can refresh their patterns at 240 hertz, or 240 times a second, so even at six patterns per frame, the system could play video at a rate of 40 hertz, which, while below the refresh rate common in today's TVs, is still higher than the 24 frames per second standard in film.

Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.

Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average film blogger, show me this barrage of complaints about frame rates, show me in the span of Row Three, and all the shit that has been parsed over in 100 + threads about everything film related or otherwise, where this great wealth of historical proof exists where people, the masses, film fans, have been complaining about film rates.

It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.

Although the very last frames of the film made me smile, immensely, I left the film with a bad taste in my mouth.

At the core of all his films is heart, Love is in every frame as honestly as it could be perceived.

(Among the film's principals Wolverine alone suffers the torment of having his consciousness exist in two time frames at once, but the actor seems to be having fun).

The film is framed by a letter that Caroline, afflicted with a mortal case of Scarlet Fever, is writing to her young «uns in 1775, a communication that tells the story of a woman who despite her beauty and charm is not particularly liked by her new husband.

When Dustin informed me of Pajiba's films of the 1980s retrospective, I was a little ambivalent to write on one of the first films I remember seeing theaters, Tim Burton's Batman (1989; I think the honor for the first film I saw in a theater was Who Framed Roger Rabbit).

Clooney's presence and the little bits of English are the only things that set Corbijn's film apart from the clear influences of Italian masters like Fellini and Antonioni in just about every frame.

Every frame pulses with hard - gained experience: it may be the most lived - in film of 2012, and certainly counts among the most moving.

For an additional preview look at how all the films have been newly tweaked for this Blu - ray release, including aspect ratio framing, color corrections, soundtrack enhancement and the replacement of the «Muppet Yoda» with an all - CGI version in the Phantom Menace, check out the report from Slash Film.

Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't film a single frame of it in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).

I watched this film because it came off a list of Universal International Pictures, I started watching in 1949 time frame.

One of many interesting stylistic choices by director Irvin Kershner and cinematographer Haskell Wexler, who shot the film in gorgeous high contrast black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

After the painfully one - sided sexual adventure of the first film, in which she met Christian and was brutally exposed to his odd habits, and after Christian's even nastier control - freakishness in the ill - conceived «50 Shades Darker,» Ana is at last able to demand to hold the reins from time to time — a narrative turn that manages to frame their marriage as an empowering structure for women: now enclosed in the gilded cage of their union, Ana can pull on the rope that Christian had tied around her neck.

Cinematographer Ryan Samul (2014's «Cold in July») holds a shot for maximum dread, whether it's on the smiley face spray - painted on a mailbox or the swing of a swing set, but also pleasingly employs technical flourishes, like zooms, that help differentiate it from the jittery style and often subtle framing in Bryan Bertino's original film.

The icy stare she delivers as her dismantled frame falls to the ground is as puzzling and secretive as that of the late artist and writer Theresa Hak - Kyung Cha in her 1975 film Mouth to Mouth, in which Cha appears, disappears, and reappears before our eyes, sometimes with her back to us, sometimes facing the camera and looking ahead.

As most of the films in the set were sourced from older flat video masters, quite a rhubarb was raised over WHV's justifying the lackluster transfers with the contention that full - frame transfers were Stanley Kubrick's preference.

Limited Edition Giftset includes: CD of the music used in the film, senitype (70 mm limited edition film frame) and 16 - page booklet.

Haneke films his actors in meticulously framed master shots, creating a kind of hushed neorealist medical - horror suspense.

The second bit of censorship was to fix another animator prank: In the original cut, when Jessica Rabbit is thrown from Benny the Cab late in the film, she spins through the air and flashes her Barbie Doll pubes for a couple of frameIn the original cut, when Jessica Rabbit is thrown from Benny the Cab late in the film, she spins through the air and flashes her Barbie Doll pubes for a couple of framein the film, she spins through the air and flashes her Barbie Doll pubes for a couple of frames.

Directors Russo (veterans of two Captain America films) realise the potential minefield of having too many of their superheroes, all charismatic in their own right, in one frame, and hence divvy up the conflicts.

The cast and crew's love for their material seethes through every frame, unlike in the only Scorsese film I would call work - for - hire (the bleary The Color of Money).

You have to be in a specific sort of mood, and in a peculiar frame of mind, to fully immerse yourself into a film like «The Fits» and walk away feeling like you've just seen something special.

When the scene unspools in the film, it's a jolt of pure terror, with the masked man sliding into frame, then slowly moving out of it.