Sentences with phrase «informel group»

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the Zero Group, respectively — and was included in numerous important and related group exhibitions including Zero - O - Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.

Schoonhoven played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the Nul - groep (Nul Group), the Dutch equivalent of ZERO.

Not exact matches

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the ZERO Group respectively.

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

Rather the artists who came to be grouped as Informel, Jean Miotte, Jean - Paul Riopelle, Emil Schumacher and Kazuo Shiraga among others, claimed an individual freedom embodied in the spontaneity of the gestural brushstroke.

This exhibition focuses on the common traits of Informel, post-war Germany's most important abstract art group, and the different explorations and choices these artists made as they confronted their personal artistic ideals.

Influenced by international Art Informel, German Informel defined the painting of a group of young artists in the 1950s and 1960s, forming an important school in post-war German art.

Pierre Alechinsky (b. 1927)(Member of Cobra Group: Art Informel)- Octave (1983, Private Collection)- The Large Transparent Things (1958, Private Collection)

• COBRA GROUP Asger Jorn (1914 - 73) Danish gesturalist painter, founder of COBRA group, linked to Art InfoGROUP Asger Jorn (1914 - 73) Danish gesturalist painter, founder of COBRA group, linked to Art Infogroup, linked to Art Informel.

Like Tachisme, the COBRA group was closely related to the gesturalist wing of the broader European abstract expressionist school known as Art Informel, and derives its style from the early expressionist movement in Germany.

In Europe, gesturalism was practised in the Art Informel movement (the European version of Abstract Expressionism) by artists like Georges Mathieu and Wols, by exponents of Tachisme, and by Asger Jorn (1914 - 73) and Karel Appel (1921 - 2006) of the COBRA group.

COBRA European Abstract Expressionist Painting Group: Art Informel.

He was a founding member of the avant garde art group COBRA, which was active between 1949 and 1952, and a member of Art Informel.

French neo-expressionism also had its roots in the more figurative variants of Art Informel, such as the style practised by Dutch painter Karel Appel (1921 - 2006) of the Cobra group.

Art Informel was related stylistically to other groups and styles, including the Danish / Dutch / Belgian CoBrA group, the German groups Zen 49 and Quadriga, the Canadian Automatistes, the Italian Arte Nucleare and the Japanese Gutai association.

Existential Art (1940s and 1950s) John Paul Sartre's existentialist philosophy, with its themes of alienation and angst in the face of the human condition, can be seen in paintings by the American Abstract Expressionists, the Informel and «CoBrA» movements, the French Homme - Temoin (Man as a Witness) group, the British Kitchen Sink art group, and the American Beats - all of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis Bacon.

Hesistant to align with any one school or group Francis began to exhibit alongside Art Informel artists in the mid 50s and then was deemed by Clement Greenberg worthy of inclusion alongside others practicing «post-painterly abstraction.»

Meanwhile, parallel movements in Western Europe were appearing under various titles, such as Art Informel (c.1945 - 60), along with sub-variants such as Lyrical Abstraction (late 1940s, 1950s), Tachisme (c.1945 - 60) and the COBRA group (1948 - 51).

If Post-painterly abstraction sounds complicated, try reading about concurrent abstract expressionist movements in Europe, such as Art Informel (1940s, 1950s), its sub-variants Tachisme (late 1940s, 1950s) Lyrical Abstraction (1945 - 60), and the independent COBRA group (1948 - 51).

«Pittura Oggetto,» an exquisite group exhibition curated by Natacha Carron, brings together these heirs of Lucio Fontana, who worked against the grain of American Abstract Expressionism and European Art Informel to devise a radical new form of painting.

In Europe, abstract expressionism was known as Art Informel (formless art), which divided into a gesturalist wing, known as Tachisme (see also the COBRA group), and a softer style called Lyrical Abstraction.