Sentences with phrase «installation view of area»
Installation view of Area 919, featuring a sculpture on the right by Casey Cook, a mixed - media work inside the entrance by Lincoln Hancock with Yuxtapongo, Exploded Hipster.
https://nasher.duke.edu/
Installation view of Area 919, featuring a sculpture on the right by Casey Cook, a mixed - media work on the left by Lincoln Hancock with Yuxtapongo, Exploded Hipster, and a large - format photograh in the background by Jeff Whetstone.
Installation view of Area 919, featuring a sculpture in the foreground by Jeff Bell, Nautilus and photographs in the background by Harrison Haynes.
Installation view of Area 919 exhibition, featuring a sculpture (right) by André Leon Gray, What Does Revolution Sound Like?
Not exact matches
The installation of a permanent 20» x 40» shade structure is a new addition to the brick patio viewing area.
Installation view of Sharon Lockhart: Lunch Break, San Francisco Museum of Modern Art, October 15, 2011 — January 16, 2012, showing entrance to the film screening gallery (left), the neighboring gallery with a series of lunch - related photographs, and a pile of Lunch Break Times — Bay Area Edition, the 24 - page tabloid newspaper Lockhart produced in San Francisco for this show.
Installation view of Angie Keefer, Area Variance, 2014, 248 — 250 Columbia Street, Hudson, New York, auto - body paint, Duraflex print (30 × 40 inches), gilded frame, and attenuated spotlight, dimensions variable.
Ortman is one of those artists who developed a point of view based on an abstract idea of painting that others would gradually take beyond the formal limits of painting and into other areas of sculpture, performance, or installation.
Maider López 2007 — 2009 Installation view at Sharjah Arts Area Commissioned by Sharjah Art Foundation Photo by Alfredo Rubio Originally developed as part of a Sharjah Residency project in 2007, this public art work was recreated for Sharjah Biennial 9 in 2009.
Also on view in the Arts Area, Basel Abbas and Ruanne Abou - Rahme's mixed - media installation, The Incidental Insurgents at Bait Al Serkal and Mark Bradford's Untitled (Buoy) on the façade of Bait Obaid Al Shamsi.
The entrance to the gallery and to the seating area for watching the film are highly mediated, making the act of viewing and our physical trajectory through the space central to the experience of the installation.