Sentences with phrase «interview archive page»

Not exact matches

The producers have already gotten some fabulous interviews archived on line with fellow Green Moms Carnival Founding Member Diane MacEachern, author of The Big Green Purse; Chef Ann (transformed school lunches with Alice Waters), Joan Blades of MomsRising.org and MoveOn.org, Elisa Camahort Page of BlogHer and Anya Fernald, director of Slow Food Nation.

There's also a short retrospective about the casting process with audition footage (including some of a young Nick Nolte) and a brief discussion about recasting Harvey Keitel with Sheen two weeks into filming, Coppola's interview with Roger Ebert from the 2001 Cannes Film Festival, the original 1938 Mercury Theater radio reading of «Heart of Darkness» by Orson Welles, and a 48 - page booklet with never - before - seen archives from the set.

Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.

Unlike most Warner Archive Collection releases, their re-release of this older Paramount title has a couple special features in its corner: a featurette on the Hays Code and how Sturges got around them (basically, he sent in a couple of pages at a time) and a short documentary on Sturges (Bracken and author James Ursini are amongst those interviewed).

Audio Commentary by Indexed Audio Commentary by Hitchcock Film Scholar Marian Keane / Illustrated Essay: «A Nightmare Ordered By Telephone» on Salvadore Dali Dream Sequence by James Bigwood / Audio Interview: Miklos Rozsa (1974)(28:29) / Radio Show: 1948 Lux Radio Theatre with Joseph Cotton & Alida Valli (60:00) / Radio Show: WNYC Public radio show on the Theremin (7:00) / Essay by Hitchcock scholars Leonard Leff & Lesley Brill / Stills and Archive Documents / Theatrical trailer for «Spellbound» New transfer with digitally restored image and sound, with Overture and Exit music / 20 page colour booklet

It is now clear that the future of publishing is on the Internet, where articles can be combined with films, interviews, interactive polls, live webinars, and more extensive archives of content than is possible within the pages of a magazine.

The mix of stories usually includes some old and new Judge Dredd, creator interviews and other feature content, and a complete 64 - page graphic novel drawn from the 2000AD archives.

PS: I found this interview archived over at Austin Wintory's own Press Page and was able to enter the link into the Wayback Machine.

Thematic chapters on key concepts — such as modernity, nation, site, technology, the postcolonial city, performance, the archive and sport — combine new writing with artists» pages, reprints of much sought - after texts, unpublished transcripts of discussions and interviews featuring leading international scholars.

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.