Sentences with phrase «installation photographs document»
Installation photographs document exhibitions that featured Balcomb Greene, the couple, and Gertrude Greene.
https://www.aaa.si.edu/ Not exact matches
The two - page document, marked «Top Secret,» mentions a draft decision paper that focuses on the «relative merits of retaining [deleted in document] as a high - priority secret national security installation versus the merits of the NASA belief that there would be domestic and foreign problems created by withholding the photograph.»
Installation artist Miranda Fall follows, photographs and documents the lives of strangers to create her art.
In the basement, a sculptural installation by Marc Andre Robinson weaves together formalism with black cultural history, while another, «Lorraine O'Grady: Art Is...» offers a fantastic exhibition of photographs documenting Ms. Grady's performance piece during the 1983 African - American Day Parade, in which she skillfully weaves together art, activism and participation.
Photographs documenting this exhibition include eighteen gallery installation views and one view of the installation in progress.
«A selection of iconic works using light projection — photographs, films, videos, digital imagery and interactive installations from plasma screens to giant projections — will document the technological innovations that have become part of artistic creation over the past ten years.»
He additionally stages work outside the gallery context, which is performed to be documented and later exhibited as video installations and photographs.
Photographs documenting this exhibition include eight gallery installation views and three views of people in the exhibition.
This exhibition presents this history with an installation of archival documents, photographs, video and a newly - published issue of High Performance.
Photographs documenting this installation include twenty - one views of artworks installed in galleries on the museum's second floor, third floor and Decorative Arts Wing.
Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.
Up to that point, most of what had been seen of Roy's work in Milwaukee were the photographs documenting outdoor installations in other locations.
Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.
Tate will present Oracle and other technology - based installations alongside archival photographs and documents from Experiments in Art and Technology (E.A.T.), an organization founded in 1966 by Rauschenberg, artist Robert Whitman, and engineers Billy Klüver and Fred Waldhauer that sought to make technology accessible to artists by facilitating collaborations with engineers.
Her untitled video installation projects photographs of the people and environs of Gulfport and Biloxi, Miss., documenting what she saw while aiding medical professionals responding to Hurricane Katrina.
Photographs documenting this exhibition include thirty - four gallery installation views and one view of people in the exhibition.
The installation of models, drawings, and photographs along with faculty and student statements, documented work from 1964 to 1971.
Conceived by the artist himself, the installation incorporates never - before - exhibited photographs from Hammons» personal collection documenting key works and performances throughout his career.
Photographs documenting this exhibition include six gallery installation views.
Photographs documenting this exhibition include forty - eight gallery installation views, and two views of a gallery talk in the exhibition.
Photographs documenting this exhibition include four gallery installation views.
Photographs documenting this exhibition include one gallery installation view.
Photographs documenting this exhibition include seventeen gallery installation views.
They Come to Us without a Word documents Joan Jonas» (born 1936) project for the US Pavilion of the 56th Venice Biennale, an installation that incorporates multiple components, including projected videos (with music by Jason Moran), drawings and photographs.
In photographs, sculptures, installations, and films, Goldsworthy documents his explorations of the effects of time, the relationship between humans and their natural surroundings, and the beauty in loss and regeneration.
Photographs documenting this exhibition include twenty - two gallery installation views.
Photographs documenting this exhibition include seven gallery installation views.
Michael Stevenson, Signs and Wonders, Installation view, Kunsthal Charlottenborg, Copenhagen, 2015, zink chromate conversion coating on steel, aluminium, stretch fabric, screen printed aviation fabric, airline blankets, books, documents, HD video, dimensions variable, photograph Anders Sune Berg
Photographs documenting this exhibition include fifty - six gallery installation views.
Photographs documenting this exhibition include three gallery installation views and three views of people in the exhibition.
Photographs documenting this exhibition include fourteen gallery installation views and ten views of people in the exhibition.
Photographs documenting this exhibition include eight gallery installation views.
Photographs documenting this exhibition include eight gallery installation views and one view of people in the exhibition.
Photographs documenting this exhibition include forty gallery installation views.
Photographs documenting this exhibition include twenty - six gallery installation and museum shop views.
Photographs documenting this installation include twenty - one views of European artworks installed in galleries on the museum's second floor.
Photographs documenting this exhibition include three gallery installation views.
Photographs documenting this exhibition include thirty - eight gallery installation views.
Photographs documenting this installation include sixteen views of artworks installed in galleries on the museum's third floor.
The installation activated the Project Space at Blue Star as a history museum, community center, and classroom by employing a collaborative approach that brings forward diverse and complex histories through photographs, maps, art objects, personal stories, and political documents.
Photographs documenting this exhibition include thirteen gallery installation views.
The eight - two photographs in this collection document gallery installations when the museum was located in Fair Park, Dallas.
Photographs documenting this exhibition include thirty - one gallery installation views.
Photographs documenting this installation include thirty - six views of artworks installed in galleries on the museum's second and third floor.
Notable works include Technological Reliquaries (1964 - 67), a series of wax sculptures of human body parts, and The Tomb, a bright pink pyramid installation or «environment», which was badly damaged in 1981 but is documented in Edwin Klein's black and white photographs.
Photographs documenting this exhibition include eleven gallery installation views.
Photographs documenting this exhibition include eighteen gallery installation views.
A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz.
Photographs documenting this exhibition include thirty - five gallery installation views, ten views of adult tours of the exhibition, seven views of people in museum store one view of the line for exhibition tickets.
Photographs documenting this exhibition include forty - eight gallery installation views and three views of related education programming.