Incorporating photographic reproductions of, among other things, people and artworks at his New York work space, the pieces in this show indulge one of Western art history's most cherished clichés: the artist's studio.
Photographs provide the basis for sketches and paintings while
photographic reproductions of paintings and other works are
incorporated along with mass - media images and packaging into collages and assemblages in a voracious cycle of visual input, output and reuse.