Sentences with phrase «international artistic practice»

International Artistic Practice — a practicing artist who is based outside of the north west and has significant European and International practice.

Originally modelled on a classic biennial format with artists chosen to officially represent each participating country, the Biennial provided a glimpse into regional and international artistic practice.

Nauman is widely regarded as among the most important living American artists and as a catalyst for the recent shift in international artistic practice toward conceptual and performative uses of language and the body.

The common thread, according to the press release, is that of «a fluid and fluent dialogue between the most diverse national and international artistic practices in contemporary art.»

This exhibition embodies a fluid and fluent dialogue between the most diverse national and international artistic practices in contemporary art — the purpose for which Aujourd» hui was established.

As the eighth act of Morality, realized specifically for the «world stage» of Shanghai's Expo, Nether Land highlights diverse international artistic practices that engage with the paradoxes of cross-cultural perception and fantasies of foreign and alternative production.

Home Away seeks to define the contours of different kinds of international artistic practices, simultaneously global and local, that resonate with the way that we live our daily lives in Southern California.

Not exact matches

Abstraction dominated artistic practice during these years, as many artists working in the aftermath of World War II sought an international language that might transcend national and regional narratives — and for women artists, additionally, those relating to gender.»

Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

First Call for Applications — English Master Visual Arts: Fine Arts — «Art Sense (s) Lab» — the first Official International English Master Visual Arts Programme about the use of the approximative senses (smell, taste and touch) as part of the Artistic Practice.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

Founded in 1999, the organisation's public mandate is to offer a climate of support for the creation of and interaction with diverse artistic practices by producing new solo exhibitions of international and local artists.

As international artists flock to the city, there's an uncomfortable sense that the «lotus» of acceptable artforms might be being imposed on a swampy grassroots artistic practice.

She has produced over fifty exhibitions of Canadian and international artists, most recently «Rural Readymade» (2011), «Krimiseries» (2010), «Dig Up My Heart: Artistic Practice in the Field» (2010), «Formerly Exit Five: Portable Monuments to Recent History» (2010).

Providing us with the first comprehensive survey of international artists who incorporate science, biology, kinetics, telecommunications, the computer, and the physical sciences, the book also incorporates the relevant art theory and personal statements of the surveyed artists, hoping for a better understanding of the new artistic practice.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

A-I-R Laboratory hosts up to 30 international artists a year and focuses on production and research based practices within the context of the residency treated as an artistic medium.

More recently, he has continued to attract international attention though his lectures and essays on contemporary dance and on the artistic practices that emerged in the New York Underground scene of the 1960s, mainly the work of Jack Smith, Ronald Tavel and Andy Warhol (e.g. «Our Kind of Movie»: The Films of Andy Warhol, 2012)

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practices, with new programs led by international curators from major institutions.

by Daelyn Farnham With only thirty years under his belt, the San Francisco based Nate Boyce balances an artistic practice that jumps between international museum tours of his experimental music and video...

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de Sao Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practice, with new programs led by international curators from major institutions.

Their interdisciplinary approach to a developing artistic vision and practice equips students to thrive as an emerging professional within the regional, national, and international scenes of art, design, and writing.

This fall, a group highly acclaimed curators will variously take up questions of international curating, the evolution of global biennials, as well as more particular topics relating to artistic and curatorial practices in Asia.

Dead Lands engages with identity conflicts and their manifestation in contemporary work; the exhibition and its public programming will open this conversation to an international audience, focusing on artistic practices that uncover identity shaped through land, both concrete and imagined.

Approximately 40 — 45 works will comprise this exhibition shedding light on Pelton's artistic contribution to American Modernism, while examining her practice against a broader, international framework of spiritual and esoteric abstraction.

His seminal poems, «The Neo-HooDoo Manifesto» and «The Neo-HooDoo Aesthetic,» delve even deeper into this artistic practice to demonstrate its vitality as an international, multicultural aesthetic that embraces spiritual creativity and innovation.

Committed to innovation and experimentation in art, THE HUB is devoted to contemporary artistic practices, with a balanced network of local and international artists, students, faculty and art professionals working to create relevant visions about art in the world of tomorrow.

Film and video is one facet of artistic practice that showed up late on the International «s radar, appearing for the first time in the 1985 iteration.

McLean is known for versatility in his artistic practice, gaining international recognition for his work in many different mediums, from ceramics to innovative creations with theatre and film.

Peleg has organised and co-curated various international projects dealing with artistic practices and culture from the Middle East.

A growing international roster of artists provides opportunities for students from all majors to learn about wide - ranging artistic practices and worldviews.

AP: We showcase a broad spectrum of artistic practices from both national and international artists.

In addition to her artistic practice, Munro is Editor of SOAP magazine and has curated a countless exhibitions and projects, most recently the international group exhibition We Go Far... And Way Back at Show Gallery on Staten Island, NY.

«EVA International was originally founded in 1977 — the same year as Skulptur Projekte Muenster — to bring contemporary artistic practices to audiences in the west of Ireland.

Despite its unique context and innovative structure, the Second Havana Biennial essentially was a report on current artistic practices across the Third World, albeit a survey mounted without the art market filter of other international exhibitions.

At the IBB Travis has worked alongside several renowned international artists, that have greatly contributed to the development of his artistic practice and have expanded his vision on the role of art in society.

In addition to her artistic practice, she currently manages international collaborations and education, and also facilitates workshops for DutchCulture TransArtists.

In harmony with POP Montreal's mandates, Art POP strives to create a place for young, emerging artists and curators to share space alongside established talent, and to find challenging and creative ways to situate Montreal's artistic community within the context of international contemporary art practices.

Event Crossing Archives Dec. 1 10:00 — 18:00 One - day conference and international panel discussing overarching questions relating to the perspective, function and significance of photographic archives for society and artistic practice.

PRAXES Center for Contemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.

They included Geetha Mehra, Director of Sakshi Gallery, and curator of Finding India, an exhibition of Indian art that was concurrently on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practice.

The Sharjah Art Foundation Production Programme broadens the possibilities for international artists to produce art in the MENASA region through a commitment to support excellence in artistic practice by encouraging risk and experimentation.

About Prospect New Orleans Prospect New Orleans was conceived in the tradition of the great international exhibitions, such as the Venice Biennale and the Bienal de São Paulo, to showcase new artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf region.

This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic - artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.