Sentences with phrase «indigenous cultural arts»

Not exact matches

This weekend is the Cultural Survival Bazaar in Cambridge which features arts and crafts from indigenous makers.

Sandy Hill has visited more than 100 countries, mostly to pursue her passion for mountain sports (climbing, skiing and trekking) and cultural interests (indigenous people, history, art and architecture).

Sandy Hill has visited more than 100 countries, mostly to pursue her passion for mountain sports (climbing, skiing and trekking) and cultural interests (indigenous people, history, art...

Whether it be to check out one of the current exhibitions at NGV International (the spectacular and avant - garde Viktor & Rolf: Fashion Artists opened recently), or perhaps the Indigenous and non-Indigenous art on display at NGV Australia at Federation Square, it is one of Melbourne's most notable cultural experiences.

«The great schools will be the ones who help unveil a galaxy of black stars for Indigenous young people; not just the football stars but the Indigenous stars who shine in trades, professions, business, arts, cultural and civic life.

From the compelling displays of indigenous outdoor performance troupes to the award winning business acumen of the local arts and crafts people, this region has pioneered a new and dynamic style of cultural presentation that has become a benchmark for indigenous Australians.

As a result of its indigenous and colonial heritage, modern Australia provides an intriguing cultural mix which is represented in aspects such its architecture, music, art, theatre, museums and cuisine.

Within a easy reach of your hotel delegates will be able to enjoy a snorkeling or diving trip on the world famous Great Barrier Reef, White Water Rafting on the Tully River, a rainforest walk in the ancient Daintree, an local indigenous cultural experience at the Tjapukai Aboriginal Cultural Park, a leisurely trip on Skyrail or Scenic Train up to Kuranda for the popular local art and craft cultural experience at the Tjapukai Aboriginal Cultural Park, a leisurely trip on Skyrail or Scenic Train up to Kuranda for the popular local art and craft Cultural Park, a leisurely trip on Skyrail or Scenic Train up to Kuranda for the popular local art and craft markets.

You'll find many cultural attractions like the National Te Papa Museum, art galleries and many opportunities to learn more about the indigenous Maori culture.

Browse authentic arts and crafts in Indigenous - own galleries and cultural centres across NSW.

The resort also operates a cultural centre displaying local arts and providing a venue for cultural performances, enhancing your unique indigenous experience.

18th Street Artist Marketplace: Come witness a creative explosion of brilliantly colored, diversely made, handcrafted art pieces and family - friendly, jewelry - making art workshops reflecting a community of skilled Los Angeles - based artisans whose cultural influences and indigenous roots inform their artwork.

In this guest lecture, Rice will speak from his experience as a curator, critic and cultural mediator in relation to Indigenous presence across the field of contemporary art and culture.

Postcommodity, an interdisciplinary arts collective that explores «Indigenous narratives of cultural self - determination,» will also address spatial and cultural politics head - on.

Her works refer to cultural, religious and artistic influences, from Afro - Cuban and indigenous Caribbean traditions to Catholicism, to conceptual art and post-minimalism.

The phenomenal buoyancy of this trend, including the National Portrait Gallery, Tate Britain, Tate Modern and the Royal Academy, predicates London's unique position as the leading global art centre, a touristic and cultural nucleus with no immediate reference, for example, to the indigenous local day - to - day art schools and their agendas.

Cutting Copper: Indigenous Resurgent Practice, a collaborative project between grunt gallery and the Belkin Art Gallery that I co-organized with Shelly Rosenblum, aimed to bring together a cross-disciplinary group of artists, curators, writers, educators, scholars, students and activists to explore the embodied theory of Indigenous resurgence and cultural representation — from the perspectives of their own disciplines and one another's.

She has presented publicly in lectures, keynote addresses and hosted a number of community forums around topics of «Indigenous Self - Determination through Art» and the «Environmental Responsibility and Sustainability in Contemporary Indigenous Art Practices», «The History and Impacts of Economics on The Indigenous Object» as well as «Renegotiating Conservation: Revisiting the Roles and Responsibilities of Cultural Institutions in Canada regarding Indigenous Made Objects.

His work can be found in numerous public and private collections in Canada and abroad, including the Regional Municipality of Ottawa - Carleton (Ottawa); Woodland Cultural Centre (Brantford); Royal Ontario Museum (Toronto); Ottawa Art Gallery (Ottawa); The Canada Council Art Bank, (Ottawa); Nordamerika Native Museum (Zurich, Switzerland); City of Ottawa (Ottawa); Indigenous Affairs and Northern Development Canada (Gatineau); National Gallery of Canada (Ottawa); Global Affairs Canada (Ottawa).

Australian painter Mandy Martin's ongoing art and social practice in Paruku (an Indigenous Protected Area in Western Australia) brings awareness to challenges facing Aboriginal peoples, and simultaneously informs positive environmental and cultural change in the area surrounding Lake Gregory — a terminal desert lake that has been a source of food and site of Aboriginal cultural production for fifty thousand years.

In the gallery, Electric Machete Studios works for the advancement of contemporary and experimental cultural arts by featuring the work of emerging and established Latinx / Xicanx / Indigenous artists and curating local, national, and international exhibitions.

Dimensions of Indigenous & Cultural Identity Politics November 28, 2016 - February 4, 2017 at Intermedia Arts Read more.

With the support of the Canada Council for the Arts, Ontario Arts Council and the Toronto Arts Council, the artists of this group exhibition have been commissioned to create a new body of works in fashion, textiles or wearable art that address issues of cultural appropriation of Indigenous cultures.

Erika works to collaborate with artists, communities, and revitalize traditional Indigenous cultural practices within her contemporary art and design work and community arts projects.

In their accompanying essays, Cesar Paternosto focuses on the emergence of an abstraction rooted on the indigenous arts of the Americas; Lucy R. Lippard writes on her experiences while researching the rock art of New Mexico; Mary Frame discusses the cultural resonance of textile structural forms in the ancient Andes; Cecilia de Torres narrates the story of the pioneering trecks to pre-Columbian sites by Torres - Garcia's disciples; and Valentin Ferdinan discusses the formative aspects of modern culture in Latin America.

Will Wilson's art projects center around the continuation and transformation of customary indigenous cultural practice.

Born in New York in 1936, Nonas worked for 10 years as a cultural anthropologist, studying the way indigenous cultures in Mexico, Canada, and Arizona conceptualize space, before he began sculpting in the 1960s without any formal art education.

The unique nature of Indigenous connection to the land provides the basis for economic enterprises such as wildlife harvesting, natural resource management, fishing, cultural tourism and art produced for sale.

[20] W Wendland and J van Weelde, WIPO's capacity building tools for indigenous cultural heritage, Arts Law Centre of Australia Online.

The Australian Arts Minister and the Indigenous Affairs Minister announced more than $ 37 million in funding for Indigenous arts, cultural, languages and broadcasting programs across Australia in 2008 -Arts Minister and the Indigenous Affairs Minister announced more than $ 37 million in funding for Indigenous arts, cultural, languages and broadcasting programs across Australia in 2008 -arts, cultural, languages and broadcasting programs across Australia in 2008 - 09.

[35] Minister for Families, Housing, Community Services and Indigenous Affairs and Minister for the Environment, Heritage and the Arts, «$ 37.5 million in Indigenous arts and cultural support» (Media Release, 14 August 20Arts, «$ 37.5 million in Indigenous arts and cultural support» (Media Release, 14 August 20arts and cultural support» (Media Release, 14 August 2008).

Obvious examples of economic development founded on the traditional cultural values of a community are the initiatives around tourism and Indigenous art.

Indigenous Culture Support - $ 6.7 million to support 132 cultural projects including: the transmission of knowledge and skills across generations through multimedia workshops, music, dance and theatre, community festivals, and exhibitions of community - based art and craft activity.

Treasurer and Minister for Aboriginal and Torres Strait Islander Partnerships Minister Curtis Pitt made the announcement saying, «The plan will have a specific focus on enabling Indigenous arts and cultural businesses to benefit from the games, as well as providing employment opportunities.»

6.5 That government departments that have specific responsibilities for Indigenous affairs (for example, the Department of Families, Housing, Community Services and Indigenous Affairs and the Attorney - General's Department) work closely with the Department of Environment, Water, Heritage and the Arts, and the Department of Climate Change, to ensure that the social, cultural, environmental and economic impacts and opportunities for Indigenous peoples arising from water and climate change are identified and addressed

Culture: Promoting importance of cultural, ceremonial and contemporary activities in the practice of Indigenous culture and tradition via strategies such as establishing a Cultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art icultural, ceremonial and contemporary activities in the practice of Indigenous culture and tradition via strategies such as establishing a Cultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art iCultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art industry.

Indigenous peoples have the right to maintain, control, protect and develop their cultural heritage, traditional knowledge and traditional cultural expressions, as well as the manifestations of their sciences, technologies and cultures, including human and genetic resources, seeds, medicines, knowledge of the properties of fauna and flora, oral traditions, literatures, designs, sports and traditional games and visual and performing arts.

Indigenous culture and intellectual property means Indigenous people's rights to their cultural heritage.96 Indigenous art and culture are intrinsically intertwined.

In 2002, Australians made around 730,000 visits to Indigenous cultural activities.95 While these figures demonstrate the significance of Indigenous culture to the Australian economy, the ability to protect, nurture and promote Indigenous art and tourism products has highlighted many shortcomings for Indigenous people.

provide redress through effective mechanisms, which may include restitution, developed in conjunction with Indigenous peoples, with respect to their cultural, intellectual, religious and spiritual property taken without their free, prior and informed consent or in violation of their laws, traditions and customs (art 11)