In our ordinary perception of events we take into account only those aspects with high grades of relevance, but as our attention deepens the lower grades come into notice, and in attending to these lower grades we discover the endless patterns of relationships that bind that event to the rest of the universe.
Whitehead in his empirical theory of knowledge has two pure modes of perception, causal efficacy and presentational immediacy, which
in ordinary perception are combined in the mixed mode of symbolic reference.
Not exact matches
None of this is intrinsic to the Missa Normativa, but accretions and excesses have so often become identified with it
in practice that it has fuelled the false
perception, on both sides of the progressive / traditional divide, that the ancient (Extraordinary) and modern (
Ordinary) forms of the Roman Rite embody two opposing ecclesiologies.
Because of God's transcendence it would be mythological to refer to God's action
in terms appropriate only to objects available,
in principle at least, to
ordinary sense
perception.13 This especially means that one can not speak of God
in terms of the categories of time and space; 14 i.e., whatever is predicated of God can not apply only to some particular time and space, but must apply equally to all times and spaces.15 Thus the implication of Ogden's criterion for non-mythological language about God corresponds to his statement of several years ago, that «there is not the slightest evidence that God has acted
in Christ
in any way different from the way
in which he primordially acts
in every other event.
Thus perhaps we should conclude that Whitehead uses «
perception»
in an extended sense, like many other terms he appropriates from
ordinary language, such that one need not be conscious to have
perceptions in the mode of CE.
Nonetheless a continuing and increasingly important task of
ordinary teachers and parents will be to develop
in young people the trained
perception and critical judgment that will enable them to use published materials profitably and responsibly.
111 While it may not be a «speech decoration» as Ricoeur stresses, it helps
in the process of making comprehensible that which is beyond
ordinary perception.
A notion of God emerges because a certain happening or complex of happenings
in ordinary experience undergoes a transfiguration that gives it a paradigmatic role
in man's
perception of reality.
In ordinary experience the pure modes of perception rarely occur in isolation; they are normally «unified by a blind symbolic reference» (PR 180 / 273
In ordinary experience the pure modes of
perception rarely occur
in isolation; they are normally «unified by a blind symbolic reference» (PR 180 / 273
in isolation; they are normally «unified by a blind symbolic reference» (PR 180 / 273).
Whitehead believed that
ordinary sense experience is
in fact an integration of
perception in the mode of presentational immediacy and
perception in the mode of causal efficacy.
Since Whitehead is here accustomed to placing cognition — and by extension,
perception — within the wider bodily context, it is not surprising that he should suspect a wider ambiance within which our
ordinary understanding of
perception takes place, a wider ambiance which deserves analysis
in our theory.
I guess my comment - written
in too much haste and not enough thought - is a good example of how «
ordinary» people can be earning a lot more than is typically expected or assumed, and
in turn how popular
perceptions of income distributions can indeed by quite far off the mark.
«Anger has been fuelled further by a
perception that
ordinary citizens are subject to restrictions
in their own working lives which were not being applied
in the same way to MPs, and by the reluctance of the House of Commons as a whole to recognise the need for reform until forced to do so.»
The last fact is particularly galling given the
perception of «being
in touch with
ordinary people» is one of Labour's main advantages against the Tories.
The actual reasons seems to be the polls were wrong, which means Labour's defeat is suddenly pretty easy to explain: people did not have a positive
perception of their party leader, people did not think they were competent on what they considered two of the three major issues of the day (the economy and immigration) and even
in the area Labour normally have better figures than the Tories,
perceptions of the party itself, people increasingly saw them as out of touch with
ordinary people.
One poignant image can change not just the course of science, but also
ordinary people's
perception of their place
in the cosmos.
Known for his thought - provoking images, Magritte used such
ordinary objects as green apples, bowler hats and pipes
in unfamiliar contexts, giving new meaning to familiar things and challenging the viewer's
perception of reality.
In this project, Franquelo articulates his interest in time, memory, the subconscious, and what the French writer Georges Perec (1936 - 82) grouped under the category of the «infra - ordinary», that is: everything that, because of its obviousness and insignificance, remains hidden beneath the normal threshold of perceptio
In this project, Franquelo articulates his interest
in time, memory, the subconscious, and what the French writer Georges Perec (1936 - 82) grouped under the category of the «infra - ordinary», that is: everything that, because of its obviousness and insignificance, remains hidden beneath the normal threshold of perceptio
in time, memory, the subconscious, and what the French writer Georges Perec (1936 - 82) grouped under the category of the «infra -
ordinary», that is: everything that, because of its obviousness and insignificance, remains hidden beneath the normal threshold of
perception.
Ordinary / Extra /
Ordinary, curated by David Thorp, has its origins
in the idea that The Public is a place where visitors can encounter contemporary art that is accessible and which resonates with the familiar but extends and challenges
perception at the same time.
Teetering on the cusp of
ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand
in hand.
While Dodd's ambitions do not run
in this direction, she can be seen as a contemporary embodiment of the way an American devotion to direct experience can create a sense that extends beyond «mere» representation, and suggests that there is something immanent
in a deep
perception of the
ordinary.
In Leslie Wayne's «Paint / Rag» series, the artist plays with perception and a linguistic idea that's embedded in the title (paint — slash — rag) by removing the layered paint off of one support and draping it over another, making it appear as if it were hung on a hook like a piece of fabric or an ordinary ra
In Leslie Wayne's «Paint / Rag» series, the artist plays with
perception and a linguistic idea that's embedded
in the title (paint — slash — rag) by removing the layered paint off of one support and draping it over another, making it appear as if it were hung on a hook like a piece of fabric or an ordinary ra
in the title (paint — slash — rag) by removing the layered paint off of one support and draping it over another, making it appear as if it were hung on a hook like a piece of fabric or an
ordinary rag.
The artist — a Chicago native who today divides his time between New York City and Marfa, Texas — is perhaps best known for his paintings of large stenciled letters, which he uses to form words or phrases, often abbreviated or arranged
in run - on configurations that disrupt
ordinary patterns of
perception and speech.
Often using
ordinary objects as a starting point, Rickard explores new potential avenues for their use and
in doing so maps the architecture where they are sited, redefining our concept of spatial and objectual
perception.
Through a meticulous mise - en - sce ̀ne, the artist critically unfolds the
perception of a series of
ordinary objects found
in his urban drifts, articulating with them minimal installations
in which the elements that configure them are deprived from their conventional meaning.
Video works
in Chen Sai Hua Kuan Sei's «Space Drawing» series are his intuitive reflection on a specific time and place by deconstructing typical
perceptions of
ordinary items, found objects and existing situations
in a playful way, according to Osage Gallery.
The purpose of this furniture was trying to locate a material that would break with the
ordinary consumer's habitus,
in order to increase consumers»
perceptions about what materials can be used for furniture today.
Certainly the
perception of
ordinary people
in Zimbabwe is that you can not get justice
in the courts if your case is against the government, government officials, or people connected with the powerful
in the ruling party.