Sentences with phrase «international contemporary art biennial»

Under the helm of previous curators that include Kerry Brougher, Sukwon Chang, Okwui Enwezor, Charles Esche, Massimiliano Gioni, Hou Hanru, Honghee Kim, Yongwoo Lee, Youngchul Lee, Kwangsoo Oh, Wan - kyung Sung, and Harald Szeemann, the Gwangju Biennale has established itself as a highlight of the international contemporary art biennial circuit.

By Diane Mack WWNO Listen to Susan Taylor's interview with Diane Mack here Coming up on Inside the Arts, Prospect New Orleans kicks off the international contemporary art biennial - Prospect 3 this week at venues throughout the city.

Gary Simmons is included in Prospect.3: Notes for Now (P. 3), an international contemporary art biennial.

Not exact matches

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporContemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artisArt Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artisart historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporarycontemporary artists.

Her works have been included in international biennials such as the 2010 Whitney Biennial; the Second Moscow Biennial of Contemporary Art (2007); Whitney Biennial: Day for Night (2006); and Biennale d'Art Contemporain de Lyon: Experiencing Duration (2005).

catalogues of international solo and group exhibitions and international biennials, including the Paris Biennale, Mercosul Biennial (Brazil), and the Slovenian Triennial of Contemporary Art;

The Suzanne Deal Booth Art Prize at The Contemporary Austin is a biennial, unrestricted international art award of $ 100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programmiArt Prize at The Contemporary Austin is a biennial, unrestricted international art award of $ 100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programmiart award of $ 100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programming.

They also organized and curated the highly acclaimed international biennial Bishkek Contemporary Art Exhibition.

In February, he received wide recognition when he was awarded the biennial Artes Mundi 6, the UK's top prize for international contemporary art.

In a period of increasingly rapid communication and experience exchange, the biennial has become the main hub in Istanbul for the introduction, debate and assessment of current paradigms in both the theory and practice of local, international, and transnational contemporary art.

About Prospect New Orleans: Founded in 2008 by Dan Cameron, Prospect New Orleans is one of the leading biennials of international contemporary art in the United States.

He has been a Lecturer at Yale University and Pratt University, and has curated a number of international exhibitions, including Dublin Contemporary 2011, the inaugural Irish biennial of conteContemporary 2011, the inaugural Irish biennial of contemporarycontemporary art.

She is the founding benefactor of Prospect New Orleans, the premiere biennial of international contemporary art in the U.S..

The Contemporary Art Forum Kitchener and Area (CAFKA) is an artist - run organization that produces an international biennial exhibition of contemporary art projects in the public spaces of the WateContemporary Art Forum Kitchener and Area (CAFKA) is an artist - run organization that produces an international biennial exhibition of contemporary art projects in the public spaces of the Waterloo RegiArt Forum Kitchener and Area (CAFKA) is an artist - run organization that produces an international biennial exhibition of contemporary art projects in the public spaces of the Watecontemporary art projects in the public spaces of the Waterloo Regiart projects in the public spaces of the Waterloo Region.

Laing's works have been included in many important international museums and biennials including the Museum of Contemporary Art, Sydney, Frist Center for the Visual Arts, Nashville, USA; and the National Museum of Art, Osaka, Japan; and Biennale of Sydney (2008), Venice Biennale (2007), Busan Biennale (2004), and Istanbul Biennial (1995).

Gateshead's BALTIC museum launches new award for artists Gateshead's BALTIC Centre for Contemporary Art has announced details of its new biennial award for international artists..

She has participated in various biennials, such as the Liverpool Biennial, Liverpool, United Kingdom (2010); the 6 th Berlin Biennale for Contemporary Art, Berlin Germany (2010); the 9 th Biennale de Lyon, Lyon France (2007); The Bienal do Mercosur, Porto Alegre, Brazil (2007); the 27 th Bienal De São Paulo Brasil, Sao Paulo, Brazil (2006); the Tirana Biennale, Kompleksi — Goldi, Tirana, Albania (2005), and The 8 th International Istanbul Biennial, Istanbul, Turkey (2003).

Prospect.3 is the premiere biennial of international contemporary art in the United States.

The Cardiff - based initiative most well known for its biennial contemporary art prize and accompanying exhibition proudly broadcasts its international scope.

After CCS Bard, Esseiva was appointed Director of Retrospective gallery in Hudson, NY; guest curator at the 2016 Glasgow International biennial festival of contemporary art; and curator at September gallery, in Hudson, NY, where she organized the Arcade Bloc performance series.

Notable exhibitions • «Jane Alexander: On Being Human,» Galilee Chapel of Durham Cathedral, England, 2009 • «Survey,» Jack Shainman Gallery, New York, New York, 2009 • «Jane Alexander,» Gasworks, London, 2000 • «Bom Boys and Lucky Girls,» University of Cape Town Irma Stern Museum, South Africa, 1999 Curated international Group exhibitions • Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials • «Africa Remix» exhibited in Europe, Japan and South Africa, 2006 • «Africas: The Artist and the City,» Spain, 2001 • «Apartheid: The South African Mirror,» Spain, 2007 • «Personal Affects: Power and Poetics in Contemporary South African Art,» United States, 2004 • «The Short Century» in Germany and the United States, 2002

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of São Paulo (1994).

The model of contemporary art biennials, upon which Prospect is based, emerged with the Venice Biennale, which was founded in 1895 to be the first international art exhibition.

He has been the recipient of many prestigious awards: the Sculpture Prizes at the Biennials of São Paulo (1963) and Venice (1964); the Japan Art Association's 1990 Imperial Praemium for Sculpture, and the Lifetime Achievement in Contemporary Sculpture Award from San Francisco's International Sculpture Center (2008).

Selected fairs and biennials include: Art Toronto International Art Fair, Toronto (2015); arteBA Art Fair, Buenos Aires (2015); Untitled International Art Fair, Miami (2014); Scope International Art Fair, Basilea (2014); «Reconstrucciones» Project Rooms ArtLima, Lima (2014); ArtLima, Lima (2013); PARC, Lima (2013, 2014); Scope, Miami (2012); ArtBo, Bogotá (2012); Dublin Contemporary Biennial, Dublin (2011).

Reading Imelda Barnard's letter from Limerick in this issue, reporting on EVA International, Ireland's contemporary art biennial, what is striking is the discrepancy between the reductive curatorial attitude — to remember 800 years of oppression — and how the participating artists seem to have found imaginative new pathways through the past.

At its highly successful biennial fairs in London and New York, 1 - 54 features work from leading international galleries specializing in contemporary African art, accompanied by a program of talks and events.

For although increasing attention is paid to art from this region on the international level — with biennials in Istanbul and Sharjah, Catherine David's ongoing project «Contemporary Arab Representations,» and the visibility of the Middle Eastern art - and - culture magazine Bidoun — there is still a paucity of such exhibitions in London.

Lilly Wei is a New York - based independent curator, writer, journalist and critic whose area of interest is global contemporary art and emerging art and artists, reporting frequently on international exhibitions and biennials.

In 1995, the museum hosted the U.S.'s first international biennial for contemporary art.

Matt Packer will be the new director of EVA International, the Irish biennial that surveys the contemporary art scene.

The EVA International, Ireland's contemporary - art biennial, has revealed the first group of artists participating in its 2018 edition.

He is a board member of both the Douglas Hyde Gallery, Dublin and the EVA International biennial of contemporary art.

Three years after Katrina, New Orleans launches a city - spanning biennial of art, America's largest - ever international contemporary art show

Prospect.3 New Orleans, the third edition of an international art biennial, invites leading contemporary artists from around the world to showcase their work in the U.S..

1 New Orleans, the largest biennial international contemporary art ever held in the United States, opened to the public today.

Founded in 2008 by Dan Cameron, Prospect New Orleans is one of the leading biennials of international contemporary art in the United States.

2014 Reparations, Contemporary Artist From New Orleans, Prospect.3 + (an international biennial art show) New Orleans Museum of Arts Above Canal: CANO's Creative Spaces in Central City Rights and Revival, Prospect.3 + (an international biennial art show) Myrtle Banks Building, New Orleans Bombay Sapphire Artisan Series National Juried Exhibition at the

The BelgianArtPrize is a prestigious and historic biennial Award for Contemporary Art that stimulates talented leading artists living and working in Belgium, contributing to the development of their careers and international visibility.

Residuos de la economía general I, Centro de Arte Dos de Mayo, Móstoles, Spain Territories of Time, Meessen De Clercq, Brussels, Belgium CHANGING THE FOCUS: THE ART OF LATIN AMERICAN PHOTOGRAPHY (1990 - 2005), Molaa Museum of Latin American Art, Long Beach, CA, USA Morality Act III: And the moral of the story is..., Witte de With Center for Contemporary Art, Rotterdam, Netherlands PRESS ART - Werke aus der Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland Quartet — Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, SloveART OF LATIN AMERICAN PHOTOGRAPHY (1990 - 2005), Molaa Museum of Latin American Art, Long Beach, CA, USA Morality Act III: And the moral of the story is..., Witte de With Center for Contemporary Art, Rotterdam, Netherlands PRESS ART - Werke aus der Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland Quartet — Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, SloveArt, Long Beach, CA, USA Morality Act III: And the moral of the story is..., Witte de With Center for Contemporary Art, Rotterdam, Netherlands PRESS ART - Werke aus der Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland Quartet — Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, SloveArt, Rotterdam, Netherlands PRESS ART - Werke aus der Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland Quartet — Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, SloveART - Werke aus der Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland Quartet — Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia

About SITE Santa Fe SITE Santa Fe opened in 1995 to present what was then the only international biennial of contemporary art in the United States, and one of only a handful of biennials around the world.

In addition to the new exhibition model, the biennial will commission site - specific works that focus on the 1980 Gwangju Uprising, and the Pavilion Project, for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine Contemporary Art Network will stage satellite exhibitions at historically significant locations across the city.

Rosler has participated in group exhibitions at institutions including the Centre Pompidou, Paris; Museum of Modern Art, New York; the International Center of Photography, New York; Fotomuseum Winterthur; the Reina Sofía, Madrid; Skulptur Projekte Münster 07; documenta 7 & documenta 12, Kassel; several Whitney Biennials, New York; the Venice Biennale; Nederlands Fotomuseum, Rotterdam; Tate Modern, London; Museum of Contemporary Art, Los Angeles, the Singapore Biennial 2011; and many other international and natInternational Center of Photography, New York; Fotomuseum Winterthur; the Reina Sofía, Madrid; Skulptur Projekte Münster 07; documenta 7 & documenta 12, Kassel; several Whitney Biennials, New York; the Venice Biennale; Nederlands Fotomuseum, Rotterdam; Tate Modern, London; Museum of Contemporary Art, Los Angeles, the Singapore Biennial 2011; and many other international and natinternational and national venues.

SITElines signifies a radical rethinking of SITE's signature exhibition: when SITE Santa Fe opened in 1995, it launched what was then the only international biennial of contemporary art in the United States, and one of only a handful of biennials around the world.

Topics include exhibitions in public spaces; the artist as curator; multidisciplinary exhibitions; the international art biennial and its role in shaping contemporary art; sociopolitical issues; and underrepresented art and artists, such as non-Western artists and performance work.

«The Ural Industrial Biennial of Contemporary Art is a rare example of a large - scale project of international significance in the Russian regions; it is innovative for the whole biennial system due to live interaction of artistic practice and industry.

Curator of the artist - in - residence program and Manager of international partnerships of the 4th Ural Industrial Biennial of Contemporary Art, Curator of the permanent biennial residence in the city of Satka.

The judging panel, chaired by Curtis, also included Stefan Kalmar, the executive director of Artists Space, New York; Helen Legg, the director of Spike Island in Bristol; Sarah McCrory, the director of the Glasgow International biennial; and Dirk Snauwaert, the artistic director of the Wiels contemporary art centre in Brussels.

She has participated in numerous international biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, Eninternational biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, EnInternational Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, England (1999).

He has participated in several international biennials and notable group exhibitions including The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Smithsonian National Museum of African Art, Washington, D.C. (2015); Museum fur Moderne Kunst, Frankfurt; and SCAD Museum of Art, Savannah, GA (2014); the 18th Biennale of Sydney (2012); the 54th Venice Biennale (2011); La Triennale at the Palais de Tokyo, Paris (2012); the Liverpool Biennial (2010); the Guangzhou Triennial, China (2008); and Flow, Studio Museum in Harlem (2008).