Not exact matches
In the last installment of the «fraternal war between my brother and me,»
titled «The Only Way
Into the Kingdom of God,» H. Richard says that the most significant issue between himself and his brother is not inactivity versus activity, as the
essays»
titles misleadingly imply.
We also don't just put «custom»
into our
essay writing company
title for nothing.
The
titles of her collections of reviews and
essays, with their suggestive sexual and romantic overtones — «I Lost It at the Movies,» «Kiss Kiss, Bang Bang,» «Deeper
Into Movies,» «Reeling,» «When the Lights Go Down» — told you everything about her approach to movies.
Cate Blanchett
essays the
title role, a fashionable, confident woman whose lifestyle is at odds with her husbands», and his wealthy parents», sense of patriarchy (Kyle Chandler, wicked but believable) comes
into play as a war attrition in the proceedings of their crumbling marriage over their daughter's custody.
Comparing the international and U.S. trailers offers some insight
into the changes wrought on the version that washed up on Yankee shores; an extensive and vaguely repetitive posters and still gallery reminds that the film's original
title was Kiss & Kill; a long
essay on the life and times of Sax Rohmer offers sustenance for the pulp geek (and who ain't); and extensive biographies of Lee and Franco illuminate not only their subjects, but the strong connection behind the scenes between Blue Underground and Anchor Bay.
We also don't just put «custom»
into our
essay writing company
title for nothing.
Publications include Nihilistic Optimistic, published by Blain Southern London on the occasion of the inaugural exhibition at Hanover Square of the same
title October 2012 with an interview by Hans Ulrich Obrist, an
essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern, London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an
essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight
into Freud's theories and how they relate to art practice with critical
essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with
essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 2006.
Carol Kaesuk Yoon, who writes frequently for Science Times and in 2002 collaborated with me on a story about the growing human influence on that thing called «nature,» had a thought - provoking
essay in the paper this week
titled «Nature Follows a Path of Pixels
Into Children's Hearts.»