Sentences with phrase «in the smaller gallery at»

Architectural floor plans for those 44 exhibitions, captioned with the title and dates of each one, are displayed in a small gallery at the show's entrance, providing a key to what visitors are about to see.

«In the smaller gallery at the rear, there will be a show by Hito Steyerl.»

Not exact matches

The WGM biosensor, which Arnold named for the famous Whispering Gallery in the dome of St. Paul's Cathedral in London, is a device the size of a small smartphone comprising a tunable laser guided down a specially treated fiber optic filament with a detector at the far end of the filament measuring the light's intensity and resonance.

At the time, she was an artist living in Old Town Spring, Texas, with her four - year - old son, Jeff, making a small living selling watercolors out of a local gallery.

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Much of this book takes places in art galleries and centers around a boy Theo who loses his family at a young age and desperately clings to a small painting that reminds -LSB-...]

The collection of Racks and Blacks brings us both movies and galleries at Brazzers quality standards, but its size is a bit small, and that's why it comes in last in our top.

In the case of a lesson planning process, teachers could work with other teachers in a grade band in groups of 3 - 5 teachers and then share their work with the large group in one of several ways: a gallery walk of a product, small group presentations to the large group, or forming several K - 12 groups that have representatives of each grade band to look at and provide feedback on the worIn the case of a lesson planning process, teachers could work with other teachers in a grade band in groups of 3 - 5 teachers and then share their work with the large group in one of several ways: a gallery walk of a product, small group presentations to the large group, or forming several K - 12 groups that have representatives of each grade band to look at and provide feedback on the worin a grade band in groups of 3 - 5 teachers and then share their work with the large group in one of several ways: a gallery walk of a product, small group presentations to the large group, or forming several K - 12 groups that have representatives of each grade band to look at and provide feedback on the worin groups of 3 - 5 teachers and then share their work with the large group in one of several ways: a gallery walk of a product, small group presentations to the large group, or forming several K - 12 groups that have representatives of each grade band to look at and provide feedback on the worin one of several ways: a gallery walk of a product, small group presentations to the large group, or forming several K - 12 groups that have representatives of each grade band to look at and provide feedback on the work.

After the excitement of breaking the 200mph barrier in the Skoda Octavia vRS, it's been a (relatively) quiet day in Bonneville - but here's a small gallery of pictures from Tuesday at Speed Week.

Also general information Videos of Belize, also photos and general information 20 Things About Photography Expeditions in the Tropics I Learned All Over Again, by Tony Rath Drone (aerial videos with a small helicopter) videos of Ambergris Caye, San Pedro Drone (aerial videos with a small helicopter) videos of Belize Drone videos of Belize City Gallery of local bird pictures, click here Series of photos of folks sailing to Belize via Cuba, click here Lighthouse Reef and Half Moon Caye, click here Parasailing in San Pedro, click here Photo of Lamanai in the slideshow at the top is courtesy of Marius Jovai a, of Heavenly Belize Video Production & Photography, click here for Tech Transilvania Conch Creative, click here Olivera Rusu Photography, click here Karen Brodie, click here Jennifer Sharp, click here

It occurs in a variety of forms, from the Lombard band, which is a row of small arches that appear to support a roofline or course, to shallow blind arcading that is often a feature of English architecture and is seen in great variety at Ely Cathedral, to the open dwarf gallery, first used at Speyer Cathedral and widely adopted in Italy as seen on both Pisa Cathedral and its famous Leaning Tower.

Blackoustic, promoted by headliner / producer Vixen Noir as a night of entertainment by queer black female performers, made its debut last Saturday night at the Align Gallery, situated in the heart of York Avenue's small but thriving nightlife in Highland Park.

Artisans of Leisure tours in Australia are designed for the most discerning of travelers, featuring uniquely Australian experiences such as remote Outback and wildlife safaris, private visits to Aboriginal art galleries and small wineries, tours of urban food and craft markets, dining at Australia's most acclaimed restaurants, chartered sailing excursions in the Whitsunday Islands, and swimming through billabongs (water holes) into caves filled with ancient Aboriginal rock art.

Now in its third year (and previously taking place at smaller gallery spaces in the Seattle area), IndieCade will feature panels, tools workshops, networking sessions, case studies, performances, artist talks, and pitch sessions with notable game developers.

The series was shown again this spring in a slightly smaller version of the Venice show at the South London Gallery, mounted by Jonathan Watkins, director of Ikon and curator of the Iraq pavilion.

I remember how much it meant to me when David Smith came to my first show at a small downtown gallery in 1960 and told me he loved my work.

In 1977, Douglas Crimp, then a grad student at the City University of New York, organized a group exhibition called «Pictures» at the small downtown New York alternative gallery Artists Space.

I saw a huge painting in an art gallery around here that was going for $ 29,000 and I immediately wondered if that artist was ever going to see a profit for that painting because most people don't have the room for that size painting and unless one is very wealthy they're not going to pay that much money for a painting even though very beautiful, tucked away in some small art gallery at a seaside resort!

You see, by examining how the blue - chip galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps artists who are represented by smaller galleries (or themselves) could glean some wisdom - after all, the galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.

with text by Yve - Alain Bois and Rosalind Krauss, in French) Screen, Friedrich Petzel Gallery, New York, USA (curated by Joshua Dechter) Twentieth Century American Sculpture at the White House: Exhibition IV, The Jaqueline Kennedy Garden, The White House, Washington D.C., USA (curated by Marcia Tucker and Hillary Rodham Clinton) Bringing It All Back Home, Gracie Mansion / Fred Dorfman Projects, New York, USA Small Truths: Repetition and the Obsessional in Contemporary Art, John Hansard Gallery, University of Southampton, England (cat.

Before we enter Gallery Six in the distance, we stop to view a small dark painting at the end of the wall...

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

The show explores the spectrum of ideas between Kelly's rigorous investigation of color and shape in «Blue Black» and Mr. Ligon's own luminous meditation on racial violence, in a neon sculpture called «A Small Band,» placed at the center of the Pulitzer's main gallery.

Ebony G. Patterson (b. 1981, Kingston, Jamaica) is the recipient of many prestigious fellowships, awards and grants, including the Aaron Matalon Award at the 2014 Jamaica Biennial, National Gallery of Jamaica, William H. Johnson Prize finalist (2013), a Musgrave Medal from the Institute of Jamaica (2012), Small Axe Magazine and Andy Warhol Commissioned Grant (2012), and Rex Nettleford Fellowship in Cultural Studies (2011).

The small images hung in Davies Street on the three walls of the single room gallery welcomes natural light and fills in the space as carefully as the works at the new Grosvenor Hill location.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Incredibly, and without the overt drama of the narrative of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way into a new smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition of craft objects and artworks, arranged in an inventive, harmonious, and instructive manner for contemplation.

For «Small Changes Every Day,» her recent series at Richard Heller Gallery in Santa Monica, Bennett started with an 8 - by -8-foot hunk of plastic foam and built a model of an undisturbed patch of verdant terrain.

His work has been exhibited at San Francisco Museum of Modern Art, Yerba Buena Center for the Arts, and Jack Hanley Gallery, all in San Francisco, CA; Small a Projects, New York, NY; Diverse Works Project Space, Houston, TX; Mills College Art Museum, Oakland, CA; and Mori Art Museum, Tokyo.

The Addison Gallery of American Art at the Phillips Academy in Andover, Massachusetts, presents Alex Katz: Small Paintings.

Amy Bennett's current exhibition at Richard Heller Gallery, entitled «Small Changes Every Day,» is her first solo exhibition in four years.

The 12 small paintings of hers from 2013 to 2015 recently exhibited at the 303 Gallery in New York City could probably, from the viewpoint of technique, have been made at any point in the last 150 years.

A small survey at George Adams Gallery in New York last spring, Joan Brown: Major Paintings from the 50s, 60s, and 70s, gave shape to Brown's enthusiastic reception of Bischoff's example, showing how she searched her immediate environment for things to paint.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that extended from floor to ceiling at the Serpentine Gallery.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 small works exhibit, Muhlenberg College, pp. 9 - 10.

I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a small group exhibit of abstract paintings and photographs currently on view at Main Street Arts Gallery.

Armory Show: Small paintings by Avis Newman in acrylic and graphite at Lisson Gallery, London.

In 1994, I picked up a small brochure with a Suprematist cover for a charming exhibition of Orientalist colored drawings at the Leonard Hutton Gallery in New York, Liubov Popova Illustrations for Tales of Wonder, executed in 192In 1994, I picked up a small brochure with a Suprematist cover for a charming exhibition of Orientalist colored drawings at the Leonard Hutton Gallery in New York, Liubov Popova Illustrations for Tales of Wonder, executed in 192in New York, Liubov Popova Illustrations for Tales of Wonder, executed in 192in 1920.

2015 «A Foot in the Door», Exhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Group Exhibit

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

On view in the gallery at 502 West 22nd Street is a painting called Ru Ware Project, 2007 - 2012, made up of nine small panels painted in different shades of pale blues.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

The works of Nicole Phungrasamee Fein in where and Alex Paik in Recapitulation Bop, both on display at Gallery Joe, are small and precise experiments with color.

California (Sacremento to be exact), native, Liz Larner presents a new body of work at Regen Projects in Los Angeles, but what is happily off - kilter about this bold, sculptural presentation, is that coupled with it viewers find a side gallery in which an earlier selection of notably smaller, object - based works acts as an unusual and telling counterpoint.

I'm sure this is in no small part down to so many incredible exhibitions of painters at museums and galleries at the moment: Tschabalala Self at Parasol Unit, Djordje Ozbolt at Hauser & Wirth Somerset, Robert Rauschenberg at Tate Modern, the David Hockney exhibition at Tate Britain, and the group exhibition of painters «House Work» at Victoria Miro to name a few.

At Celadon Gallery in Bridgehampton, the celebration of William King continues with a small retrospective of his ceramics, on view through November 13, 2016.

The Harlem - based artist - who grew up in Jamaica, immigrated to the United States at the age of 12 and now teaches at Hunter College - set up a «reading room» in the small, dingy basement of Deitch Projects» sprawling Wooster Street gallery; a rectangular wooden table sprinkled with salt, upon which he arranged bits of dried, malodorous fish in a decorative pattern.