When Season Two kicks off (with the first episode the last episode
of the second disc in a bit
of what I like to call «bad planning») with a cameo from everybody's favourite dead franchise hero
Daredevil, it's apparent that whatever Korean sweat shop was extruding the templates for the first thirteen episodes had been cashed in for a somewhat superior Korean sweat shop priding themselves on animating something like 12 frames / second
instead of an appalling four.
Netflix has a pretty solid history with original content — House
of Cards and Orange is the New Black, a Marvel deal that started with Daredevil and continues later this month with Jessica Jones, and the Idris Elba - starring Beasts Of No Nation have all been huge hits — but it's actually making its latest production Okja, Snowpiercer director Bong Joon - Ho's latest film, itself instead of acquiring i
of Cards and Orange is the New Black, a Marvel deal that started with
Daredevil and continues later this month with Jessica Jones, and the Idris Elba - starring Beasts
Of No Nation have all been huge hits — but it's actually making its latest production Okja, Snowpiercer director Bong Joon - Ho's latest film, itself instead of acquiring i
Of No Nation have all been huge hits — but it's actually making its latest production Okja, Snowpiercer director Bong Joon - Ho's latest film, itself
instead of acquiring i
of acquiring it.