Sentences with phrase «in the publishing house where»

In the publishing house where I worked, the Head Librarian has been pushing for the digitising of hundreds of precious manuscripts.

It's like being in a publishing house where I get say over all aspects of my career, but with help from others with the same individual interest, willing to share their knowledge.»

Not exact matches

The Guardian: Vatican leaks: No respite for Pope Benedict as more documents published Pope Benedict XVI may have been hoping for some respite from the scandal which has engulfed his papacy, with a visit this weekend to Milan, where he celebrated an outdoor mass for a million faithful and took in a performance of Beethoven's ninth at La Scala opera house.

It would be seated in Nashville, where the church's missionary center and publishing house were located.

Unlike a traditional publishing scenario where there is an existant in - house staff to work for the author, this is a whole new ballgame.

Once they're back in Seattle, Christian occupies himself with his business — whatever that business is — and Ana returns to the little indie publishing house where she has been promoted to Fiction Editor.

It's also very much worth noting that in the last movie Christian purchased the publishing house where Ana works, becoming, as they joke repeatedly, her «boss's boss's boss.»

The Spanish - language publishing industry has developed with a great concentration of rights - holding — and therefore commercial control — in one country, Spain, where the «big three» (Planeta, Santillana, Random House Mondadori) have their headquarters, despite the fact that the Latin American countries in the aggregate are a much bigger potential market with hundreds of millions of readers.

Self - publishing is truly great but I have a feeling it's going to be another one of those things in modern life where just because you can do it yourself doesn't mean you will be happy with the result or that the end product will be on the same level of craftsmanship than a traditional publishing house.

You won't hear it said in many publishing houses these days, where those editors and managements who have survived the 10 % cull in their numbers following the credit crunch now appear frozen in the headlights of the onrushing digital revolution.

In the past, she worked at a publishing house and apprenticed at a literary agency, where she evaluated agent queries.

Unlike the Penguin / Random House deal where the two sides actually merged together to now publish 1/4 of all books in the world.

In an article for Publisher's Weekly on where the newly formed publishing house stands, Jim Milliot outlined exactly how distinct the company still remains, due largely in part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying seasonIn an article for Publisher's Weekly on where the newly formed publishing house stands, Jim Milliot outlined exactly how distinct the company still remains, due largely in part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying seasonin part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying seasons.

I was at a writer's conference in 2011 where one of the speakers, a publishing house editor, stated in no uncertain terms that self - published authors were the dregs at the bottom of the writing pool with no talent.

Interestingly enough, I was at a writers conference in Australia (where I live) and an editor for a publishing house who also free lances told us that if publishing houses knocked back our books, to consider having them self - pubbed.

Snarkiness aside, I've written before about the importance of publishers (or broadcasters, or record labels) as filters: how in a world where anyone can publish a book, we're more likely than ever to be drawn to titles put out by recognised publishing houses.

I have never seen the publishing house where editors were more expert in digital marketing than marketers are.

You have to approach them with an intelligent panel that knows the issues and this is where one should consider bringing in the traditional publishing houses because it is in their best interest as well as the online retailers because it means their authors will sell more books too.

After being promised a $ 250,000 advance, a number so high compared to some advances now that it's almost laughable, his novel never went where he thought it would because of cost - cutting in the traditional publishing industry, especially within the major publishing houses.

In internet - savvy circles [Amanda Hocking] has been embraced as a figurehead of the digital publishing revolution that is seen as blowing up the traditional book world — or «legacy publishing» as its detractors call it — and replacing it with the ebook, where direct contact between author and reader, free of the mediation of agent and publishing house, is but a few clicks away.

In the end, the reason the literary community is still stuck in the Stone Age of publishing, where writers are at the mercy of some agents and publishing houses, doesn't matteIn the end, the reason the literary community is still stuck in the Stone Age of publishing, where writers are at the mercy of some agents and publishing houses, doesn't mattein the Stone Age of publishing, where writers are at the mercy of some agents and publishing houses, doesn't matter.

I am going to start a series of blog posts where I'm going to talk about my experiences in negotiating a traditional publishing contract with an Indian publishing house.

In the increasingly rare cases where acquiring editors for a traditional publishing house also do their own developmental editing, there's no cost to the author whatsoever, since the editor is salaried.

As a self - published author (or even an author working with a hybrid publishing house where a fee is paid upfront for the house's services), the process of a book's publication works «backwards» in a sense: you spend money in the beginning for editing, cover design, formatting and marketing, while retaining the rights to your book indefinitely and thus receiving full royalties for as long as the book is being sold.

Midnight Publishing is an editing, ghostwriting, and marketing company that can help you to write, organize, edit, and prepare your book for publication in any method you desire; whether it's traditionally by querying agents and publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,Publishing is an editing, ghostwriting, and marketing company that can help you to write, organize, edit, and prepare your book for publication in any method you desire; whether it's traditionally by querying agents and publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,Publishing, CreateSpace, Lightning Source, and more.

This can either be through a print on demand publishing company where they have in house publishers, editors, proof readers and graphic designers on staff to help you or if you choose a DIY platform such as CreateSpace.

She began her career in publishing at Tyndale House Publishers where she worked for eight years, first as a product manager, then as an administrator, and finally as an acquisitions editor for nonfiction.

I reported on the US Publishing Trends session in writing here — this is the video I did overlooking the Sydney Opera House where I discuss the event.

In my welcome letter, I was told I needed to join the loop for the publishing house's authors and also a loop where those authors share promotional ideas.

Most self - published authors will have either used a self - publishing house where they have «bought» a large number of books and therefore need to sell them in order to make any profit, or they have used a print on demand service in which they need to promote in order to sell any books at all.

Tweet I've just returned from a too - brief trip to Sydney where, in addition to catching up with family, a couple of old friends and a few clients, I enjoyed a number of meetings with publishers from the major trade publishing houses based there.

I worked At a Michigan Borders store in college, published my first book with Random House New Zealand (where I live now), and am now working on self publishing.

Lifted the historical justification for publishing houses existence (fronting the massive costs of print, promotion, distribution), the transition from «writers as providers of goods for publishers» to «publishing as a service for (or partnership with) authors» seems natural, at least where digital books are concerned, as the interests of writers, editors and readership can be more closely aligned in the latter model (depending on terms).

«We're at the point now where the publishing houses are being undercut by the river of indie publishing, and at some point in time the front porch is going to drop in the river.

Then I became my own publisher, started working with several of the largest publishing houses in the world, dozens overseas, and went on a hectic travel circuit to six continents where I spent more time talking about the book trade and business of being an author than I did hawking my own books.

«What we're building is more like an in - house laboratory where authors and editors and marketers can test new ideas,» Jeff Belle, vice president of Amazon Publishing, said in a recent Businessweek article.

It's hard for me to totally trust on reviews especially in my home country Turkey where literary magazines are so bound with publishing houses who pay for the advertisements they gave them.

Scaleability — and where it lies amid the panoply of services in a major, traditional publishing house — becomes, today, a critical concern, as Shatzkin demonstrates.

Perhaps not to North America, where the rhetoric in the wake of the «war over ebooks» is at its loudest and where the global nature of the English speaking market affords the largest publishing houses to take a position of splendid isolation.

As for where booksellers place your print book in the physical bookstore — even traditional publishing houses struggle with this.

Building B, where «all experimentally inoculated [i.e., infected] cats are housed,» reported Dubey in a 1995 article published in the Journal of Parasitology, «also housed several hundred other T. gondii - infected cats over the six - year period.»

Weeping Doll, developed by TianShe Media and published by Oasis Games, is a psychological mystery where you are in a house following clues left behind by dolls that come to life.

A natural collaborator, she has founded both a poetry publishing house, Friary Road House, in London, and an artist - run space, Fokidos, in Athens, where she curates and hosts exhibitions and residencies encouraging other arthouse, Friary Road House, in London, and an artist - run space, Fokidos, in Athens, where she curates and hosts exhibitions and residencies encouraging other artHouse, in London, and an artist - run space, Fokidos, in Athens, where she curates and hosts exhibitions and residencies encouraging other artists.

Given that sabbatical (during which the Hong Kong - born, New York - based artist set up his Badlands Unlimited publishing house), perhaps it's fitting too that the first section of the book brings together a series of texts — «What Art Is and Where It Belongs» and «On Art and the 99 Percent» among them — that, at their heart, consider questions concerning the definition of art and its role in society, with a particular focus on its relation to ideas of home and community, much of it in the context of America's wars in Iraq and Afghanistan, and the subsequent global economic recession.

Moholy was born in Praga in 1894, where she studied Philosofy and Art History, and began her profesional career in Germany, working for different publishing houses as a writer and editor.

He served in the U.S. Army in North Carolina (1955 - 56), before settling in New York City (1957), where he worked as an editorial assistant for a publishing house.

For its Art Issue, published in the final weeks of the Obama Administration, Architectural Digest offers a White House tour via gorgeous photographs of the stylish private quarters of President Obama and his family, where their living spaces are filled with art.

A longstanding interest of Cherix has been artists» books, and at one point in his career he cofounded a publishing house where this medium was a focal point.

Participation as Artistic Principle, Museum Morsbroich, Leverkusen Group Exhibition Curated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New YoIn Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yoin the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yoin Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yoin Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New York

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