Sentences with phrase «international curators forum»

Another pavilion that refutes the privileged position that the nation state is given at the Venice Biennale and challenges the depressing number of black artists in Christine Macel's vision is the Diaspora Pavilion, which is presented by the International Curators Forum and University of the Arts London.

Khadija's confidence grew after graduating by volunteering, involvement with contemporary art galleries, and eventually joining the International Curators Forum.

She works in curatorial, consultative and project management capacities for organisations that include Autograph ABP, International Curators Forum (ICF), African and Asian Visual Artists Archive (AAVAA), PLATFORM, The Showroom, Live Art Development Agency, Hastings Museum and Art Gallery, Arts Council England.

Residencies include Drawing Room, London (2017), Palazzo Pisani a Santa Marina, Venice (2017), The International Curators Forum, in partnership with University of the Arts London (2016 - 2018), James Hockey Gallery, UK (2015), The Bag Trust, Johannesburg, South Africa (2008), and Witwatersrand University, Johannesburg, South Africa (2006).

The International Curators Forum (ICF), in partnership with UAL University of the Arts London, has been awarded # 150,000 for a two year project targeting the under - representation of professionals from BAME backgrounds at senior levels within the visual arts.

Residency / Commissions 2016 — 2018 The International Curators Forum (ICF), in partnership with University of the Arts London (UAL) Mentor: Director of International Curators Forum, David A Bailey 2011 International Studio & Curators programme, New York.

The International Curators Forum in partnership with UAL University of the Arts London has been awarded # 300,000 for Tactical Interventions: Curating the first ever Diaspora Pavilion.

(Source: International Curators Forum)

Tuesday also saw the launch of the Curator's Workshop, a week long series of seminars and workshops for emerging contemporary art curators from the Middle East and hosted in collaboration with the International Curators Forum and Tate.

Adelaide Bannerman has worked predominantly freelance as a project manager, curator and consultant for UK arts institutions working transnationally with critical and creative practitioners, for the past 18 years, including the International Curators Forum (ICF), Iniva (Institute of International Visual Arts), African and Asian Visual Artists Archive (AAVAA), Tate, Live Art Development Agency, and Arts Council England.

With thanks to ICF International Curators Forum for the support of the symposium.

2017 Colonial Stories, GL Holtegaard, Holte, Denmark From Life, The Royal Academy of Arts, London, UK Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World, Yale Center for British Art, New Haven, Connecticut, USA toured to Kensington Palace, London, England Quotidian, Pearl Lam Galleries, Shanghai, China Summer Exhibition, Royal Academy, London, England Un bal masqué (A masked ball), Le Chateau de Nyon, Switzerland Diaspora Pavilion, International Curators Forum Mentoring Programme, Venice Biennale, Italy Tous, des sang - mêlés, MAC / VAL, Vitry - sur - Seine, France Public View, Bluecoat, Liverpool, UK

Taking up that theme further is the Diaspora Pavilion, new this year, a joint project by the University of the Arts, London, and the International Curators Forum.

Diaspora Pavilion is curated by David A Bailey and Jessica Taylor and presented by ICF (International Curators Forum) and University of the Arts London.

Presented by International Curators Forum (ICF) and University of the Arts London (UAL) at the Palazzo Pisani S. Marina during the 57th Venice Biennale (13 May - 26 November 2017).

Not exact matches

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.

1 - 54 Marrakech will be accompanied by FORUM, the fair's extensive talks and events programme, including artist talks and panel discussions with international curators, artists and cultural producers, to be held at La Mamounia on 24 & 25 February.

In the dead center of NEXT «s layout at Merchandise Mart this weekend, in what would otherwise be prime real estate for galleries willing to shell out big bucks for sprawling, centrally - located booths, is instead the Art Chicago NEXT Talk Shop, the site of CONVERGE Chicago: Contemporary Curators Forum, a 4 - day series of public panels and talks with major national and international figures from the art world.

Breakfast Forum: «Perspectives Beyond Stagnation,» 30 May During the preview of the 55th International Art Exhibition — la Biennale di Venezia, the Central Asian Pavilion in Venice will host an opening breakfast and discussion on Thursday, 30 May 9 — 11 am titled «Perspectives beyond Stagnation» organised in collaboration with the curators of LIAF 2013 (Lofoten International Art Festival www.liaf.no), Anne Szefer Karlsen, Bassam El Baroni and Eva González - Sancho.

INTERACTION began as online forum, hosted by Eyebeam Atelier, featuring an international group of artists, scholars, critics, architects, students, technicians, and curators.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

Diaspora Pavilion is at Palazzo Pisani Santa Marina, Venice, from 13 May to 26 November 2017, presented by ICF (International Curators» Forum) and UAL (University of the Arts London).

The forum sought to ameliorate the invisibility of the works of black Canadian artists, curators, and critics within the international sphere.

Expanded Context: Black Canadian Curators at the 56th International Art Exhibition, the Venice Biennale 2015 was a forum which brought together black Canadian curators and critics at the 56th Venice Biennale in order to build transnational networks and promote black Canadian visCurators at the 56th International Art Exhibition, the Venice Biennale 2015 was a forum which brought together black Canadian curators and critics at the 56th Venice Biennale in order to build transnational networks and promote black Canadian viscurators and critics at the 56th Venice Biennale in order to build transnational networks and promote black Canadian visual art.

May 1, 2010 5 - 6:30 pm Beyond the White Cube II: International Networks NEXT Talk Shop, 7th Floor Converge Curators Forum, Art Chicago Chicago, IL

Independent Curators International (ICI) celebrates EXPO CHICAGO and the IN / SITU section of large - scale and site - specific installations selected by ICI's Renaud Proch, by heading to Chicago from September 18 — 20 for an exclusive International Forum program.

Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current curatorial practices by inviting curators from its network to collaborate on research into what it means to be working internationallCurators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current curatorial practices by inviting curators from its network to collaborate on research into what it means to be working internationallcurators from its network to collaborate on research into what it means to be working internationally today.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA 2006 RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA 2006 Alien Nation, Institute of Contemporary Arts, London, England 2006 William Hogarth, Musée du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain 2006 Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA 2006 MASCARADA / MASQUERADE, DA2 — Domus Artium 2002, Centro de Arte de Salamanca, Spain 2006 DRESSCODE, Historisches und Völkerkundemuseum, St Gallen, Switzerland 2006 Space is the Place, Independent Curators International, New York, USA 2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) 2006 Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA 2006 Africa Remix, Moderna Museet, Stockholm, Sweden 2006 Acting the Part: Photography as Theatre, National Gallery of Canada 2006 Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia 2006 A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA 2006 East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England 2006 Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England 2006 Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA 2006 Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

In the group exhibition «The Projective Drawing» at Austrian Cultural Forum New York (ACFNY), curator Brett Littman applies Evans's theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

1 - 54 FORUM will include artist talks, keynote lectures and panel discussions with international curators, artists and art professionals.

The International Day of Light - Symposium and Exhibition - brings together academics, artists and curators, with the aim of generating a forum for discussion on the interdisciplinary role of light in contemporary arts.

The Curatorial Forum, presented in partnership with Independent Curators International (ICI), and the EXPO CHICAGO Art Critics Forum was hosted on the / Dialogues Stage, open to the public for the first time since the inception of the program.

The fair will again be accompanied by FORUM, its extensive talks and events program which include lectures, film screenings and panel discussions with international curators, artists and art professionals.

1:54 is accompanied by the 1:54 FORUM an educational and artistic programme curated by Koyo Kouoh and includes lectures, film screenings and panel debates featuring leading international curators, artists and art experts.

On Tuesday evening, April 24, Roya Sachs, Curator for the Lever House Art Collection, gave a tour of Adam Pendleton's site - specific installation for ICI's International Forum and Leadership Council members.

washington university faculty exhibition, st. louis, mo 2003 philip slein contemporary art, invitational group exhibition, st. louis, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo st. louis art museum, «change of space», film by laura beard and d. jansky 2002 museum of contemporary art, «art cache», invitational group exhibit, st. louis, mo left bank gallery, «this is an image», collaborative exhibition with ann rast, st. louis, mo springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 2000 inform, invitational group exhibition, lemp brewery, st. louis, mo des lee gallery, «landscape», invitational group exhibition, curator: philip slein, st. louis, mo 1999 new american paintings, volume 22, national juried exhibition in print springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 1998 r. duane reed gallery, invitational group exhibition, st. louis, mo leedy voulkos gallery, invitational group exhibition, kansas city, mo 1997 erector square gallery, international women's exhibition, new haven, connecticut art loft gallery, «extirpate» with andy milner, heather Bennett, st. louis, mo courthouse gallery, national juried exhibition, woodstock, il 1996 forum of contemporary art, «stations of the cross» group exhibit, st. louis, mo 1993 laguna gloria museum of art, «primarily paint», curator: peter doroshenko, austin, tx artist's lofts gallery, national group exhibition, galveston, tx wayland babtist gallery, national group exhibition, wayland, tx mcallen international museum, national group exhibition, mcallen, tx firehouse gallery, national group exhibition, del rio, tx red mesa art center, national group exhibition, gallup, nm 1990 henry art gallery, mfa thesis exhibition, seattle, wa 1990

1:54 London 2016 will be accompanied by an educational and artistic programme, FORUM, curated by Koyo Kouoh and will include lectures, film screenings and panel discussions with international curators, artists and art professionals.