Sentences with phrase «installation view of public»

Installation view of Public Works: Artists» Interventions 1970s — Now.
Installation view of Public Jewel, 2015 GSA commission Byron Rogers Federal Building and U.S. Courthouse Plaza, Denver Photo: Jeff Wells
Installation view of Public Art Fund Projects in Central Park: A Collaboration with the Whitney Biennial, March 10 — May 30, 2004 The Andrew Haswell Green Memorial, New York

Not exact matches

Entitled Remembrance: A National School Assembly, this unique learning experience will include a close - up view of the wonderful poppy installation which has captured the public's imagination, as well as plenty of opportunities to reflect on the meaning of Remembrance 100 years on from the start of the First World War.
Visitors can now revisit — or view for the first time — this once - in - a-lifetime installation of art in the historic military sites of Fort Scott, most open for the first time to the public.
On Wednesday, July 31, the Golden Gate National Parks Conservancy will showcase its proposal for the Presidio Exchange (PX)-- an open - platform cultural center in this world - class location that will maintain the prime views of the Golden Gate Bridge, forge a new pedestrian link between the Presidio Main Post and the waterfront, and engage the public in a dynamic and ever - evolving series of public programs — from art installations to «hackathons», film festivals to green - tech expositions, dance performances to history lectures.
2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT
The exhibition, showcasing Secondary Stories as well as three video installation works, opens at SPACE, the public gallery of the Linda Pace Foundation, located at 111 Camp Street, on April 30, 2016 and will remain on view through July 29, 2017.
The installation's group of anthropomorphic forms alludes to the type of gatherings that have taken place in various public spaces across the world in recent times, demonstrations of clashing values about political views and social space and other politicized issues.
She also curated inHarlem, a series of site - specific public art installations in Harlem parks by Kevin Beasley, Simone Leigh, Kori Newkirk and Rudy Shepherd, on view through July 25, 2017.
These mostly took the form and process of group exhibitions — complete with installation and curating of works, a private view, press release, documentation and all the rest of the ephemera that surround the public manifestation of art.
Sean Kelly is delighted to announce that Antony Gormley's latest site - specific permanent public installation, Chord, will be on view at the Massachusetts Institute of Technology in Building 2 — which houses the Department of Mathematics and sections of the Department of Chemistry — as of Saturday, April 23.
Installation view of A Little Bird Told Me in Everyday Eden, Metro Tech Public Art Fund, Brooklyn, 2007 - 2008.
Please note: the ICP Museum is closed through Tuesday, May 22 due to the installation of Henri Cartier - Bresson: The Decisive Moment, Elliott Erwitt: Pittsburgh 1950, Multiply, Identify, Her, and RFK Funeral Train: The People's View, which will open to the public on Wednesday, May 23.
After being off view for more than five years, the Virginia Museum of Fine Art's Classical Art gallery has reopened to the public in an expanded space with an all - new installation
Viewed from afar, Eternity Now provided a solid anchor to the whirly world of sculpture and installation of all shapes, sizes and types selected for Art Basel's Public Sector.
Installation view January 8 — February 6, 2010 Primary Atmospheres: Works from California 1960 - 1970 will present to the New York public a long - overdue survey of the particular kind of minimal work that was made in and around Los Angeles, work which differentiated itself in its emphasis on surface, synthetic materials, industrial processes, and perception.
On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.
He has recently created large scale public installations, including Broken Bridge II, commissioned by High Line Art and presented by Friends of the High Line, on view on a wall next to the High Line from (2012 - 2013), and Tsiatsia — Searching for Connection, which was installed on the façade of the Royal Academy of Arts in London in summer (2013).
The Back Door is presented concurrently with Public Art Fund's installation of a new large - scale work by Creed, on view May 4 to October 23, 2016, at Brooklyn Bridge Park's Pier 6.
After the Miami art fair closes, a selection of installations will remain on view in Collins Park through February 1, 2016 as part of «tc: temporary contemporary», a city - wide temporary public art program presented by the Bass Museum of Art in partnership with the City of Miami Beach.
The House with the Ocean View is a public living installation: for the first twelve days of the exhibition Abramovic will fast following a strictly defined regimen in three specially constructed living units in the main gallery space.
On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).
The exhibition is comprised of a major new performance The House with the Ocean View which the artist describes as the most important one of her career to date, Dream Bed - a sculpture the public can use and Stromboli - a new video installation.
Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th - century French paintings returned to public view in a freshly conceived installation design.
The free weekend event and artist - run initiative brings together the art world private view into the public space with a series of screenings, live performances and installations from the likes of Larry Achiampong, Cory Arcangel, Benedict Drew, Joey Holder, Hannah Black, and Rachel Maclean, among others.
Public Collectors, «Malachi Ritscher,» 2014, Installation view (detail), Whitney Museum of American Art.
This work is intimate in a way that is often absent when viewing her public installations, and gives viewers deeper insight into the gestural layers of her practice.
Installation view of «Urs Fischer: The Public & the Private» at the Legion of Honor.
GCC My Vision 2017 Digital video Installation view of Commerical Break presented by Public Art Fund at Barclays Center's «Oculus,» New York, 2017 Photo: Jason Wyche
The artist's recent projects and commissions include a large - scale outdoor public art commission for the Seattle Art Museum's Olympic Sculpture Park, where her work — Seattle Cloud Cover ‖ allows visitors to walk through a covered skyway while viewing the city's skyline through tiny holes in multicolored glass; — Blind Blue Landscape ‖, a site - specific commission for the renowned Benesse Art Site in Naoshima, Japan, completed in September 2009; and — Stacked Waters ‖, a site - specific installation created for the cavernous entrance of the Blanton Museum of Art, January 2009.
In celebration of the opening of Sightings: Eva Rothschild, the Nasher Sculpture Center presents a special Art «til Midnight at the Nasher featuring the first public opportunity to view the new installation, as well as two back - to - back concerts in the Garden featuring Bravo, Max!
With Center support, Temple Contemporary commissioned Osorio to create reFORM, an immersive installation and discussion space responding to the 2013 closing of two dozen Philadelphia public schools, on view through May 2016.
Featuring some 40 paintings, etchings, and drawings drawn from major public and private collections in Europe, the installation marks the first time in decades that many of these works have been on view in the US.
The icons are dispersed throughout various public and private collections, including the Dia Art Foundation, the Judd Foundation (Donald Judd was one of the artist's closest friends), and the National Gallery of Canada, but since April five of the eight have been on view at the Dan Flavin Art Institute in Bridgehampton, a former firehouse and Baptist church renovated under Flavin's direction in the early 1980s and housing a permanent installation of his fluorescent light - tube sculptures.
PRESS RELEASE VIDEO INSTALLATION A FORUM FOR PUBLIC PROTEST Artculture Resource Centre, Art Metropole, The Funnel, Mercer Union, Music Gallery, YYZ, Impulse Magazine, Lacemakers Gallery, Video Inn, the Western Front and other organizations and individuals are pleased to announce their co-sponsorship for the world premiere exhibition of CONFUSED: PART II, THE INSTALLATION «SEXUAL VIEWS» by -LSB-...]
Siltbreeze / Image Scavengers (1982) in ICA@50: Pleasing Artists and Publics Since 1963, installation view, Institute of Contemporary Art.
Vishal Jugdeo, An Education in the Logic of the Leaves in ICA@50: Pleasing Artists and Publics Since 1963, 2014, installation view, Institute of Contemporary Art, University of Pennsylvania.
This exhibition gathers more than 80 of those images into a single - room installation: scholars, artists, musicians, thinkers, photographers and even the artist's dad, a printer — collectively calling into question the general public's (not to mention our president's) stereotyped view of Mexican - American men.
Installed as part of Public Art Fund's 40th Anniversary celebrations, this is the first time the iconic installation will be on view in North America
Morgan Fisher: Scratched Aspect Ratio Pieces / Hollis Frampton: Recollections, Recreations (1986) in ICA@50: Pleasing Artists and Publics Since 1963, installation view, Institute of Contemporary Art.
His work is in the permanent collections of such public institutions as the Museum of Modern Art, NY and the Hammer Museum, Los Angeles where his large - scale outdoor installation, Demon Hill, 2010, is currently on view.
Carlos Cruz - Diez, Installation view of Labyrinth for a Public Place, Paris, 1969.
The majority of the works in the exhibition will be created specifically for this project or will be on public view for the first time; and many are site - specific installations.
The Contemporary Austin and Waller Creek Conservancy announce an upcoming two - part outdoor exhibition of large - scale installations by Chinese artist and political activist Ai Weiwei, to go on view to the public beginning June 3, 2017, as part of The Contemporary Austin's partnership with Waller...
It offers a retrospective view of the artist's work through her slide projections, photographs, video installations and documentation of works in public space.
In a site - specific installation, currently on view at Metro Pictures, David Maljković is concerned with the perception of his art in the public view.
NEW CANAAN, Conn. (April 29, 2016)-- The Glass House is pleased to present Yayoi Kusama: Narcissus Garden, a landscape installation that will be on view throughout the 2016 tour season to celebrate the 110th anniversary of Philip Johnson's birth and the 10th anniversary of the opening of the Glass House site to the public.
A colorful 108 foot - long wall painting extending the length of the West Barn hallway, Milhazes» piece joins other public art installations at Grace Farms by Thomas Demand, Teresita Fernández, Olafur Eliasson, and Susan Philipsz, all of which are freely available for viewing during public hours.
Maider López 2007 — 2009 Installation view at Sharjah Arts Area Commissioned by Sharjah Art Foundation Photo by Alfredo Rubio Originally developed as part of a Sharjah Residency project in 2007, this public art work was recreated for Sharjah Biennial 9 in 2009.
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