Sentences with phrase «installation photograph from»

Hew Locke Golden Horde (detail) 2006 Installation photograph from Alien Nation exhibition Courtesy of the artist.

In this volume, installation photographs from both locations capture what entropy adds to the project: the unfired clay sculptures disintegrate over time, creating continuously changing landscapes of fragmented, crumbling forms.

Not exact matches

The installation will include all 12 finalist photographs including the winning entry from professional photographer Jim Dunn, with his photograph depicting the construction of the Riverside Museum in Glasgow, near to where he lives.

From the opening section, which finds Harry fending off an attack by Dementors in a storm sewer near his neighborhood and running afoul of wizard rules prohibiting spell - casting in the presence of Muggles, through the installation of a chillingly polite authoritarian named Dolores Umbridge (Imelda Staunton) as Hogwarts» new Defense Against the Dark Arts teacher and future grand inquisitor, to the near - collapse of the wizard world's governing body, the increasingly ossified and timid Ministry of Magic, Phoenix is steeped in a mix of fear and futility confirmed by the movie's visuals, photographed by cinematographer Slawomir Idziak.

From Hannah Wilke's unflinching self - portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal photographs and Kara Walker's antebellum figures, Into Me / Out of Me examines how artists have explored the physical and psychological boundaries of their bodies and those of others creating images of fragility and strength, illness and suffering, tenderness and violence.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Taking its title from Dr. Martin Luther King, Jr.'s final speech before his untimely assassination in 1968, this installation of photographs will reflect on the 50th anniversary of this tumultuous year in American history.

The images, which ranged from recognizable landmarks such as Manhattan's Flatiron Building to mundane street signage or a bundle of electric wiring fixed to a ceiling, were edited down to 450 photographs that are shown through a two - channel video installation projected onto perpendicular walls.

Studio installation view of recent works from the «gorgon» series, photographed while on a residency at the Virginia Center for Creative Arts (VCCA).

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

In P.S. 1's third floor hallway, Jonathan Hartshorn presents the mixed media installation, When Skies Are Grey (2007), which includes drawings and found objects like the artist's family photographs, a map of the United States, an imitation wood clock, and a note from his father.

The first is an installation, with a studio view of the work in progress, photographed from the proverbial dark upward toward the light, and the second is crocheted cotton, handmade paper, inkjet printing, copper wire, beads, and paper embroidery floss sleeves.

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works — from paintings and sculptures to prints, photographs, installations, films, and videos — dating from the Haitian Revolution to the present.

Also making our list of gallery shows to note include installations that question the human condition and photographs from the past that mirror the current political climate and more.

The framework of the project is built from installation photographs of the 1927 show.

The origin of this exhibition comes from two installation photographs of the nineteen works in the Constantin Brancusi exhibition at the Arts Club of Chicago overseen by Duchamp in 1927.

Eschewing ephemeral materials and archival photographs, the show mixes artwork from the 1970s with newly reconceived and recreated installations based on 1970s originals.

This installation also includes some plastic chairs hanging from the ceiling and a large photograph of your family — your husband, two sons and daughter, in what looks like your backyard garden.

«The Chicago Artists Coalition featured an allover installation of palm trees, photographs, and floral wallpaper by Leonard Suryajaya, an artist from Indonesia in its residency program who brought his mother and aunt from home to wrap handmade fruit in the same floral wallpaper.»

«A selection of iconic works using light projection — photographs, films, videos, digital imagery and interactive installations from plasma screens to giant projections — will document the technological innovations that have become part of artistic creation over the past ten years.»

Among the exhibition's highlights are a photographic installation in which Waters explores the auras and absurdities of famous films, their directors, and actors; a suite of photographs and sculpture that use humor to humanize dark moments in history from the Kennedy assassination to 9/11; and Kiddie Flamingos, a 2014 video work of children reading a G - rated version of Pink Flamingos (Waters» notorious 1972 celebration of all things outsider and extreme).

Her installation consists of a slide projection, a wall drawing, a series of photographs and scanned prints from three different archives: IMB, IOWA University and ETS.

The photographs they are contributing to this show are derived from a mixed media installation that takes Sigmund Freud's residence and antiquity collection, which saw different kinds of violences in the aftermath of Freud's exile, as its point of departure.

The collection encompasses works from 1945 to the present, including major holdings of abstract expressionist painting, minimalist sculpture, media and installation works, large - scale and conceptually driven photographs, and an impressive representation of works by emerging artists.

See 45 works of paintings, sculptures, installations, photographs and videos from artists including, Jean - Michel Basquiat, Nick Cave, Robert Colescott, Glenn Ligon, Kerry James Marshall, Wangechi Mutu, Lorna Simpson, Mickalene Thomas, Kara Walker, Carrie Mae Weems, and Kehinde Wiley.

The exhibition includes fifteen collages developed from photographs belonging to the National Spinal Injuries Centre archive at Stoke Mandeville hospital, and a sculptural installation created from two wheelchairs.

What / Why: «A conversation on the Turkish - Armenian border, a performance in a minefield surrounding a refugee camp, a cultivation of flowers brought from Syria to the United States: Fatma Bucak's video performances, photographs, and installations grapple with the poetics, pragmatics, and human consequences of borders.

Lyle Ashton Harris's Once (Now) Again, a site - specific multimedia installation features a three - channel video work comprised of projected images taken from Harris's Ektachrome Archive (photographed 1986 — 2000) as well as three new video works using footage originally recorded on Hi - 8 and MiniDV format in the 1990s.

Photograph of the installation of the Pre-Columbian Gallery at the Dallas Museum of Fine Arts in 1981: gold from the Nora and John Wise Collection.

It includes new works and installations together with a selection of paintings, drawings and photographs spanning her career from 1978 to 2011.

Exhibiting works from both national and international contemporary artists (in parallel to the permanent collection of mainly Leipzig - based artists), G2's NEW ACQUISITIONS includes paintings, works on paper, photographs and installations by Judith Bernstein, Melissa Gordon, Anne Imhof, Jeanette Mundt, Raymond Pettibon, Daniel Steegmann Mangrané, Thomas Ruff and Rirkrit Tiravanija to name just a few.

Photograph from Memory installation, 1971.

The book contains photographs of the installations «Beyond Decorum ``, «Uses of Evidence ``, and «Project Rear ``; several series, including Cover Girls, Uli, and Celluloid; and photographs from his magazine aRUDE.

The exhibition features over eighty works by the New York - based artist, created from 1987 — 2013, including a plethora of sculptural items, modified photographs, various drawings, and two large - scale installations.

Her installation consists of a slide projection, a wall drawing, a series of photographs and scanned prints deriving from three different archives.

Fully illustrated in colour, including previously unseen material from The Henry Moore Foundation archive and specially commissioned photographs of the installation of Moore's works at Hatfield, this book is a fascinating record of an exhibition of one of Britain's most important artists of the twentieth century.

Contessa Gallery to feature David Drebin photographs and light installations at upcoming Art Southhampton from July 25 - 29.

Marking the culmination of a year - long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.

Also on view will be an extension of Lee Materazzi's exhibition, PLaY, which will feature an installation of swings and select photographs from her current exhibition (on view through July 8th).

Comprised of an installation of to - scale drawings of blankets and pillows outlined in steel, a pair of rusting headboards and photographs of objects culled from her home and studio, «Bed Island» had an atmosphere akin to the meditative isolation of a bed.

Other highlights from the exhibition include Rosemary Fishburn - Scott's layered photographs of landsapes on transparent acetate in handmade plexiglass boxes, as well as, Mauricio Saenz's video installations which challenge impossibilities.

The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.

These sculptural installations and mobiles were a springboard for Fromartz to create prints, collages, and photographs, drawing on the colors, forms, fragments, and representations of the objects she had gathered from the streets.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

With its collection of 45,000 works spanning the period from the nineteenth century to the present day and comprising paintings, sculptures, works on paper, installations, videos and photographs, GAM provides its audience with a wealth of events ranging from major exhibitions of Italian and international artists to contemporary research dedicated to young visitors.

Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.

From the outset Bratkov approached the photograph as an installation placed in concrete cubes, printed on fabrics, sealed in jars, etc., thus continuing the conceptual quests of the 1960s artists who experimented with collage and ornamental design.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.