They include a 15th - century Holbeinesque male portrait, a gray - tinted
Ingres odalisque, abstract pictures by Ad Reinhardt and Gerhard Richter, and a Horace Pippin self - portrait as tiny, and every bit as precious, as the Met's famous Duccio «Madonna and Child.»
Not exact matches
To that end, Rauschenberg crafted a veritable collage of classical artworks, including Bronzino's «Portrait of a Young Man» and
Ingres» «
Odalisque.»
Given this, it is fascinating to hear the Chicago - based artist discuss «
Odalisque in Grisaille» by Jean Auguste Dominique
Ingres and other portraits by the French artist.
Often depicting African - American women in colorful interiors, they take inspiration from the past - the sensuous
odalisques of Matisse and
Ingres - while also pushing portraiture forward alongside artists like Chris Ofili, Marilyn Minter, and Kehinde Wiley.
Imagine portraits that combine inspiration from Blaxploitation films, Jean - Auguste - Dominique
Ingres «Une
Odalisque» (1814), Andy Warhol's silk screen portraits, and Lil» Kim's album covers.
The long nose, the droopy eyes), Henri Matisse, Jean August Dominique
Ingres (two female spines merge together to create an
Odalisque in another Isberg).
Referring to Manet's Olympia and
Ingres» La Grand
Odalisque, he questions the ideals of beauty through the European painting and the museums that feature it.
Marsicano's figures of the 1960s suggest
Ingres's
odalisques repainted by Willem de Kooning, except that Marsicano's figures read not as presences but absences.
Medieval manuscripts and Malevich's Black Square; a niggly grey and black Giacometti and Titian's Portrait of a Lady; Cy Twombly's scribbled writing and
Ingres's La Grande
Odalisque, repainted in shades of grey.
The marvellous
Ingres's
Odalisque in Grisaille — the poster - girl for the exhibition — is a reduced monochrome repetition of
Ingres» 1814 masterpiece (painted with the aid of his workshop).
For this installment of «Image Universe,» we take
Ingres» La Grande
Odalisque as our starting point to think about the trope of the reclining nude and the images that have cemented, circumvented, and subverted this tradition of visualizing desire.
As such, his trademark BMW Art Car design includes trompe l'oeil images of Bronzino's 16th century painting «Portrait of Young Man» and
Ingres's»
Odalisque.»
Ripped from her original context,
Ingres's Grande
Odalisque is set against a dazzling yellow backdrop.
Through a modest exhibition of well - known works, viewers can follow the actions of the Guerrilla Girls, from their appropriation of
Ingres»
Odalisque and Slave to create their iconic poster, Do Women Have to Be Naked to Get Into the Met.
Marshall identified with «
Odalisque in Grisaille» by Jean Auguste Dominique
Ingres (1780 - 1867).
Jonathan Jones: From the ravishing Venus of Urbino, past
Ingres's sensual
Odalisque, to the feminist riposte of the Guerrilla Girls, the female nude has inspired, enraptured and enraged
Upon further investigation the viewer discovers tiny obscure writing, miniature cartoon - like doodles, and his charming «
Odalisque» drawing is a mirror - image rendering of Jean Auguste - Dominique
Ingres «painting with the same title.
This is a representation of the universal desire of straight men that Robinson sees as an update of the 1814 «Grand
Odalisque» of Jean
Ingres that hangs in the Louvre.
Jean - Auguste - Dominique
Ingres,
Odalisque and Slave, 1839, graphite, black and white chalk, gray and brown wash.