Sentences with phrase «ink on cotton»

They are: acrylic and ink on cotton over panel (1991); gouache on cotton over panel (2000); and oil on cotton over panel (1997, 2004 - 2006, 2011 - 2012).

Scanned gay erotic page printed with archival ink on cotton, polyurethane foam, chicken wire, handcut tea - soaked rag paper, dress pins, and fringe, 34 x 16 x 3.5 inches.

In the Month of June 2016, 2017, acrylic paint and ink on cotton fabrics, backed in linen, with embroidery and photographs printed on verso.

KEY PRODUCT POINTS Printed with water - based ink on a cotton panel.

Not exact matches

The above painting is a large watercolor and ink on Arches 140 lb cotton rag paper (SOLD).

(approximately 10 cm x 25 cm) and is drawn and painted with ink on the highest quality Arches acid - free cotton rag archival paper.

(This is a watercolor and ink on Arches 300 lb c / p watercolor cotton rag paper, 10 ″ x14 ″ (25.5 cm x 35.5 cm), depicting the Northern Lights with moon and stars.

This was done with pen and ink (Pilot G - Tec - C4) on Arches 300 lb hotpress acid - free cotton rag paper, 2.5 ″ x3.5 ″.

Simple lines with pen and ink on the highest quality heavy cotton - rag paper.

Today I'm giving away this whimsical watercolor and ink miniature on Arches heavy cotton rag paper, measuring 2.5 ″ x3.5 ″.

It is drawn with pen and ink on Arches 140 lb hotpress archival acid - free cotton rag, 20 ″ x30 ″ (51 cm x 77 cm).

It is done with graphite pencil, ink and colored pencil on heavy cotton rag paper.

This one measures 5 ″ x7 ″ (13 cm x 18 cm), and is done with pen and ink on Arches heavy acid free cotton rag paper.

Her screen prints nearly always feature animals (often on adventures), and all her clothing is made from organic bamboo cotton printed with eco-friendly inks.

Check out these adorable, soft, whimsical organic cotton tees printed with water - based inks and the matching note cards, printed on FSC certified paper by an FSC certified printer in a carbon - neutral facility.

When this stroller came in there was an ink mark from a pen so I put a little of rubbing alcohol on a cotton and scrubbed it off and it came off with no issues with this to say the fabric cleans off very easily.

Gently she places the square back on the table and sifts through the others: white muslin, navy cotton, chambray faintly marked with ink.

PAGES 38 - 39: At left, from top, «Child in Sky / Victims in River,» 1966 (Gouache and ink on paper) by Nancy Spere and «Archeological Find # 21: The Aftermath,» 1961 (destroyed sofa — wood, cotton, wire, vegetable fiber and glue, on wood backing) by Raphael Montanez Ortiz; At right, «Red April,» 1970 (acrylic on canvas) by Sam Gilliam.

Made with Japanese ink on untreated cotton fabric, the works evoke the domestic but have a charged eroticism.

Pen and ink on paper and cotton; 100 pages, 7 1/2 x 5 1/4 inches.

Berni Searle (b. 1964, South African, lives and works in Cape Town) Lament II and III, 2011 Pigment inks on a Baryta coated cotton paper 30 x 36 inches each 2013.1 Museum purchase with support from the Friends of the Museum 2013.2 Gift of Atlanta Celebrates Photography's 2013 Auction

Printed on luxurious 320 gsm French cold - pressed cotton paper or artist grade 430 gsm canvas, acid and OBA free with archival pigment inks.

Yinka Shonibare MBE, Climate Shit Drawing 8 (Triptych), 2009, Ink, Dutch wax cotton printed textile, newsprint and gold foil on paper, 163 x 276 x 6.5 cm, 64 1/8 x 108 5/8 x 2 1/2 in

Yinka Shonibare MBE, Climate Shit Drawing 2, 2009, Ink, Dutch wax cotton printed textile, newsprint and gold foil on paper, 140.2 x 106.2 x 5 cm, (55 x 41 3/4 x 2 in)

High Density Foam, cotton, muslin, cotton thread, foam core, hand - made cotton rag paper, archival digital inkjet prints on archival paper, acrylic paint, gouache, matt medium, Jade glue, fiberglass strand and sumi ink

Korean paper mounted on cotton on stretcher, ink on paper and rubber, perspex, acrylic on linen, robber matt, ping pong ball, stretched silver fabric, 8 elements

Archival pigment ink print on cotton rag paper.

Your giclee print has been created on beautiful 320 gsm museum grade French cold press 100 % cotton rag paper using fully archival Epson UltraChromeK3 ® pigment inks.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Oil, acrylic, 24 k. gold leaf, velvet, stickers, paper, ink and plastic thumb tacks on cotton and microfiber suede.

From left, «Quilt # 15, Harmonics 2,» 2012 (fabric treated acrylic, spray paint, and cotton on repurposed quilt) by SANFORD BIGGERS and «Album,» 2011 (stencil ink, basketball trading cards, glue and aluminum) by NARI WARD.

Signed and numbered in pencil: Edition of 10 Printed on heavyweight (300gsm) fine art 100 % cotton rag, acid - free archival paper using archival ink...

Lesley Dill Smoke, 2005 thread and ink on silk, cotton 46 x 82 inches LDs 214 13.

Dancy's enticing sensuous figures often appear central in lotus position, and she uses wide and vibrating brush strokes of acrylic and ink on dyed or bleached cotton and canvas.

Mira Dancy, Lover Letter Over, 2013, Acrylic and ink on dyed cotton, 66» x 48».

Yinka Shonibare MBE RA, «Nelson's Ship in a Bottle», 2010; fibreglass, steel, brass, resin, UV ink on printed cotton textile, linen rigging, acrylic and wood; 290 x 525 x 235 cm (114 1/8 x 206 3/4 x 92 1/2 in); © Yinka Shonibare MBE RA, Courtesy Yinka Shonibare MBE RA and Stephen Friedman Gallery, London.

Medium: Giclée Print on Somerset Enhanced Satin 330 gsm 100 % cotton, using an HP z6100 printer with Vivera inks

Acrylic paint, ink, sweet gum leaf, bottle caps, plastic, metal, computer key, and cotton stars from American flag on wood.

Dirk Stewen Die Assistenten IV 2008 ink, confetti, cotton and canvas on photo paper, paper collage with confetti, wooden rod, steel pins 94 x 33 inches; 238.8 x 83.8 cm

Chris Ledochowski Street Mural, Lavender Hill 1996 Archival pigment inks on coated cotton paper 34 x 50.8 cm

Dirk Stewen untitled (Rechtsrum) 2006 inkjet print, vintage paper, ink and cotton on paper 23 3/4 x 26 1/2 inches; 60.3 x 67.3 cm (framed)

Dirk Stewen Untitled 2008 ink, cotton, and confetti on photo paper, steel and rubber ring, steel pins overall installed dimensions: 48.03 x 86.22 inches; 122 x 219 cm each panel: 48 x 40 inches; 122 x 102 cm

Dirk Stewen Untitled 2008 vintage paper, wooden rods, ink, confetti, and cotton on photo paper, inkjet print on vinyl, c - prints, glassine, steel rings, steel pins 54 x 188 inches; 137.2 x 477.5 cm

Dirk Stewen Die Assistenten III 2008 ink, confetti, cotton and canvas on photo paper, paper collage with confetti, wooden rod, steel pins 94 x 33 inches; 238.8 x 83.8 cm

Chris Ledochowski Crowded Lounge, Lavender Hill 1992 Archival pigment inks on coated cotton paper 34 x 50.8 cm

Even the recycled packaging, organic cotton protective baggie, soy inks and cleaning cloth are all part of the ethos built into SPY's new eco-friendly Recompose Collection — which is launching with this first partnership between SPY and Surfrider on Earth Day, April 22, 2013.

FLUF's first sustainable - fabric print, FLY, made its debut in 2007, closely followed by eight other designs, all hand - printed locally on a chemical - free blend of hemp and organic cotton with biodegradable, water - based inks.

This low cure ink can print on heat sensitive materials including nylon, non woven bags, and cotton.

Every crib sheet is printed on antique white, certified organic cotton with certified organic inks exactly the way you design it, then expertly sewn with deep pockets and elastic all the way around to hug mattresses securely.

Each pillowcase is printed exactly the way YOU design it on antique white, certified organic cotton with certified organic inks, then expertly sewn.