Sentences with phrase «international museum committee»

Not exact matches

«There is much work to do,» says Julien Anfruns, director - general of the International Council of Museums, and president of the International Committee of the Blue Shield - the cultural equivalent of the Red Cross.

Currently is the President of Science and Education Research Council (COPEC), President Elect of IEEE Education Society (2015 - 2016), President of Fishing Museum Friends Society (AAMP), President of (Brazilian) National Monitoring Committee of «Internationale Gesellschaft für Ingenieurpädagogik» (IGIP), Vice President of International Council for Engineering and Technology Education (INTERTECH), Vice President of World Council on System Engineering and Information Technology (WCSEIT), Vice President of Safety Health and Environment Research Organization (SHERO) and Vice President of World Council on Communication and Arts (WCCA).

The Board of Trustees of The Baltimore Museum of Art announced today that a committee has been formed to conduct an international search for the next director to lead the museum as it enters its second ceMuseum of Art announced today that a committee has been formed to conduct an international search for the next director to lead the museum as it enters its second cemuseum as it enters its second century.

Chang sits on the board of New York's MoMA PS1 and the Whitney Museum, is a patron of London's Southbank Centre, a trustee of the Royal Academy Trust and a member of Tate's International Council and the Asia Pacific Acquisitions Committee.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

Pfannebecker is Honorary Fellow of the American Crafts Council, has served on the board of the Haystack Mountain School of Crafts, and is a Member of the External Advisory Committee of the International Museum of Ceramic Art at Alfred University.

In addition to her work in Texas, Pace served on the national committee of the Whitney Museum of American Art, the national council of the Aspen Art Museum, a member of the Anderson Ranch Arts Center in Aspen, a member of the arts advisory committee at The Aspen Institute, a member of the board of trustee at the Dia Center for the Arts in New York, a member of the international council of the Tate Gallery, and won numerous awards for her commitment to artistic distinction Linda Pace died on July 2, 2007.

In addition to overseeing the Museum's Sarah Lee Elson, Class of 1984, International Artist in Residence Program, she serves as a curatorial adviser to Princeton's campus art committee.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Guggenheim Bilbao Museoa and Solomon R. Guggenheim Museum, New York, and with additional funds contributed by Thomas H. Lee and Ann Tenenbaum; the International Director's Council and Executive Committee Members: Eli Broad, Elaine Teer Cooper, Ronnie Heyman, J. Tomlinson Hill, Dakis Joannou, Barbara Lane, Robert Mnuchin, Peter Norton, Thomas Walther, and Ginny Williams; and funds from additional donors: Ulla Dreyfus - Best, Norma and Joseph Saul Philanthropic Fund; Elizabeth Rea; Eli Broad; Dakis Joannou; Peter Norton; Peter Lawson - Johnston; Michael Wettach; Peter Littmann; Tiqui Atencio; Bruce and Janet Karatz; and Giulia Ghirardi Pagliai

Among her many philanthropic involvements, Joyner is a trustee of the Art Institute of Chicago and a member of the Tate International Council, the Director's Circle of the San Francisco Museum of Modern Art and the Modern and Contemporary Art Visiting Committee of the Metropolitan Museum of Art.

He is a consultant for several international art institutions that include the Solomon Guggenheim Museum, Deutsche Bank Collection, Global Advisory Committee of the Walker Art Center in Minneapolis, and the Contemporary Art Museum in Kumamoto, Japan.

Hasegawa teaches art history at Tokyo National University of Fine Arts and Music and serves as a board member of the International Committee for Museums and Collections of Modern Art.

Women to Watch is an exhibition series featuring emerging and underrepresented women artists held every two to three years developed in conjunction with the museum's national and international outreach committees.

Inducted into the American Association of Museums Centennial Honor Roll, a recipient of the Award for Curatorial Excellence from Bard College, and named a Chevalier of the French Order of Arts and Letters, Halbreich has served as commissioner for North America and Cuba at the Gwangju Biennale (1995) and curatorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International Committees.

Chang is also a member of the Tate's International Council, as well as a trustee of the Royal Academy in London, MoMA PS1, and the Whitney Museum in New York (where he also co-founded and chairs the performance committee).

Grants and Awards 2015 Ox Bow Artist Residency, Saugatuck, MI 2014 Summer research, Welch School of Art and Design, GSU 2013 CENCIA Grant, College of Arts and Science, GSU Artist Residency, Vermont Studio Center, Johnson VT VSC Fellowship, Vermont Studio Center, Johnson VT Artist Residency, Atlantic Center for the Arts, New Smyrna Beach FL 2012 Artist Residency, Hambidge Art Center, Rabun Gap GA 2011 Summer Research Grant, Welch School of Art and Design, GSU 2008 Summer Research Grant, Welch School of Art and Design, GSU 2007 CENCIA Grant, College of Arts and Science, GSU 2006 Summer Research Grant, Welch School of Art and Design, GSU 2005 Research Initiation Grant, College of Arts and Science, GSU Juror Choice Award, Pass the Ammunition, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Summer Research Grant, Welch School of Art and Design, GSU 2003 Research Initiation Grant, College of Arts and Science, GSU Summer Research Grant, Welch School of Art and Design, GSU Juror Choice Award, Three Small Deaths, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2002 Art In America 2001 in Review: Highlighted Public Art Projects «Brute Neighbors,» Commissioned by Hartsfield Atlanta International Airport Atlanta Urban Design Committee, Award of Excellence in Public Art 1998 The Atlanta Contemporary Art Center Studio Program 1997 Fulton County Arts Commission 1982 Ford Foundation III.

She worked as an independent professional for various projects, among others: Diagonal Escuela Libre (member of the organizing committee) and has recently carried out curatorial projects for the City Museum, the International Book Fair, and the Ministry of Culture, Jalisco.

Joannou is a member of the Board of Trustees at the New Museum, a member of the Committee on Painting and Sculpture and of the Library Council at the Museum of Modern Art, and a member of the International Directors» Council at the Solomon R. Guggenheim Foundation, all in New York.

He has been actively involved with many other international art institutions, including the ICA Amsterdam and the Reina Sofia National Museum of Art in Madrid, and was a member of the Advisory Committees of both these museums.

In the selection process, the two curators counted on the assistance of an international committee composed of James Johnson Sweeney (director, Guggenheim Museum, New York), Thomas Grochowiak (director, Kunsthalle Recklinghausen), Rodolfo Pallucchini (Professor of Modern Art, Padova University; General Secretary of the Fine Art at the Venice Biennale, 1948 — 1956), and Italian critic Marcello Venturoli.

Schleuning is a member of the American Association of Museum Curators, the American Association of Museums and the International Committee of Museums - International Committee of Decorative Arts and Design.

The international, biennial award, which comes with a $ 20,000 prize, was launched by Beth Rudin DeWoody, a member of the Norton Museum's photography committee.

Dr. Hilgert is a member of several governing bodies and advisory boards, including the German National Commission for Unesco, the foundation board of the International Alliance for the Protection of Heritage in Conflict Areas, the advisory group of the British Council's Cultural Protection Fund, and the Disaster Risk Management Committee of the International Council of Museums.

Foundation and the Mitchell Wolfson Family Foundation, he is also a member of the International Council of the Museum of Modern Art, and serves on the Executive Planning Committee of the Bard Graduate Center in New York City.

The International Council of Museums announced last week that its International Committee has elected a new president, secretary, treasurer, and executive board for the period 2007 — 2010 at its triennial plenary meeting in Vienna.

The 2016 Gerrit Lansing Independent Vision Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 2016, Brazil.

He also serves on the executive committee of the Guggenheim Museum's International Directors» Council, that museum's primary acquisition committee, and on the board of the Los Angeles County Museum oMuseum's International Directors» Council, that museum's primary acquisition committee, and on the board of the Los Angeles County Museum omuseum's primary acquisition committee, and on the board of the Los Angeles County Museum oMuseum of Art.

Committee members include: Lisa Cremin, chairwoman of the Community Foundation of Greater Atlanta; Andrea Barnwell, director of the Spelman College Museum of Fine Art; Sarah Schleuning, curator of Decorative Arts at the High Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA /Museum of Fine Art; Sarah Schleuning, curator of Decorative Arts at the High Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA /Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA /museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA /Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WABE.

In 1996 she received the Kraszna - Krausz Book Award for In Retrospect, and the following year she was granted honorary degrees by the University of St Andrews, Staffordshire University, and the American International University in London; she was also appointed to the advisory committee of the National Museum of Photography, Film & Television in Bradford, England.

She also served on the International Council of Museum of Modern Art, the International Committee of the Tate Gallery, the Christie's American Advisory Board and as co-chair of Collection Lambert Avignon in France.

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

2009 Independent Curators International, NY - Appointed to Exhibitions Committee 2008 Walters Art Museum, Baltimore, MD — «Portraits Re / Examined: A Dawoud Bey Project» Weatherspoon Art Museum, Greensboro, NC — «An Artist Selects: Portraits from the Collection» (Essay) GASP!

Actively devoted to the arts and philanthropy, she served on the boards (among others) of the American Friends of the Israel Museum; the Whitney Museum of American Art; the Committee on Collections, Harvard University; the Woodrow Wilson International Center for Scholars; and the Aspen Institute.

From 1998 until 2004 he was President of CIMAM (the International Committee of ICOM for Museums of Modern Art).

Furthermore, it supported the CIMAM (International Committee for Museums and Collections of Modern Art) conference in 2010 in Shanghai.

Treatment of Claes Oldenburg's Ice Bag — Scale C, An Interdisciplinary Approach By Eleonora E. Nagy, Steven Berger, Ken Parker, Vladimir Schuster, Julian Miller, Jan Girard, and Carol Mancusi - Ungaro in International Council of Museums, Committee for Conservation, 16th Triennial Conference Abstract (Lisbon, Portugal, 2011).

Last year, Dufour was nominated as senior vice chairman of the International Bar Association M&A committee, vice president of the Leger Foundation Executive Committee, member of the Montreal Fine Arts Museum acquisitions committee and member of the board of the Maisonneuve Rosemont Hospital Focommittee, vice president of the Leger Foundation Executive Committee, member of the Montreal Fine Arts Museum acquisitions committee and member of the board of the Maisonneuve Rosemont Hospital FoCommittee, member of the Montreal Fine Arts Museum acquisitions committee and member of the board of the Maisonneuve Rosemont Hospital Focommittee and member of the board of the Maisonneuve Rosemont Hospital Foundation.