Sentences with phrase «institution traveling exhibition»

Not exact matches

The exhibition will travel to Baylor, Duke, and Yale Universities, Gordon College and other institutions around the globe.

More recently, her artwork has been exhibited at major institutions and exhibitions worldwide including the Gwangju Biennale, South Korea (2016); a traveling career retrospective at the Solomon R. Guggenheim Museum, New York, NY (2015) and at the Fundação Serralves — Museu de Arte Contemporânea, Porto, Portugal (2014); the Vienna Biennial (2015); Guggenheim Abu Dhabi, UAE (2014); Prospect 3, New Orleans, LA (2014); Sharjah Biennial 11, UAE (2013); WIELS Contemporary Art Centre, Brussels, Belgium (2013); Haus der Kunst, Munich, Germany (2010); the 6th Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2010); and the 29th Bienal de São Paulo, Brazil (2009).

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).

He also helmed the 2014 traveling exhibition that was rebuked by some participating artists (who asked to have their work removed) after it was, unbeknownst to them, touring through Israel, making a stop at Haifa's Tenchnion, an institution with ties to the Israeli military and the country's defense technology development.

A year - round schedule of temporary exhibitions enhances the guest experience of the Museum's permanent collection by providing opportunities to enjoy traveling exhibitions from other institutions, or special presentations of artworks from our own and other museum collections, organized by Crystal Bridges.

Now the museum's commitment to hosting traveling exhibitions from other institutions to refresh its own program is becoming clearer.

Kruger has been the subject of solo exhibitions at several institutions including the Museum of Contemporary Art, Los Angeles (1999), which traveled to the Whitney Museum of American Art, New York, the Institute of Contemporary Arts, London (1983), and the Moderna Museet, Stockholm (2008).

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide.

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

On «L'Europe des Artistes»: The project «L'Europe des Artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

MOCA creates original exhibitions and borrows traveling exhibitions from other institutions.

Since 1992, CCS Bard has presented more than 50 museum exhibitions in the CCS Bard Galleries, many of which have traveled to institutions around the world.

The exhibition is the first part of an extensive and evolving exhibition series that will travel on to other European art institutions.

The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

She was a visionary curator who spearheaded the 2005 realization of Robert Smithson's Floating Island to Travel Around Manhattan Island (Smithson's drawing and related documentation are in the exhibition) and founded the public art presenting institution, Minetta Brook.

The master copy of each acquired work will travel between member institutions for public exhibitions and screenings, and each organization will retain a copy of the work to support research and teaching.

Exhibitions of Serra's drawings have been held at museums and institutions internationally, including «Richard Serra: tekeningen = drawings: 1971 - 1977,» Stedelijk Museum, Amsterdam (1977); «Richard Serra: Drawings / Zeichnungen, 1969 - 1990,» Bonnefantenmuseum, Maastricht (1990); «Richard Serra: Drawings,» Serpentine Gallery, London (1992); «Richard Serra, Drawings: Work Comes Out of Work,» Kunsthaus Bregenz, Austria (2008); «Richard Serra Drawing: A Retrospective,» The Metropolitan Museum of Art, New York (2011, travelled to the San Francisco Museum of Modern Art, CA; and The Menil Collection, Houston); «Richard Serra: Drawings for The Courtauld,» The Courtauld Gallery, London (2013); and «Richard Serra: Drawings 2015 — 2017,» Museum Boijmans Van Beuningen, Rotterdam (2017).

We received development grants in 1997 from the Council for the Arts at MIT and the Lyman Allyn Art Museum in New London, CT to produce a body of work and publish a catalogue for an exhibition that subsequently traveled to eight institutions and museums.

Recent survey exhibitions include Infinite Obsession, 2013 - 2015, which was seen by over two million people during its two - year tour in South America; A Dream I Dreamed and Eternity of Eternal Eternity which travelled to institutions across Asia from 2013 - 2015 and 2012 - 2014, respectively.

In 2016, Soth's Gathered Leaves, an exhibition bringing together his four signature series — Sleeping by the Mississippi, Niagara, Broken Manual, and Songbook, traveled to a number of institutions, including The Finnish Museum of Photography in Helsinki.

«Black Block» Is Newest Brooklyn Buy — So taken is the Brooklyn Museum with their current exhibition of large - scale sculptures by Ghanaian artist El Anatsui, that the institution has decided to purchase «Black Block,» an unusually monochromatic wall hanging comprised of everyday materials, which is currently on display in the institutions's current show, «Gravity and Grace: Monumental Works by El Anatsui» and will be traveling to museums in Des Moines, Miami Beach San Diego once the exhibition ends in August.

She has had travelling solo exhibitions, exhibited in international institutions such the Smithsonian National Museum, and in art fairs such as Art15 London and the FNB Joburg art fair.

Amy Sillman Is New York - based artist Amy Sillman whose major 2014 solo exhibition «One lump or two» travelled from Institute of Contemporary Art, Boston to Aspen Art Museum, Colorado and the Center for Curatorial Studies at Bard College, New York and whose works are held in the public collections of many prominent US institutions.

Sillman's work has been the subject of numerous solo exhibitions at institutions including: Albright Knox Art Gallery, Buffalo, New York; Drawing Center, New York; Portikus, Frankfurt am Main, Germany; Kunsthaus Bregenz, Austria; and The Hirshhorn Museum and Sculpture Garden, Washington, D.C. Beginning at the Institute of Contemporary Art, Boston in 2014, Sillman's solo exhibition, «one lump or two,» traveled to the Aspen Art Museum in Colorado and the Center for Curatorial Studies at Bard College, New York.

His work has been the subject of major retrospectives and traveling solo exhibitions at institutions including the Gemeentemuseum Den Haag, The Hague, which traveled to the New Burlington Galleries, London (1954); Kunsthalle Bern, Switzerland (1964); the Royal Academy of the Arts, London, which traveled to the Musée National d'art Moderne, Paris, and the Rotonda della Besana, Milan (1970); the Hermitage Museum, Saint Petersburg, which traveled to the Kharkiv Art Museum, Kharkiv, Ukraine (1973); the San Francisco Museum of Art, which traveled to the Solomon R. Guggenheim Museum, New York, and the Des Moines Art Center, Iowa (1981); the Museum of Modern Art, Kamakura, which traveled to the Fukuyama Museum of Art, and the National Museum of Modern Art, Kyoto, all in Japan (1989); the Musée Maillol, Paris, which traveled to Museu de Arte de São Paulo, Brazil (1997); the Museo Thyssen - Bornemisza, Madrid, which traveled to IVAM - Institut Valencià d'Art Modern, Valencia (1999); Tate Modern, London, which traveled to the Musée d'Art Moderne de la Ville de Paris (2001 - 02); the Metropolitan Museum of Art, New York, which traveled to the Museo d'Arte Moderna di Bologna, Italy (2008); the Museo d'Arte Città di Lugano, Switzerland (2012); and most recently, the BOZAR - Palais des Beaux - Arts, Brussels (2013).

The Rubells were early collectors of, and advocates for, African and African - American art, and Puma cosponsored «30 Americans,» a group show of African - American artists that opened at the Rubell Collection in December 2008; one of the longest - running traveling exhibitions in American history, it has since appeared at 10 institutions.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball event at The Joule Hotel.

Through a regular program of exhibitions, publications, loans, traveling exhibitions, special projects and exchange programs, the Belkin Art Gallery participates in the national and international community of institutions concerned with contemporary art.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball at The Joule Hotel.

Organized by Allegra Pesenti, curator of the Grunwald Center for the Graphic Arts at the Hammer Museum, the exhibition will open Jan. 31 at the Westwood institution and travel to the Nasher Sculpture Center in Dallas and the Tate Britain in London.

2016 and 2017 marked several major museum exhibitions for the gallery's artists, including Tommy Hartung at the Hammer Museum and the Rose Museum, John Houck at Dallas Contemporary and in MoMA's New Photography exhibition, JJ PEET at the Contemporary Austin, Texas, and a major retrospective of Rochelle Feinstein, organized by On Stellar Rays, that is traveling to four institutions.

It's a re-creation of a landmark exhibition with a longer title, «New Topographics: Photographs of a Man - Altered Landscape,» organized in 1975 by the George Eastman House International Museum of Photography & Film in Rochester, N.Y. Eastman House and the Center for Creative Photography have co-organized a new version of the show, currently on view in Rochester and scheduled to travel to the San Francisco Museum of Modern Art and five European institutions after its stop in Los Angeles.

Among the NAP artists on view are Radcliffe Bailey at Jack Shianman Gallery in New York City (the mid-career, Atlanta - based artist's work was the focus of a stellar museum exhibition that traveled to various institutions in 2011 and 2012); John Sparagana at Corbett vs. Dempsey in Chicago; Astrid Bowlby at Gallery Joe in Philadelphia; and in Los Angeles, 2010 NAP Artist of the Year, Annie Lapin, and Matthew Penkala, at Honor Fraser and Western Project, respectively.

Since the 1970s, Eggleston's work has been the subject of solo exhibitions at prominent institutions worldwide, beginning with his groundbreaking 1976 show at The Museum of Modern Art, New York (traveled to Seattle Art Museum; Santa Barbara Museum of Art; Fredrick Wright Art Galleries, University of California at Los Angeles; Reed College, Portland, Oregon; and University of Maryland Art Gallery, College Park).

Since the 1970s, Eggleston's work has been the subject of solo exhibitions at prominent institutions worldwide, beginning with his above - mentioned 1976 show at The Museum of Modern Art, New York (traveled to Seattle Art Museum; Santa Barbara Museum of Art; Fredrick Wright Art Galleries, University of California at Los Angeles; Reed College, Portland, Oregon; and University of Maryland Art Gallery, College Park).

That same year, the museum's nationally influential traveling exhibition, Bearing Witness: Contemporary Works by African American Women Artists, inspired the staff to define its mission: The Spelman College Museum of Fine Art is the only institution in the nation that specifically highlights artwork by and about women of the African Diaspora.

One of the first 16 institutions accredited by the American Association of Museums in 1971, the FAC offers the best in the world of visual arts via its permanent collection and travelling exhibitions, performing arts through the FAC Theatre Company, and arts education with the Bemis School of Art.

Featuring loans from the former collection of the German industrialists Peter and Irene Ludwig borrowed from six different institutions, Rosenquist's work is presented in the exhibition Ludwig Goes Pop that opens at the Museum Ludwig in Cologne in October, and travels to Museum Moderner Kunst Stiftung Ludwig Wien in Vienna, Austria, in 2015.

Over the course of Roglán's tenure, the Meadows has mounted numerous exhibitions presenting works that rarely travel to the U.S., partnering with major Spanish institutions including the National Archaeological Museum of Spain, Patrimonio Nacional, and the Thyssen - Bornemisza Museum in Madrid.

His work has since been the subject of exhibitions at prestigious institutions throughout North America, Mexico and Europe, including Kenneth Noland at the Jewish Museum, New York (1965); Kenneth Noland: A Retrospective at the Solomon R. Guggenheim, New York, which travelled to the Hirshhorn Museum and Sculpture Garden, the Corcoran Gallery of Art, Washington, D.C., the Toledo Museum of Art, and the Denver Art Museum (1977 - 1978); Kenneth Noland at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (1980); Kenneth Noland: Winds, Painted Monotypes at Museum de Arte Moderno, Mexico City (1983); Kenneth Noland: Pinturas, Monotipos at Museo de Bellas Artes de Bilbao, Spain (1985); Kenneth Noland: The Circle Paintings 1956 - 1963 (1993) and Kenneth Noland: The Nature of Color (2004) at the Museum of Fine Arts, Houston; and Tate08 Series: Kenneth Noland: The Stripe Paintings at Tate Liverpool, UK (2006).

Major solo exhibitions of her work have been presented by institutions including the Institute of Contemporary Arts, London in 2015; Museum der Moderne Salzburg, Austria in 2014 (traveled to Museum für Moderne Kunst (MMK 1), Frankfurt in 2015); The Museum of Modern Art, New York in 2013 (traveled to the Museum of Contemporary Art Chicago; Dallas Museum of Art, both in 2014); Whitechapel Gallery, London in 2009 (traveled to Museum Ludwig, Cologne); Museum Abteiberg, Mönchengladbach, Germany in 2002 (traveled to Kunsthalle Zürich in 2003); The Renaissance Society at the University of Chicago in 1992 (traveled to Portikus, Frankfurt; Palais des Beaux - Arts, Brussels; Städtisches Galerie im Lenbachhaus, Munich, both in 1993); and Rheinisches Landesmuseum, Bonn, Germany in 1988 (traveled to Kunstmuseum Winterthur, Switzerland; Museum Boijmans Van Beuningen, Rotterdam, both in 1989).

Over the years many international institutions have put on solo and retrospective exhibitions of his work: Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (1979); Musée d'Art Contemporain, Bordeaux, ARC / Musée d'Art Moderne de la Ville de Paris, Paris (1984); The Art Institute of Chicago, Philadelphia Museum of Art, Philadelphia, MOCA, Los Angeles, and MoMA, New York (1987); Neue Nationalgalerie, Berlin (1991); Museo Nacional Centro de Arte Reina Sofía, Madrid, The Metropolitan Museum of Art, New York (1998); Galleria d'Arte Moderna, Bologna (1999); Musée d'Art Contemporain de Montréal, Canada, The Hirshhorn Museum and Sculpture Garden, Washington D.C. and the San Francisco Museum of Modern Art (travelling exhibition, 2005 - 2007); Guggenheim Museum, Bilbao, Musée du Louvre, Paris (2007); Royal Academy of Arts, London (2014).

In 2017, his work was included in numerous group exhibitions, including Solidary and Solitary: The Joyner / Giuffrida Collection which will travel to institutions such as the Baltimore Museum of Art, Berkeley Art Museum and Pacific Film Archive at University of California, Nasher Museum of Art at Duke University, and the Perez Art Museum Miami.

Though a retrospective (the artist's first in the US), this show promises the same salon - style installation: Tillmans will arrange some three hundred videos, installations, and photographs — from late -»80s and»90s still lifes and portraits to recent light - effect abstractions — according to aesthetic groupings that will change at each institution to which the exhibition travels.

The exhibitions were an invaluable stimulant in initiating the Journey of Art for Peace through which his works were shown under the auspices of art museums, cultural institutions, and peace centers in extensive solo exhibitions that traveled internationally and particularly in Latin America.

The website provides insight into the art market and works closely with art institutions to inform readers about upcoming exhibitions, events, reviews, interviews, art travel, and more.

Astrup Fearnley Museum of Modern Art collaborates with international institutions, and produces exhibitions that travels worldwide.

Opening at Schaulager in March 2018 and traveling to The Museum of Modern Art in September of that year, the exhibition will be the first comprehensive retrospective of the artist's work across all mediums in over 20 years, and will build upon the rich holdings of the two organizing institutions.

The Barrie Cooke exhibition will travel to the Crawford Art Gallery in Cork, the Romuald Hazoumè exhibition will travel to Wales, while the Gerard Byrne exhibition will be shown in Lisbon and London, continuing the Museum's established policy of touring exhibitions to leading sister institutions in Ireland and around the world.

Honored with a 2006 retrospective at the Museum of Modern Art, New York, which traveled to the San Francisco Museum of Modern Art and the Hamburger Bahnhof in Berlin, Marden has also been the subject of one - person exhibitions at institutions such as the Solomon R. Guggenheim Museum in New York, the Stedelijk Museum in Amsterdam, and the Serpentine Gallery in London.