Sentences with phrase «installation photograph showing»

Installation photograph showing Hi!

The only known installation photograph shows how Malevich (who presented 39 entirely abstract paintings) transformed the gallery into a Suprematist space.

Not exact matches

Recent aerial photographs obtained by Teslarati show that Teslaâ $ ™ s installation of its rooftop solar array for Gigafactory 1 outside of Reno, Nevada...

The show spans all visual media including paintings, sculptures, installations, photographs, and film, providing a comprehensive overview of the current state of art across the world.

The haunting installation, which features imitation artifacts, photographs, video and a reproduction of the bar's entrance, was first shown at the Contemporary Arts Center in 2008 during Prospect.1.

The exhibition features paintings, sculptures, installations, photographs and video by the likes of Kerry James Marshall, Jean - Michel Basquiat, Kara Walker, Carrie Mae Weems, Robert Colescott, Glen Ligon, Lorna Simpson and Nina Chanel Abney (shown above).

The images, which ranged from recognizable landmarks such as Manhattan's Flatiron Building to mundane street signage or a bundle of electric wiring fixed to a ceiling, were edited down to 450 photographs that are shown through a two - channel video installation projected onto perpendicular walls.

Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.

Titled Thousand, the show consists of an extraordinary installation of 1,000 of the artist's Polaroid photographs.

«Leonard's photographs, sculptures and installations ask the viewer to reengage with how we see,» stated Elisabeth Sherman, assistant curator at the Whitney, who is organizing the New York installation of the show in close collaboration with the artist.

With more than 200 paintings, sculptures, installations, drawings, photographs, ephemera, and films, the show reveals a scene that was much more diverse than has previously been acknowledged, with women and artists of color playing major roles.

Stan Douglas will present four new photographs relating to his next project, «Win, Place, or Show», a video installation that is concerned with the effects of urban renewal and the influence of television as a socializing agent.

Also making our list of gallery shows to note include installations that question the human condition and photographs from the past that mirror the current political climate and more.

The framework of the project is built from installation photographs of the 1927 show.

Eschewing ephemeral materials and archival photographs, the show mixes artwork from the 1970s with newly reconceived and recreated installations based on 1970s originals.

The show included more than 100 drawings, paintings, video installations, performance works, PowerPoints, Instagram photographs and collages.

The installation shown at Le BAL in December 2013 and January 2014 consists of two sets of photographs and a light installation.

The photographs they are contributing to this show are derived from a mixed media installation that takes Sigmund Freud's residence and antiquity collection, which saw different kinds of violences in the aftermath of Freud's exile, as its point of departure.

On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.

Installation photographs of the rooms within the Betty Parsons Gallery in New York, where Still, Jackson Pollock, Barnett Newman, and Mark Rothko first showed their classic works, suggest these artists were accustomed to having their paintings dominate the viewer's field of vision.

Galerie Thaddaeus Ropac is currently presenting Vice Versa, a solo show of iconic paintings, photographs, installation,...

The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.

In this show Jeroen Robert Kramer evokes the atmosphere of the Middle East in analogue photographs and multimedia installations.

Some of these questions will be answered in two exhibitions this fall: a solo show, Temporality and Objects: Installations & Photographs at Aljira, A Center for Contemporary Art, Newark, and in a group show, Unsayable: Wall Worksat FiveMyles in Brooklyn.

In keeping with that philosophy, on the lineup (other than a show commemorating a gift) is a retrospective next spring of Louise Lawler, a Conceptual artist who photographs installations of other artists» work but is not in any traditional sense a photographer.

The exhibition, which takes its name from the symmetry shown in the late 19th - early 20th - century snowflake photographs by Wilson «Snowflake» Bentley, highlights cross-disciplinary connections in an installation that places objects from across time, cultures, and disciplines in dialogue.

She is a key voice from the first generation of American artists to base their practice in feminist issues, and she has shown her paintings, collages, installations, and photographs worldwide.

The show mostly consists of paintings, though there are a couple of installations like Art of Hanging Pictures (2002), a salon - style wall of photographs and ink - jet prints, and Baobab Ensemble (2003), a loosely arranged seating area, the floor of which is strewn with hundreds of photographs and books.

Exhibition view, Hangar for the Passerby, showing the Open Circle installation, «Melting Pot,» with photographs by Ram Rahman and pages from Rajeev Sethi's unpublished manuscript, «Three Stones.»

The centerpiece of the show is the sculptural installation Unidentified, accompanied by three large - sale photographs.

The show features more than twenty video and film installations, photographs and other selected work of Steve McQueen.

The exhibition introduces American filmmaker Tim Burton as an artist showing drawings, paintings, photographs, sketchbooks, moving - image works and sculptural installations.

Most recently, Yonemoto's solo installations, photographs and sculptures have been featured in major one person shows at the ICC in Tokyo, the ICA in Philadelphia, and the Kemper Museum in Kansas City.

Across a two - year period beginning from 1998, Roni Horn took photographs of her niece Georgia, that are on show in an installation at the Gallery of Modern Art (GoMA) in Glasgow.

Ben Brown Fine Arts is showing seven of Thomas Ruff's large scale Sterne (Stars) photographs in the gallery space as an installation.

Acknowledging its impact, Shape of Light: 100 Years of Photography and Abstract Art will also show installation photographs of MoMA's pioneering show The Sense of Abstraction from 1960.

The show features the US premiere of Isaac Julien's installation Ten Thousand Waves along with films and photographs from the earlier series Paradise Omeros, Baltimore and Vagabondia.

Fondation is shown alongside 258 Fake (2011), an installation of 12 monitors that display a total of 7,677 rapidly changing photographs.

Part of Gallery Weekend, Dittrich & Schlechtriem's Andreas Greiner solo show in Mitte features an exploration of how humans have manipulated nature through genetic engineering, this multidisciplinary exhibition features new photographs, sculptures, and a sound installation in collaboration with Tyler Friedman.

The point is made clearly with the exhibition's elegant scenography, in which works of the 60s from outside the U.S. and Great Britain are installed against huge installation photographs of the original show, inserting the Other into Primary Structures.

Though she has created previous installations and photographs for Metaphor, this exhibition marks her first full scale solo show at the gallery.

The show with the title The Problem Perspective featured key selections and bodies of work, including paintings, sculpture, works on paper, installations, multiples, photographs, posters, announcement cards, books, and music.

As he prepared the show, however, Marshall decided that «multiple fronts were needed to set forth a black aesthetic» and the exhibition then expanded into the museum's two main second floor galleries with paintings, sculpture, photographs, videos, installations, drawings and excerpts from the artist's cartoon series RYTHM MASTR, which originally began as a newspaper comic strip at the 1999 Carnegie International exhibition.

The retrospective shows installations, sculptures, photographs, paintings and drawings by the Mexican artist, created since the early 1990s.

258 Fake (2011) is a twelve - screen installation in which over 7000 photographs taken with smartphones are shown on a loop.

His most recent book — a catalogue of his last big museum show, Lighter, in Berlin in 2008 — collects photographs of the installations he has made over the past 20 years.

Titled «Bernhard Willhelm 3000: When Fashion Shows The Danger Then Fashion Is The Danger», the site specific installation features, apart from the brand's signature unisex clothes, a series of video projections, photographs, sculptures, vigne...