Sentences with phrase «installation shots courtesy»

This and all installation shots courtesy of the museum

Installation shots courtesy of Nigel Green.

Not exact matches

Installation shot of «Half Human», featuring works by (from left to right) Stephanie Hightower, Pat Lay, Laura Dodson and Artemis Alcalay; photo courtesy Nikos Seferiadis

Image: Ben Woodeson, «A Little Slice Of Loneliness» (far left), installation shot, 2015 photo courtesy of Berloni Gallery © 2015.

Courtesy of the artist, Mitchell - Innes & Nash, New York, and Klemm's; Peles Empire, installation shot, 2016.

Installation shot of Jason Rhoades's «PeaRoeFoam» at David Zwirner (Image courtesy of David Zwirner Gallery)

A solo exhibition of new works by David Shrigley titled COLOURED WORKS ON PAPER is currently on show at Copenhagen's Galleri Nicolai Wallner (installation shot shown here courtesy of the gallery).

Installation shot of «Metamorphosis: Titian 2012» at the National Gallery © Conrad Shawcross, courtesy the artist and Victoria Miro Gallery, London.

Installation shot of the work «Muhamed (2016) in» Béla Tarr - Till the End of the World «by EYE Film Museum © Studio Hans Wilschut, courtesy Béla Tarr

Installation shot Foreground right: Stanley Kubrick, Korova Milkbar, 1971/2007 Replica, designed by Liz Moore Mixed material, 210 x 80 x 80 cm Foreground left: John Miller, A Mutually Beneficial Encounter, 2003 Advertising pillar, poster, text on floor, 230 x 300 x 300 cm Courtesy of Hans Wiedauer Centre: Elmgreen & Dragset, Queer Bar, Powerless Structures, 1998 Taps, stools, footrest, wood, 300 x 300 x 120 cm Courtesy of Collection Haubrock, Berlin Background left: Marcel Duchamp, Bicycle Wheel, 1913/2007 Replica, metal and wood, 129.5 x 63.5 x 41.9 cm Background right: Rinse Dream, Café Flesh, 1982 DVD, 80 minutes Background center: Nancy & Edward Kienholz, The Bronze Pinball Machine With Woman Affixed Also, 1980 Pinball machine, bronze, 190 x 100 x 200 cm, courtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and WitteCourtesy of Hans Wiedauer Centre: Elmgreen & Dragset, Queer Bar, Powerless Structures, 1998 Taps, stools, footrest, wood, 300 x 300 x 120 cm Courtesy of Collection Haubrock, Berlin Background left: Marcel Duchamp, Bicycle Wheel, 1913/2007 Replica, metal and wood, 129.5 x 63.5 x 41.9 cm Background right: Rinse Dream, Café Flesh, 1982 DVD, 80 minutes Background center: Nancy & Edward Kienholz, The Bronze Pinball Machine With Woman Affixed Also, 1980 Pinball machine, bronze, 190 x 100 x 200 cm, courtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and WitteCourtesy of Collection Haubrock, Berlin Background left: Marcel Duchamp, Bicycle Wheel, 1913/2007 Replica, metal and wood, 129.5 x 63.5 x 41.9 cm Background right: Rinse Dream, Café Flesh, 1982 DVD, 80 minutes Background center: Nancy & Edward Kienholz, The Bronze Pinball Machine With Woman Affixed Also, 1980 Pinball machine, bronze, 190 x 100 x 200 cm, courtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and Wittecourtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and Witte de With

Installation shot Erik Visser, Tongues in Cheek, 2007 Wall drawing, dimensions variable Courtesy of the artist © Bob Goedewaagen and Witte de With

Installation shots: © Dieter Roth Estate, courtesy Hauser & Wirth, photos: Bjarni Grímsson; Hauser & Wirth saloon: Diane Solway

Installation shot from Third Streaming, NYC, courtesy of the artist

Installation shot shows: «The Hand», 2012, Traditional casting wax and flock base artwork, Courtesy the artist and Maureen Paley, London AND «Me as Arbus», 2008, Bromide afdruk Bromide print, Collectie De Hallen, Courtesy the artist and Maureen Paley, L

Jacqueline Kiyomi Gordon, It Only Happens All of the Time and Love Seat, 2014 (Installation shot) Images courtesy Phocasso / J.

Featured images: Installation Shot, Mauvaises Herbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, 2017, Simon Lee Gallery, Hong Kong, Courtesy: The Artists and Simon Lee Gallery Hong Kong.

Installation shot, Jeff Wall, courtesy of Gert Jan van Rooij.

Installation Shot, Agathe Snow, All Access World, 2011, Courtesy of Deutsche Guggenheim, Photo: Mathias Schormann

Installation shots: Martine Syms, Vertical Elevated Oblique, September 17 - November 1, 2015, photograph by Marc Brems Tatti, copyright Martine Syms, courtesy of Bridget Donahue, New York.