Sentences with phrase «inspired by feminist»

Inspired by the feminist masterpiece The Dinner Party by Judy Chicago, this exhibition featured artists who have risen above the narrow roles imposed on women and whose work has challenged the status quo, particularly within the canons of art history.

Inspired by feminist artist Miriam Schapiro, Reimagining Femmage invites the artist to draw upon the tenets she established.

For the exhibition, Lara Schnitger will transform the gallery into the headquarters of «Suffragette City,» her traveling hybrid procession - protest piece inspired by feminist demonstrations throughout history.

Not exact matches

Inspired by a true story, the crackerjack crowd - pleaser «Made in Dagenham» dramatizes the factory walkout she led, turning this forgotten page in feminist history into an inspirational joy.

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This exhibition seeks to redress this gap in the history of American art through an exploration of Schapiro's signature femmages, the term she coined to describe her distinctive hybrid of painting and collage inspired by women's domestic arts and crafts and the feminist critique of the hierarchy of art and craft.

An artist and activist, her bold 1960s paintings were inspired by the civil rights and feminist movements.

The exhibit title is inspired by the book, «My Secret Garden», published in 1973 by sex positive feminist author Nancy Friday who was instrumental in addressing taboos revolving around female sexuality in the early 70s and an important figure of the feminist sexual liberation movement.

Using a process inspired by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order...

Earlier feminists tackled grim and unfunny issues such as sexual violence, inspiring the Guerrilla Girls to keep their spirits intact by approaching their work with wit and laughter, thus preventing a backlash.

It's fascinating to think of Schapiro, inspired by the discourse she was helping to create, doing these pieces when she was able to return to her studio after the intense period of working with the feminist program on the Womanhouse project in the fall of 1971 and early winter of 1972, but before she had a name for this work, before «femmage» and «pattern and decoration» became movements and personal brands, with their declarative power but sometimes restrictive effect on art practice.

Inspired by DIY political posters, the new drawings are from the artist's ongoing series of feminist graphics on cardboard supports.

Inspired by the outreach work of the Black Panther Party focused on illiteracy, poverty, and hunger; feminist consciousness raising; and radical self - care initiatives, these projects take a holistic approach to self - preservation, thus preserving people and culture for posterity.

The workshop was inspired by the pedagogy of feminist art historian Arlene Raven.

Inspired by a process originated by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order to...

Presented by The Untitled Space and Indira Cesarine, LIFEFORCE is inspired by Donna Haraway's feminist science fiction essay, A Cyborg Manifesto.

Inspired by Donna Haraway's essay, A Cyborg Manifesto, the feminist science fiction and Afrofurturists of the 1970s; the exhibit will feature performance, sculpture, painting, comics, and photography that aim to re code normative expectations celebrating the LIFEFORCE that is beyond human matter and closer to it's essence.

Among many, some works of note include textile portraits of Frida Kahlo and Angela Davis by Jess De Wahls, a painting by Tara Lewis entitled, High School, that acts as an ode to millennial feminists, and multimedia paintings by Nichole Washington, inspired by 90s female hip hop artists, such as Queen Latifah and Missy Elliot.

The exhibit title is inspired by the book, «My Secret Garden», published in 1973 by sex positive feminist author Nancy Friday who was instrumental in addressing taboos revolving around female sexuality in the early 70s, and was an important figure of the feminist sexual liberation movement.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

An international, cross-generational selection of artists reflect upon the nuances of the female «self» as constructed or inspired by cinema and pop culture, printed media and fashion, feminist notions, racial politics, cultural traditions and personal concerns.

Zanny Begg's The City of Ladies: Resistance, revisionism and reclamation For Nina Miall, the Australian artist's film (inspired by Franco - Italian writer and «proto - feminist» Christine de Pizan's 1405 novel) spotlights the many facets of feminism and the role collectives play in protest

While these women continue to be the black sheep who strayed from the established feminist flock, today they provide essential performative, discursive, and iconographic precedents for a host of contemporary art practices that explore hardcore, sex - positive terrain — from Jeff Koons's «Made in Heaven» series to more recent porn - inspired work by John Currin.

Inspired by plant thinking, feminist science studies, new materialisms and quantum physics, Kausalainen creates ambiguous works in the form of gestures and actions.

She was active in the Black feminist and lesbian movements, often inspired by African - American activists, artists and writers.

Her compositions encompass field recordings and found sounds and are inspired by ideas and reflections on silence and absence, architectural urban spaces, and feminist activism.

Known for her incredible 1970s story quilts, Ringgold's 2013 solo exhibitions at ACA Galleries in New York and the National Museum of Women in the Arts in Washington, D.C., introduced many to a little known foundation of her practice that began a decade earlier — a series of bold, dynamic paintings inspired by black pride and the civil rights and feminist movements.

Pharr is now working on a collaboration inspired by Womanhouse, the 1970s feminist installation and performance space organized by Judy Chicago and Miriam Shapiro, with Atlanta artist Martha Whittington, another professor - mentor, and dancer Onur Topal.

«The City of Dreams» has a long and rich history of feminist art practice and exhibition making, including LACMA's watershed attempt at inserting feminist art history into the museum with Women Artists: 1550 — 1950, curated by art historian Linda Nochlin and Ann Sutherland Harris in 1976, or, for example, Judy Chicago and Miriam Schapiro's inspiring installation and performance space Womanhouse (1972).

Thomas, whose work was included in the Museum's 2013 presentation of «Posing Beauty in African American Culture» and 2009 exhibition «Undercover: Performing and Transforming Black Female Identities,» is inspired by a range of sources including art history, popular culture and feminist thought.

Bonneviot's second solo show at Wilkinson is full of etched sheer plastic body forms and odd sculptures embedded with washing up items and scrubbers inspired by the work of feminist artist Mierle Laderman Ukeles.

The McNay presents the fourth work in the series, Sexism, 1973, wherein Andrews, inspired by his involvement with feminist groups and activists, explores similar oppressions of women.

Micol Hebron, a Los Angeles - based artist, is inspired by the work of Carolee Schneemann, a feminist artist that made art history in 1975 by performing naked to protest gender inequality in the art world.

Inspired by the flow of natural elements and the cycle of the seasons, she links this wild energy in her work to her engagement in feminist publishing and performance projects outside her studio.

The show, organized by Leslie Brack and Suzy Spence, was inspired by the 1972 feminist art project, «Womanhouse,» and featured work that... read more... «Suddenly, Mira Schor»

Long before she produced her classic work The Dinner Party and effectively invented feminist art, Chicago lived in Los Angeles, where she made sculptural work inspired largely by the particular branch of Californian abstraction known as «finish fetish» and exemplified by the work of artists like John MacCracken, Robert Irwin, and James Turrell.

Inspired by the 1973 book, My Secret Garden, by Nancy Friday, a pioneering sex - positive feminist, the exhibition unapologetically explores female sexuality and expression.

Nancy Robinson, a Minneapolis painter who will show her work in a related exhibit at Instinct Gallery, remembers being inspired by the Guerrilla Girls in the 1980s, when she was a member of the feminist artist collective WARM.

In December 2015 she co-organized a programme of feminist events across the ICA, The Showroom, Raven Row and SPACE called «Now You Can Go,» inspired by Italian feminisms of the 1970s and 1980s, exploring consciousness raising, affective withdrawal, and feminist generation.

It first appeared in America and Britain, where various feminist art groups were inspired by the women's liberation movement, before spreading across Europe.

Inspired by demonstrations throughout history, from the Suffragettes to SlutWalk, FEMEN, and Pussy Riot, this evolving body of work provides a forum to discuss contemporary political and social issues, and tools to inspire and embolden a new generation of feminists.

Influenced by the folk aesthetics and history of her surroundings, Norton's work employs music, video, mixed media, and performance as her country - music alter ego Ninnie, in a manner that combines feminist thought with local and vernacular imagery inspired by the cultural traditions of the rural South and specifically of her native Kentucky.