Sentences with phrase «individual painted shapes»

Individual painted shapes are peeled and collaged onto a canvas entitled «Nimaima, 2014» created by the Colombian artist Omar Chacon.

Not exact matches

Shaping the Kecks» segmented mirrors was like painting sections of a landscape on individual pieces of plaster and then assembling them in a seamless mural.

Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

In over fifty new paintings depicting the circular labels of assorted vinyl albums and singles, Muller draws upon his endless fascination and encyclopedic knowledge of music and its capacity to shape both individual and cultural identities.

Drawing on the DIY aesthetic of punk, dub and early hip hop music and the tradition of street fly - posting to promote gigs and events, Simmons» rainbow saturated coloured paintings reveal traces of the long forgotten individual and collective creative voices that have informed and shaped contemporary culture.

The role of social media between the individual and the public is what shapes the artist's paintings for Bad Habits.

The three exhibitions are shaped by Dean's response to the individual character of each institution and explore genres traditionally associated with painting.

He would then select portions to be stretched up in irregular shapes as individual paintings.

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

It was not about the individual artist's «mark» ---- not about who did what first, but rather about an engagement with the paint ---- the «give and take» of shapes, strokes, and space in relation to each other and to the painting rectangle.

Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).

But in 30 Americans at the Detroit Institute of Arts, three decades of painting, sculpture, installation, photography, and video, making up over 50 works by these artists, explore the full range of events and inspirations that have shaped both their individual practices and art history itself since the 1980s.

These individual styles included: Hard - Edge Painting, Colour Stain Painting, Washington Colour Movement, American Lyrical Abstraction, and Shaped Canvas.

I can report that these distinctions are more or less borne out by my own experience with the spot paintings (while his assistants choose the individual colors in the paintings, I suspect Hirst has carefully identified the parameters of the palette — an oddly shaped color space, for instance, would make sincere forgeries — unlike mine — next to impossible to produce).

As the artist states, his paintings «serve as both a personal homage to those people and experiences that have shaped [my] own individual identity and beliefs, and a reminder of their broader social and historical impact.»

Returning to America, his individual style had a significant impact on the development of Minimal art, Systemic Painting, Hard - edge Painting, Frank Stella's Shaped Canvas genre, and Greenberg's so - called Post-painterly Abstraction, without him actually becoming a «member» of any of these movements.

Across collage, photography, performance, sculpture and painting, Derrick Adams» (b. 1970) work addresses ways in which media, entertainment and other social structures shape individual identity and public perception of African - American culture.

In several, Hume has applied the industrial paint in thick relief for the first time, forming distinct ridges that clearly define the individual shapes within each work.

These paintings do not belong to the category of abstract painting that moves far from society and strives for pure sensation but rather stand as circumstantial recordings of information, drawing together the complexity of social information and the purity of abstract painting and perhaps ultimately reducing different social, environmental, and individual actions into colors and shapes that represent different forms of information.

She views each painting as an autobiographical, psychological self portrait: each individual Myers paints has helped to shape her personality, define a little bit of who she is.