What is sometimes forgotten is the fact that Donald Judd began his professional career as a writer,
indeed as an art critic, at a time when the downtown NYC art scene regarded the writing artist as suspect.
Not exact matches
Indeed, «the square,» perhaps the most stabile, enduring, and neutral form, a New York
art critic argued in her homage to this elemental form in 1967, provides a universal standard that is
as attractive in its precision and neutrality to the space age
as it was to early philosophers and theologians.»
It had been nearly two decades since the 1993 segment in which he derisively lumped together the work of Jeff Koons, Cy Twombly, Robert Ryman, Robert Gober, Christopher Wool, Felix Gonzalez - Torres and Jean - Michel Basquiat while inviting conservative
art critics like Hilton Kramer, who died last week, to confirm that it was all
indeed overpriced tripe — «the emperor's new clothes,»
as he put it.
Indeed, due to his influence on abstract sculpture, numerous
art critics see him
as the most important figure in American plastic
art of the 20th century.