Sentences with phrase «international curator course»

She participated in seminars such as ICI's Curating Context, Instituto Inhotim; 13th Istanbul Biennial, Mom Am I a Barbarian, Istanbul; and the Gwangju Biennale International Curator Course, Gwangju, Korea.

In 2010 he was guest professor for the International Curator Course of the Gwangju Biennale in South Korea.

The Gwangju Biennale hosts its third edition of International Curator Course.

Call for Applications by Gwangju Biennale International Curator Course.

The Gwangju Biennale calls for applications for its fifth edition of the International Curator Course.

He holds an MA in Curating Contemporary Art from the Royal College of Art, London, and is a graduate from the 7th Gwangju Biennale International Curator Course.

Education: Doctor of Philosophy (Ph.D) Art History, 2017 Complutense University of Madrid (Madrid, Spain); International Curator Course (Summer 2012) Gwangju Biennale Foundation (Gwangju, South Korea); Contemporary Curatorial Practice (Summer 2012) ICI - Independent Curators International (New York, USA).

She graduated from the MFA Curating Programme at Goldsmiths College (UK) and was one of the curators selected for the 3rd International Curator Course at the Gwangju Bienniale in South Korea in 2011.

He was recipient of the Estancias Tabacalera research fellowship for Latin - American curators 2016, Madrid, Spain, and was part of the 7th Gwangju Biennale International Curator Course, in Gwangju, South Korea.

Not exact matches

In the introduction to a 2003 essay on Tomaselli's work in Parkett magazine, curator James Rondeau writes: «Over the course of the last ten years, Fred Tomaselli has established an international reputation for his meticulously crafted, richly detailed, deliriously beautiful works of both abstract and figurative art.

The participants will develop themes as well as concepts, organization, acquisition, communication and the concrete implementation of their skills together with the course director and international guests (artists, curators, architects, critics, fine arts scientists and publishers of art journals).

During the 10 - session online course, participants meet with a range of art world professionals: gallery owners, critics, collectors, curators, art consultants, and international artists.

Through a bespoke programme of events, collection visits, dinners and discussions, courses, studio tours and international trips, we offer our Patrons the unique opportunity to explore the art of the 21st Century with artists and curators as their guides.

Printed Matter Street / Gallery artist and curator «Mad One» will present and team up with The Screaming Sky Gallery in Portland, OR to host this one of a kind exhibit «Printed Matters», a showcase of local and international artists, graphic designers, graffiti artists and of course avid print makers.

Recognizing the need to support curatorial talent and provide low - cost practical training in the current economic climate, Independent Curators International (ICI) initiated the Curatorial Intensive — the first major short - course training program for emerging curators in the UnitedCurators International (ICI) initiated the Curatorial Intensive — the first major short - course training program for emerging curators in the Unitedcurators in the United States.

Since its inception, the course has provided an open platform for collaborative education and expansion of curatorial practice as well as an opportunity for young curators to build an international network.

Seventh lecture by Guillermo Santamarina within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience deveCurators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience devecurators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.

Second lecture by Thelma Golden within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

Anyway, naturally, by the time the ICI (Independent Curators International) asked me to do this show, the text of course became much more elaborate.

Fifth lecture by Okwui Enwezor within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

She has been attending several seminars, courses and residencies about Curatorial Studies such as ICI (Independent Curators International), New York, the Internationale Sommerakademie für Bildende Kunst, Salzburg, or Node Center for Curatorial Studies, in Berlin, where she curated and participated in diverse exhibitions and artistic projects.

The exhibition is accompanied by a publication supported by Lisson Gallery, London, which includes contributions by Christophe Cox (Professor of Philosophy at Hampshire College, Massachusetts); Michael Eng (Associate Professor, Department of Philosophy, John Carroll University, Ohio); Declan Long (Lecturer and Course Co-ordinator Art in the Contemporary World, NCAD, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); Séamus McCormack (Projects Co-ordinator: Exhibitions, IMMA); and an interview with Mirza and Hans - Ulrich Obrist (Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London).