Sentences with phrase «indian paintings and drawings»

These visits also saw the beginning of a passionate interest in collecting Indian paintings and drawings, and aspects of classical Indian painting — such as its bold colouration and its intimate settings — are seen by some commentators as influencing Hodgkin's own style.

Although Hodgkin's celebrated collection of Mughal - period Indian paintings and drawings has not been included in the sale, a number of Ottoman, Indian and Islamic tiles, textiles and rugs will be auctioned, alongside an eclectic range of objects spanning Italian pietra dura marbles and contemporary artworks by Patrick Caulfield, Bhupen Khakhar, and Peter Blake.

Not exact matches

[44] The museum's collections include art in many media from around the world, including European and American paintings, prints, sculpture and drawings, 18th and 19th century Japanese Ukiyo - e prints, 15th through 19th century Persian and Indian miniature paintings, 20th century Haitian art, 20th century Japanese netsuke, 20th century and contemporary photography, and Rapa Nui, African, and Native American artifacts.

In this new series of paintings, he draws on Indian and Western European traditions to create a hybrid visual language with which to relate intimate tales of sensual and spiritual encounter.

The Art of the Erotic documents this timeless aspect of art history, through 170 carefully curated chronological works, ranging from drawings by Turner, prints by Hokusai, Indian temple carvings, Persian miniatures, to paintings by Botticelli, Picasso and Cecily Brown, and sculptures by Michelangelo, Rodin and Louise Bourgeois.

One of the most significant Indian artists of his generation, Harsha draws on a broad spectrum of Indian artistic and figurative painting traditions and popular...

The paintings draw on such varied influences as Tibetan Thangkas, Indian miniatures and the 16th century Italian artist Guiseppe Arcimboldo.

The Virginia Museum of Fine Arts recently acquired one of only two known Herter Brothers Drawing Room chairs from the iconic William H. Vanderbilt Gilded Age residence; a pair of Lockwood de Forest Indian - manufactured chairs; a Marguerite Zorach modernist painting; four Cy Twombly photographs from his Black Mountain residency; and two Zulu beaded costumes.

Hayes will be exhibiting approximately 35 paintings and drawings, which are focused on historical styles of sculptural representation in Indian mythological subjects.

The drawings are preparatory sketches for Indian miniature paintings and range in date between the seventeenth and nineteenth centuries.

The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.

Drawing on a broad spectrum of Indian painting traditions, miniature painting, popular art and western art, he creates works that reflect on the modern world.

Drawing on a broad spectrum of Indian painting traditions and popular arts, as well as the western canon, NS Harsha creates quietly philosophical, luminous works that reflect on geopolitical order and our ever - more technologically mediated relationship with the world.

Drawn in Indian ink and painted with acrylic on panel, these two portraits, appropriated from images by Giovanni Domenico Tiepolo and Andrea del Sarto, merge into one in a writhing swirl of fast lines and swiftly marked gesture.

One of the most significant Indian artists of his generation, Harsha draws on a broad spectrum of Indian artistic and figurative painting traditions and popular arts as well as the western art canon.

Drawing Room, London Curated by Shanay Jhaveri This exhibition explores how Indian classical music has inspired modern and contemporary artists, traces a long history, from early Indian miniature paintings (Ragamalas) through to drawings, animations and video works from the present day.

The exhibition Nasreen Mohamedi — open from March 18 to June 5, 2016 — presents 130 the Whitney works — including drawings, paintings and photographs — by the Indian artist Nasreen Mohamedi (1937 — 1990), the well - known for her minimalistic yet fascinating artistic approach where graphical, often monochrome, signs create rigorous and complex abstract patterns often inspired by poetry, music and architecture.

Varejão is so prepared to back up her work that she has photocopies in her hands of some of the most important books and images that stood out to her while researching a culture and an ethnicity that at first seemed foreign: photos of Hopi women wearing a hairstyle of whorls, drawings of Mimbres's burial rituals, images of her own previous series where cracked paintings looked to make ties with 11th century Chinese Song dynasty ceramics, and American Indian portraits by George Caitlin were only a few of the many pages that she held and showed me during our time together.

The drawings prompted by Basaldella, and Laffoley's totally wild paintings inspired by the Indian Test Pattern's circle - in - square composition, are the focus of the late artist's exhibition at Francis Naumann.

For more than sixty years, renowned Indian artist and teacher Om Prakash (Sharma) has created abstract paintings drawn from both the timeless visual culture of Indian imagery and more recent developments in modern art.

In both the sculptures from the mid-1990s, and the new drawings created for the exhibition Players, Huma Bhabha reinvents the human head, deconstructing and reconstructing an archetype in which she gathers and transforms various art - historical typologies: from the African, Oceanic and carnival masks to those worn by the actors / dancers in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find in the characters of science - fiction movies or the Marvel comic books.

Aditya Pande's computer drawings of large, Gandhi - like heads augmented with paint and collage suggest a fusion of Indian portraiture with Cy Twombly and Andy Warhol.

Shown alongside the paintings and drawings are three items which are designed to re-orientate the reading of the work: an early 19th century Indian miniature (Rhodes spent her childhood in Bengal and has an affinity with Indian court painting); an aerial photograph from 1926 of the site of Woodhenge in Wiltshire — drawing attention to the artist's interest in what becomes visible though distance; and a photograph by Luigi Ghirri of an avenue of trees disappearing into the mist.

Important holdings include the Kress Collection of 15th - and 16th - century Italian panel paintings; more than 5,000 examples of Pre-Columbian to 20th - century American Indian art and artifacts, including basketry, ceramics and beadwork; and a growing collection of American and European prints, drawings and photographs.

Artist statement: I draw and paint on a tiny scale and am inspired by the detail, the whimsy and the geometric naturalism of both early Netherlandish and Indian Miniature painting.

New York and North Adams, Massachusetts, Drift of Summer, RM Gallery, Auckland, New Zealand Observe / Recognize, Berlin Gallery at Legends Santa Fe, Santa Fe, New Mexico 2010 Collision, Rhode Island School of Design Museum, Providence, Rhode Island Lush Life, Invisible Exports Gallery, New York, New York Everyday Mystics, Patricia Sweetow Gallery, San Francisco, California Vantage Point, Recent Acquisitions, Smithsonian National Museum of the American Indian, Washington DC Raw State, Shelby Street Gallery, Santa Fe, New Mexico New Paintings, Staley Wise Gallery, New York, New York Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, California Currents, University of Northern Colorado, Greeley, Colorado organized by Cicely Cullen 2009 On Stellar Rays, Lover, New York, New York, organized by Kate Gilmore and Candice Madey Signs Taken For Wonders, Jack Shainman Gallery, New York, New York, organized by Isolde Brielmaier, Surveillance, Affirmation Arts, New York, New York, organized by Rachel Vancellete Solution, DiverseWorks, Houston, Texas, organized by Janet Phelps Eiteljorg Museum, Recent Acquisitions, Eiteljorg 2008 - 09 Fellows, Indianapolis, Indiana The Banality of Good, Claremont Graduate University, Claremont, California, organized by Chris Christion Currents, Metro Visual Arts Center, Denver, Colorado, organized by Cicely Cullen Relevant, Nathan Cummings Foundation, New York, New York, organized by Amerinda 2008 Blueballs, Production Fund LAB, New York, New York, organized by Jackie Saccoccio Visions, Flushing Town Hall Projects, Flushing, New York, organized by Omar Lopez - Chahoud Voices of the Mound, Institute of American Indian Arts, Santa Fe, curated by Linda Lomahaftewa - Singer Kentler International Drawing Space and Long Island University, Native Voices, New York, New York 516 Arts, Cautionary Tales, Albuquerque, New Mexico, curated by Holly Roberts Jersey City Museum, 1 × 1 Project, Shameless, Jersey City, New Jersey, curated by Rocio Aranda Alvarez Circa Art Fair, Puerto Rico, with Samson Projects Volta 4, Basel, Switzerland, with Samson Projects 2007 SONOTUBE, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, curated by Miki Garcia Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, New York, curated by Kathleen Ash - Milby New England School of Art and Design, Boston, Massachusetts, organized by Charles Giuliano Postmillennial Black Madonna (in two parts): Paradise @ MoCADA, and Inferno @ Skylight Gallery, Brooklyn, New York Newark Open 2007, Newark, New Jersey, organized by Omar Lopez - Chahoud 2006 The Aldrich Museum of Contemporary Art, No Reservations, Ridgefield, Connecticut, curated by Richard Klein Paul Kopeikin Gallery, Paperworks, Los Angeles, California, curated by Daria Brit Shapiro Westport Arts Center, BROOKLYN, Westport, Connecticut, curated by Amy Simon State University of New York, Paumanoka, Stony Brook, New York, curated by Stephanie Dinkins The Jersey City Museum, Tropicalisms, Jersey City, New Jersey, curated by Rocio Aranda - Alvarado ARCO, Madrid, Spain, with Samson Projects MACO Art Fair, Mexico City, Mexico with Samson Projects 2005 Le Désert de Retz, Massimo Audiello, New York, New York, curated by David Hunt Alona Kagan Gallery, From the Root to the Fruit, New York, New York, curated by David Hunt Out of Bounds, Wave Hill, Glyndor Gallery, Bronx, New York, curated by Jennifer McGregor Evolving Pattern, New Jersey State University, Jersey City, New Jersey, organized by Midori Yoshimoto Play, Iandor Fine Arts, Newark, New Jersey, curated by Jomo Jelani Heywood Artists Alliance AIR Exhibition, Cuchifritos Gallery, New York, New York 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts Jersey City Museum, Jersey (New), Jersey City, New Jersey, curated by Dr. Rocio Aranda New American Talent, The Jones Art Center for Contemporary Art, Austin, Texas, selection by Jerry Saltz The Space Between Words, Kean University, Union, New Jersey, curated by Judith Page Timeless / Timeliness, Aljira Center for Contemporary Art, Newark, New Jersey, curated by Dominique Nahas Super Salon, Samson Projects, Boston, Massachusetts, curated by Camilo Alvarez

Drawing on influences from Indian miniatures to punk rock, Tomaselli's collaged paintings are remarkable compendia of natural and unnatural worlds.

Pousette - Dart's paintings and drawings capture light and reflect tone, drawing inspiration from the landscape, and sources as diverse as American Indian, Mayan and Islamic art, Chinese landscape painting and calligraphy, and Romanesque painting, among others.